“before he mounts the hill, i know

he cometh quickly; from below

sweet gales, as from deep gardens, blow

before him, striking on my brow.”

tennyson.

days lengthened into weeks, and weeks into months. the fate of corinna had lost none of its horror, but time had mollified the poignancy of the tragedy. zopyrus still served as secretary to pasicles and in his spare moments he wrote a series of essays entitled, “memoirs of the persian court,” which he intended to present to the great aeschylus as an aid to that poet in his poem the “persæ” upon which he was working.

considering himself to be unworthy because of his secret passion for the daughter of aeschylus, he had for some weeks delayed speaking to eumetis upon the subject of marriage, but one bright afternoon in march when the bird-winds blew across attica from the mediterranean, he asked her to join him in a stroll to the acropolis. she gladly consented, and together they sauntered along the winding street westward toward the hill which rose in majesty before them, the pride of every loyal athenian.

210

“let us rest on yonder moss-covered ledge,” suggested eumetis as they neared the eastern end of the acropolis. “later we can ascend.”

“no, no,” exclaimed zopyrus hastily, recognizing the very place where he had seen corinna and the base creature who had accompanied her. “let us to the theatre of dionysus where we sat together and witnessed ‘the capture of miletus.’ it was there you first—” but he could not conclude the sentence and walked along by eumetis’ side, his eyes downcast with shame that his tongue had faltered just at the moment when he desired to bring up the subject of their betrothal.

they entered the eastern gate of the theatre and before them rose the stone seats, tier upon tier, dazzling white in the heat of the sun. they were impressed by the awful silence which here reigned supreme. what a vast difference between the theatre now and as it was on that day when thousands of spectators had thronged its gates and had sat in gala attire upon its benches! then it had surged with human life; now the only living things visible were occasional lizards darting in and out of crevices.

zopyrus and eumetis without a word, but with a mutual impulse, sought the section of seats at the head of which stood the statue of aphrodite. for some moments they sat in silence with eyes fixed upon the stage as if before them they saw again enacted the great play of phrynichus. but her hand did not touch his arm as upon that former occasion. there existed an inexplicable estrangement, and zopyrus as he noticed her pensive mood revealed in her pale features, was smitten with remorse that he had neglected and undoubtedly wounded her.

211

“eumetis,” he said softly, “do not think that i have been willfully neglectful of you. much has occurred to turn our minds from our—our—happiness. will you now once again set the date for our wedding?”

there was no response from eumetis. he seized her hands which lay passively folded in her lap. they were cold. her attitude was listless.

“speak, eumetis,” the youth implored with growing alarm. “have i offended you?”

at his words of entreaty the girl turned her face toward him and smiled—but not as a maiden would smile at her lover, but as a mother would gaze upon a beloved but willful son.

“you have not offended me, zopyrus, and i sincerely hope that what i am about to say will not hurt you. do you believe, my friend, that i honor you most highly?”

he nodded affirmatively and she continued, her thoughtful, sincere eyes resting upon him contemplatively: “then i will tell you why i have seemed strange. i love polygnotus who returns my affection, and but for the fear of wounding you, a friend whom he holds most dear, would wed me now at any time.”

212

the stage, the theatre, the acropolis, and even the fleecy clouds floating dreamily above, seemed to whirl about in a colorless eddy. only the eyes of eumetis remained stationary. at one moment they seemed to be accusing eyes, at another, reproachful, then pitying, but his last impression of them was that they portrayed peace and happiness. his conscience would not permit him to play the heroically sacrificing lover, nor did he really experience any elation because of his freedom. he simply clasped her hand and murmured: “i understand.” she looked at him quickly with a questioning glance as they rose and turned their faces homeward.

before they reached the western limit of the agora, the familiar figure of polygnotus suddenly turned from a side street and came toward them. zopyrus imagined that a fleeting expression of pain passed over the artist’s kindly face at sight of them.

“eumetis has something important to say to you,” said zopyrus laying a hand on his friend’s shoulder as the three met. “it is only good news,” he added at the startled look of inquiry upon polygnotus’ face.

“then i shall be glad to hear it, but will you not join us on our homeward way, zopyrus?” asked the artist as zopyrus turned to leave.

“not for the present,” zopyrus replied evasively. then moved by a sudden impulse he seized a hand of polygnotus and of eumetis in each of his. he desired to invoke the blessing of the gods upon this couple whom he loved so dearly, but so deeply was he affected that he was unable to speak, and turned his back in the direction of the theatre, scarcely realizing what he was doing.

213

before reaching the acropolis he turned northward, pursuing as direct a course as possible along the winding, closely built streets, till at last the dwellings became more interspersed with garden-plots, and finally between two spreading acacias he spied the massive masonry of the dipylon gate. he turned back for one last look at the acropolis. there it stood in its solitary grandeur, its ruined temples resembling a circlet of irregular pearls. although this was the fifth time that he had passed through the great gate and along the sacred way, never until now had he known that this road led to the girl he loved. unmindful of the scorching rays of the sun which beat down upon him, he pressed on thinking only of the goal. when, however, he was overtaken by a farmer in a cart who was returning to his farm near eleusis after leaving his produce at the athenian market, he gladly accepted an offer to ride.

the sun was approaching the horizon a little to the left of the travelers, and stretching into the distance were the fertile fields which the driver designated as his own.

“here is where i live, my friend, but i can drive you on to eleusis if you wish,” said the farmer.

“i would prefer to walk from here on,” replied zopyrus hastily, “but i am truly grateful to you for driving me this far on my journey.”

214

he bade the man a friendly farewell and with eyes alight with anticipation, set forth to cover the remaining two miles which lay between him and the abode of the girl he loved.

* * * * * * * *

in the garden that was divided from the temple of mysteries only by an ivy-covered wall, reclined persephone upon a cushion covered seat by the fountain. she did not sleep, but lay fully conscious, with her hands upon her bosom as it rose and fell regularly with her breathing. her whole frame was wrapped in languor. but her face was not as expressive of peace as her body, for an occasional frown puckered her smooth brow and she opened her eyes with a wistful expression only to close them again as if to shut out the reality of her loneliness. between two cypress trees the white roof of the temple showed the first rosy tinge that followed the passing of phœbus apollo—persephone rose to a sitting posture; a figure in white had passed the gate and was coming toward her along the flower-bordered path. with a cry she sprang from her bench and ran into the outstretched arms of her lover.

“what of eumetis?” she asked, attempting to draw away from the arms that encircled her.

“eumetis has found happiness in the love of polygnotus. it was inevitable that the artist could be such a frequent visitor at the home of pasicles and not grow to love the sincere, unselfish, pure daughter who lives there. oh—persephone, have i your forgiveness for the death of your brother?” asked the young man with growing agitation.

the maiden’s face lit up with a divine radiance as she said: “my brother phales clad as i last saw him with helmet, cuirass and greaves, and carrying his sword, quiver and shield, appeared to me in a dream and told me not to hold you guilty of his death. he praised you highly, zopyrus—and then he said one more thing.”

“and what was that?” questioned her lover eagerly.

215

“he said, ‘there is but one god who controls and directs the universe.’ that is all he said. i would have asked him more, but he vanished.”

“then the prayer to god saved greece at salamis, and incessant prayers to the one god have given me you, persephone!”

she raised her lips to his as they stood together before the statue of ceres, whose maternal countenance seemed to smile down benignly upon them despite their words concerning the deity.

there was one other witness to that kiss; a man of middle-age with thick waving hair and beard of chestnut brown, who came forth from the house and, unobserved, stood with arms outstretched toward the two as if pronouncing a benediction.