after the letter containing that announcement she wrote to me twice again, once from oban and then after a long interval from siena. the former was a scornfully minute description of the english at their holidays and how the conversation went among the women after dinner. "they are like a row of japanese lanterns, all blown out long ago and swinging about in a wind," she wrote—an extravagant image that yet conveys something of the large, empty, unilluminating effect of a sort of social intercourse very vividly. in the second letter she was concerned chiefly with the natural beauty of italy and how latterly she had thrice wept at beautiful things, and what this mystery of beauty could be that had such power over her emotions.

"all up the hillside before the window as i write the herbage is thick with anemones. they aren't scattered evenly and anyhow amongst the other things but in little clusters and groups that die away and begin again, like the repetitions of an air in some musical composition. i have been sitting and looking at them for the better part of an hour, loving them more and then more, and the sweet sunlight that is on them and in among them.... how marvellous are these things, stephen! all these little exquisite things that are so abundant in the world, the gleaming lights and blossoms, the drifting scents! at times these things bring me to weeping.... i can't help it. it is as if god who is so stern and high, so terrible to all our appeals, took pity for a moment and saw fit to speak very softly and tenderly...."

that was the last letter i was ever to have from her.