hunter slid into the car, punched out a destination blindly, and engaged the flight gear. with the customary roar of power, the car shot up from the flat. hunter leaped free. his feet struck the cement. the lingering trace of paralysis, destroying his normal co-ordination, made the fall very painful.

hunter flung himself flat in the shadow of the ornamental shrubs along the edge of the parking flat. the four police mercenaries sprinted out of the house and leaped into the police jet. with sirens screaming, it soared up in pursuit of the empty autojet.

hunter estimated that he had perhaps thirty minutes before they sent out a general alarm. a painfully small margin of safety. where could he hide that the machines of detection—the skilled, emotionless, one-track, electronic brains—would not eventually find him? and what of ann saymer? what could he do as a fugitive to save her?

united had planned it all down to the smallest detail. but that was the way the cartels operated. it was the system hunter was accustomed to. he felt neither anger not resentment, simply a determination to out-plan and out-play the enemy.

if he accepted defeat he would admit frustration, and for captain max hunter that was impossible. hadn't he survived a decade of frontier conflict with an adjustment index of zero-zero? instead of hopelessly weighing the odds stacked against him, he counted the advantage which a single man held in maneuverability and rapid change of pace.

he walked along the museum street, the blaster in his hand. a block away rose the bulk of a factory building and behind it towered the monster of center-city, transformed into a fairyland by the glow of lights on the many levels. hunter's eye followed the pattern up toward the top, hidden above the blanket of haze.

the top! luxury casinos and the castles of the cartels. werner von rausch and his empire of united researchers. werner von rausch, who gave orders and ann saymer disappeared. werner von rausch, who gave new orders and mrs. ames lay murdered in her living room.

but behind the fa?ade of his spacefleet and his private army, behind his police mercenaries, werner von rausch was one man—an old man, hunter had been told—and a vulnerable target. hunter weighed his changes, and the margin of success seemed to be balanced in his favor.

it was not what they would expect him to do. they had framed him for murder and he should now be running for his life. the hunted turned hunter. hunter grinned savagely, enjoying his pun.

he slipped the blaster under his belt, leaving the scarlet jacket open to his navel so that the loose folds would conceal the outline of the weapon. he would have no trouble reaching the top level.

the resort casinos, like the mid-city amusement area, were open to any citizen. special autojets, with destinations pre-set for the casino flat, were available in every monorail terminal. hunter could by-pass a probe inspection at a regular metro-entry. the nearest terminal, from the north-coast line, was less than a quarter of a mile away.

as hunter entered the industrial district he heard the turmoil of an angry crowd. he came upon them suddenly, swarming at the gates of a factory close to the terminal.

eric young's trouble-makers, he thought with a worried frown, jumping obediently when the big boss spoke the word. in less than five years eric young had turned the union into a third cartel, more powerful than consolidated or united because the commodity young controlled—human labor—was essential to the other two.

a third cartel! suddenly max hunter understood why the cartels had to have ann's patent at any cost. the absolute control of the human mind! it was the only weapon which consolidated or united could use to break young's power.

hunter shouldered his way through the strikers toward the terminal. though he wore no u.f.w. disc, he felt no alarm. eric young's strike riots were always well-managed. none of the violence was real and no one was ever seriously hurt.

but these trouble-makers seemed absurdly well-disciplined. they stood in drill-team ranks, moving and shouting abuse in perfect unison. then hunter saw their faces, as blank as death masks—and in all their skulls the still unhealed scalpel wound, as well as an occasional projecting platinum strand which sometimes caught the reflected light.

max hunter felt a chill of terror. he was walking in a human graveyard of living automatons, responding to the transmission from ann's machine. united had lost no time in putting the thing to work. this was no ordinary strike, but the opening skirmish in the conflict that would wreck both consolidated and the union of free workers.

hunter entered the monorail terminal. it was deserted except for a woman who stood by the window looking out at the crowd. she was wearing a demure, pink dress. her face was plain, and she had used no cosmetic plasti-skin to make it more striking. her brown hair, streaked with a gray which she took no trouble to hide, was pulled into a bun at the back of her neck.

surprisingly, hunter thought she was pretty, perhaps because she was so different from the eternal, baby-faced adolescent who thronged the city in a million identical duplications.

hunter knew he had seen her before. he couldn't remember where. she shifted her position slightly and the light cast a sharp, angular shadow on her face. then he knew.

"dawn!" he cried.

startled, she turned to face him with a strange look in her eyes.

"i was hoping you wouldn't recognize me, captain hunter," she said.

"what are you doing here—dressed like some dowdy just in from a farm sector?" he asked, his gaze incredulous.

