the plane put down at the chattanooga airport at dusk, and a swift military car took him down riverside drive, past the old confederate cemetery, and downtown.
chattanooga was a military city. grey-uniformed military police stood at the intersections, and soldiers on rest leave from both east and middle armies trooped in laughing gangs along darkened market street. few civilians were abroad.
the siren and circled stars on beauregard's car cleared a path for him through the sparse downtown traffic. the car roared out broad street, swung under the viaduct and sped up the curving drives of lookout mountain.
at a darkened house on the brow of the mountain, overlooking georgia and alabama, the car pulled up. beauregard spoke a word to the driver, got out and went to the front door. behind him the car's lights went out, and it crunched quietly into the shadowed driveway.
there was light in the house when piquette opened the door to him. she held out her hands in welcome, and her smile was as sweet as sunshine on dew-sparkling fields.
piquette's skin was golden, like autumn leaves, with an undertone of rich bronze. her dark eyes were liquid and warm, and her hair tumbled to her shoulders, a jet cascade. she was clad in a simple white dress that, in the daring new fashion, bared the full, firm swell of her breasts.
beauregard took her in his arms, and as her lips clung to his he felt a grey old man, as grey as his braid-hung uniform. he held her away from him. in the mirror behind her he saw his face, stern, weather-beaten, light-mustached, with startling blue eyes.
"piquette, what on earth is this folly?" he demanded, kicking the door shut behind him. "don't you know i'm moving on tullahoma in the morning?"
"you know i wouldn't call you unless it was important, gard, as much as i long for you." when she talked, her delicately molded face was as mobile as quicksilver. "i've found something that may end the war and save my people."
"dammit, quette, how many times have i told you they are not your people? you're a quadroon. you're three-fourths white, and a lot whiter in your heart than some white women i've seen."
"but i'm one-fourth negro, and you wouldn't have married me, for that, even if you'd known me before you met your lucy. isn't that right, gard?"
"look, quette, just because things are the way they are...."
she hushed him with a finger on his lips.
"the negroes are my people, and the white people are my people," she said. "if the world were right. i'd be a woman instead of a thing in between, scorned by both. can't you see that, gard? you're not like most southerners."
"i am a southerner," he answered proudly. "that i love you above my own blood makes no difference. no, i don't hate the black man, as so many southerners do—and northerners too, if the truth were known. but, by god, he's not my equal, and i won't have him ruling over whites."
"this is an old argument," she said wearily, "and it isn't why i called you here. i've found a man—or, rather, a man has found me—who can end this war and give my people the place in the world they deserve."
beauregard raised his bushy eyebrows, but he said nothing. piquette took him by the hand and led him from the hall into the spacious living room.
a negro man sat there on the sofa, behind the antique coffee table. he was well-dressed in a civilian suit. his woolly hair was grey and his eyes shone like black diamonds in his wizened face.
"general courtney, this is mr. adjaha," said piquette.
"from where?" demanded beauregard warily. surely piquette would not have led him into a trap set by northern spies?
adjaha arose and inclined his head gravely. he was a short man, rather squarely built. neither he nor beauregard offered to shake hands.
"originally from the ivory coast of africa, sir," said adjaha in a low, mellow voice. "i have lived in the united states ... in the confederacy ... since several years before the unfortunate outbreak of war."
beauregard turned to piquette.
"i don't see the point of this," he said. "is this man some relative of yours? what does his being here have to do with this crazy talk of ending the war?"
"if you will excuse me, general," said adjaha, "i overheard your conversation in the hall and, indeed, piquette already had informed me of the dissension in your heart. you would be fair to my race in the south, yet you fear that if they had equality under the law they would misuse their superiority in numbers."
beauregard laughed scornfully.
"see here, old man, if you think i'm ripe to lead a peace and surrender movement in the south, you're wasting your time," he said. "the south is committed to this war, and so be it."
"i ask only that you listen for a brief time to words that may be more fruitful than a few hours in a quadroon's bedroom," said adjaha patiently. "as i said, i am from the ivory coast. when the white man set foot in that part of africa, he found a great but savage kingdom called dahomey: the ancestral home of most of the slaves who were brought to the south.
"before dahomey there was a civilization whose roots struck back to the age when the sahara bloomed and was fertile. before the great civilizations of egypt, of sumer and of crete was the greater civilization of the african black man.
"that civilization had a science that was greater than anything that has arisen since. it was not a science of steel and steam and atoms, but a science of men's minds and men's motives. its decadent recollections would have been called witchcraft in medieval europe; they have been known in the west as voodoo and superstition."
"i think you're crazy," said beauregard candidly. "quette, have you hired a voodoo man to hex me?"
"be tolerant, general," admonished adjaha in his mellow voice. "many of you in the west are not aware of it, but africa has been struggling back to civilization in the twentieth century. and, while most of its people have been content to strive toward the young ways of the west, a few of us have sought in our ancestral traditions a path to the old knowledge. not entirely in vain. look."
like a conjuror, he produced from somewhere in his clothing a small carved figure. about six inches high, it was cut from some gleaming black stone in the attenuated form so common to african sculpture. it dangled from adjaha's fingers on a string and turned slowly, then more swiftly.
