as the end of her conventual period drew nigh eileen resolved never to go back to the spotted world, but to ask her father to pay her dowry as bride to the church, and she had just placed in marcelle's niche the letter informing lieutenant doherty of her call to the higher life (and pointing out how apter than ever his confessions would now be) when marcelle's signal warned her to look in her own niche. there she found a letter which she could not read till bread-and-chocolate time, but which then took the flavour out of these refreshments. her lover--he leaped to that verbal position in her thought in this moment of crisis--was ordered off in haste to afghanistan. the geographical proficiency which had won her so many marks served her only too well, but she hastened to extract her atlas from the fatal niche, and to pore over her geographical misery. she felt she ought to withdraw her own letter for revision, but she could not get at marcelle or even make her understand. in her perturbation she gave cabul and candahar as kings of navarre, and marcelle, implacable as a pillar-box, went away in the evening like a mail-cart.
but the very same night the superior handed eileen an opened cablegram which banished lieutenant doherty much farther than afghanistan. her father was very ill, and called her to his bedside. things had a way of happening simultaneously to eileen, these coincidences dogged her life, so that she came to think of them as the rival threads of her life getting tangled at certain points and then going off separately again. after all, if you have several strings to your life, she told herself, it would be more improbable that they should always remain separate than that they should sometimes intertwine.
eileen reached the castle through a tossing avenue of villagers, weeping and blessing, and divined from their torment of sympathy that "his honour" was already in his grave. poor feckless father, how she had loved him spite all his rollicking ways, or perhaps because of them. through her tears she saw him counting--on his entry into paradise--the children who had preceded him, and more than ever fuzzled by the flapping of their wings. oh, poor dearest, how unhomely it would all be to him, this other world where his jovial laugh would shock the nun-like spirits, where there was no more claret, cold, mulled, or buttered, and no sound of horn or tally-ho.
perhaps it was as well that so many of his brood had gone before him, for with his departure the castle fell metaphorically about the ears of the survivors. creditors gave quarter no longer, and mrs. o'keeffe found herself reduced to a modest red-gabled farmhouse, with nothing saved from the crash save that part of her dowry which was invested in trustees for the education of her boys. there was no question of eileen returning to the convent as a pupil: her desire to take the veil failed at the thought that now she could only be a dowerless working-sister, not a teacher. and for teaching, especially music-teaching, she felt she had a real gift. by a natural transition arose the idea of becoming a music-teacher or a governess outside a convent, and since her stay at home only helped to diminish her mother's resources, she resolved to augment them by leaving her. family pride forbade the neighbourhood witnessing a deeper decline. the o'keeffes were still "the quality"; it would be better to seek her fortunes outside ireland and retain her prestige at home. the dual existence would give relish and variety.
eileen's mind worked so quickly that she communicated these ideas to her mother, ere that patient lady had quite realised that never more would she say, "it's your wife i am, bagenal dear."
"no, no, you are not to be going away," cried mrs. o'keeffe, in alarm.
"why wouldn't i?" asked eileen.
mrs. o'keeffe could not tell, but looked mysterious meanings. this excited eileen, so that the poor woman had no rest till she answered plainly, "because, mavourneen, it's married you are going to be, please the saints."
"married! me!"
"it was your father's dying wish, god keep his soul."
"but to whom?"
"you should be asking the priest how good he is. didn't you notice that the chapel is being white-washed afresh and how clear the angelus bell rings? not that it matters much to him, for he has lashings of money as well as a heart of gold."
"hasn't he a name, too?"
"don't jump down my throat, eileen darling. i shouldn't be thinking of o'flanagan if your father--"
"o'flanagan! do you mean the man that bought our castle at the auction?"
"and isn't it beautifully repaired he's having it for you? he saw you when you were home for the holidays, and he asked us for your hand, all so humble, but your father told him he must wait till you came home for good."
"o'flanagan!" eileen flicked him away with her thumb. "a half-mounted gentleman like that."
"eileen aroon, beggars can't be choosers."
eileen flushed all over her body. "no more can beggars on horseback."