"we're all of us a mixture of different personalities," she replied. "i work for an entertainment house, yes. but i also have some of the qualities of your ann saymer. don't take offense, please. ann and i are both interested in the maladjusted. she wants a quick cure. i'm looking for the cause."

"here?"

"wherever there are people who face an emotional crisis—the men who come to number thirty-four, or a mob of strikers. i want to know why we react in the way we do, and what makes up the frustration pattern that crowds us across the borderline into insanity."

"you sound like a psychiatrist," he said.

"i hold a first, captain hunter."

"and you work in an entertainment house?"

"tell me about yourself, captain. have you found ann yet?"

he looked away quickly.

"no," he said, his face hardening.

"and you still haven't had a chance to use your blaster?"

he directed an appraising glance at her. the question might imply a great deal. did she somehow know what had happened at mrs. ames'? did she know he was a fugitive?

a dozen police mercenaries appeared abruptly at the end of the street. since the police had never been used to break a strike, hunter guessed that this was consolidated's answer to werner von rausch's new weapon.

the mercenaries drew their blasters and ordered the mob to disperse. the automatons turned to face them. and as they turned they fell silent—the cloying, choking silence of the tomb. like marching puppets, the mob moved toward the police. clearly hunter could hear a shrill voice ordering them to halt.

hunter felt a sickening inner horror. how could the mob obey when they heard nothing but the enslaving grid, and responded to neither fear nor reason? still they moved forward, in a robot death march. whatever happened, it was a situation young could turn to his advantage. if the mercenaries killed unarmed workers, it could be turned into superb propaganda. and ultimately, by sheer weight of numbers, the defenseless mob could overwhelm the mercenaries.

white fire leaped from the blasters. the first rank fell, but the mob marched blindly across the smoking corpses. the mercenaries fired again. it was slaughter—brutal and pointless—of slaves unaware of their danger, unable to save themselves.

without understanding his own motivation—and without caring—max hunter leaped into the sill of the terminal window. there he was in a position to fire over the heads of the mob. the blast from his weapon arrowed into the line of police mercenaries.

three fell in the agony of the flames. the rest, glad for an excuse to stop the slaughter, turned and fled. like clockwork things, the mob turned back and resumed its precision demonstration in front of the factory.

hunter slipped white-faced into a terminal bench. his hand trembled as he jammed the blaster back beneath his belt.

"why did you do it, captain?" dawn asked.

how could he answer her, without saying he had seen the grids in their skulls? and he wasn't ready to trust dawn to that extent.

"the people couldn't help themselves," he said ambiguously.

"because they're in the u.f.w. and eric young cracks the whip. is that what you mean?"

"they weren't aware of their own danger."

"miscalculating the risks then? but that's part of the system, captain. if you can't fight your way up to the top—"

"then the system is utterly vicious."

"you don't mean that," she said.

"why not? we're living in a jungle society. it's nothing but conflict—conflict on the frontier and conflict here from the time they put you in the general school."

"only the children who have the intelligence—"

"but why?" he interrupted fiercely. "where does it get us?"

"we have a stable society," she told him. "peace of a sort. law enforcement, too, and a chance to build something better when we learn how."

"something better?" he laughed as he stood up. "we'll get that when we pull this hell apart, and not before."

she put her hand on his arm. "no, captain. it's not realistic to say that. over and over again in the past we wrecked civilization because good-hearted and conscientious people thought there was no other way to create a finer world. it didn't work, because violence is madness. this time we have to begin where we are and build rationally. we can, you know, when we understand what we have to build with."

"what else do we need to know, dawn? you're falling back on the typical double-talk of the psychiatrists. with all the application of physical science that we have—"

"i wasn't thinking of technology, captain. civilization isn't machines. it's people. our accumulation of knowledge is tremendous, but essentially it means nothing because we know so little about ourselves. it's absurd to talk of making something better until we really know the individual we're making it for."

"go ahead," he countered angrily. "pussy-foot around with your cautious experiments, make sure nobody gets hurt—and you'll all end up slaves. as for me, i'm going to find ann and get out while there's still time."

"always the same two alternatives," dawn said wearily. "pull down the world, or run away from it. we need the courage to try something different. we need men who will act like men. i thought, captain, by this time—" she looked up into his eyes. "where are you going?"

"to the top—the casinos." her abrupt question took him off balance and almost surprised him into telling the whole truth.

"top level." she paused, studying his face. "that's logical, of course. you'll rescue your woman and run away—perhaps to the frontier, or to a forgotten world too insignificant to be claimed by either cartel. it all sounds so easy, doesn't it? you have friends in the service. they'll smuggle you away from sector west." she hesitated again. "running away is insanity, too, captain. but that is one thing you still have to learn."