"your father will be sorry you take it like that, mavourneen." and the stout saint burst into tears.
eileen winced. she could almost have flung her arms round her mother and promised to think of it. suddenly she remembered lieutenant doherty. how dared they tear her away from the man she loved! they had not even consulted her. she flicked her thumb agitatedly on the back of her mother's chair. let her weep! did they want to sell her, to exchange her for a castle, as if she were a chess-piece? the thought made her smile again.
her mother said no more, but she could not have employed a more convincing eloquence. the reticence wrought upon eileen's nerves. after a couple of months of maternal meekness and family poverty, the suggested sacrifice began to appeal to her. a letter from doherty on his steamer (forwarded to her from paris by marcelle), passionately protesting against her intention to take the vows, came to remind her that sacrifice was what she yearned for. the coming of the letter was providential, she told herself: if marcelle had not posted hers against her will, she might not have had this monition. to return to the castle as a bride, martyred for the family redemption, was really only a way of returning to the convent. it meant a life of penance for the good of others. to think of her mother sunning herself again upon the battlemented terrace, or sleeping--if only as guest--in the great panelled bedroom, brought a lump to her throat; her poor tenantry, too, should bless her name; she would glide among them like a spirit, very sad, yet with such healing in her smile and in her touch. "sure the misthress is the swatest angel god iver sint, so she is." at home she would sit and spin in the old tapestried room, her own life as faded, and sometimes she would dream in the hall, among the antlers and beast-skins, and watch the great burning logs, so much more poetic than this peat smoke which hurt one's eyes. ah, but then there was o'flanagan. well, he would not be much in the way. he liked riding over his new estate in his buckskin breeches, cracking his great loaded whip. she had met him herself once or twice, and the great shy creature had blushed furiously and ridden off down the first bridle-path. "i turn his horse's head as well as his," she had thought with a smile. yes, she must sacrifice herself. how strange that the nuns should imagine you only renounced by giving up earthly life. why, earthly life might be the most celestial renunciation of all. but lieutenant doherty, what of him? had she the right to sacrifice him, too? but then she had never given him any claim upon her--she had been merely his little mother-confessor. if he had dared to love her--as his passionate protest against the veil seemed to suggest--it was at his own risk. poor doherty, how grieved he would be in far afghanistan. he would probably rush upon the assegais and die, murmuring her name. her eyes filled with delicious tears. she sat down and scribbled him a letter hastily, announcing her impending marriage, and posted it at once, so as to put herself beyond temptation to draw back. then she dashed to her mother's room and sobbed out, "dear heart, i consent to be martyred."
"what?" said mrs. o'keeffe, opening her eyes.
"i consent to be married," eileen corrected hastily.
"do you mean to mr. o'flanagan?" mrs. o'keeffe's face became red as the sun in mist. the cross heaved convulsively on her black silk bosom.
"to whom else? you haven't forgotten he wanted to marry me."
"no, but _he_ has, i am fearing."
"what?" it was now eileen's turn to open her eyes, and the tears dried on her lashes as she listened. mrs. o'keeffe explained, amid the ebb and flow of burning blood, that she had waited in vain for mr. o'flanagan to renew his proposal. at first she thought he was waiting for a decent interval to elapse, or for the castle to be ready for his bride, but gradually she had become convinced by his silence and by the way he avoided her eye when they met and turned his horse down the nearest boreen, that eileen had been right in calling him half-mounted. he had proposed when he imagined the squire's fortunes were as of yore, but now he feared he would have to support the ruined family. well, he needn't fear. the family wouldn't touch him with a forty-foot pole.
"if only your poor father had been alive," wound up mrs. o'keeffe, "the dirty upstart would never have dared to put such an insult on his orphaned daughter, that he wouldn't, and if dan o'leary should hear of it--which the saints forbid--it's not the jig that his foot would be teaching mr. o' flanagan."
the bathos of this anti-climax to martyrdom was too grotesque. eileen burst into a peal of laughter, which was taken by her mother as a tribute to her lively vituperation. decidedly, life was deliciously odd. suddenly she remembered her posted letter to doherty, and she laughed louder.
should she send another on its heels? no, it would be rather difficult to explain. besides, it would be so interesting to see how he replied.
