The outburst of political speculation which followed the Renaissance is well known to us by its remarkable literature. True it is that the greater part of it is long since dead and sleeps in peace, save where every now and then its ghosts are scared by a literary historian. But this obscurity only adds to its interest, and increases at once the charm, the safety, and the credit we may enjoy in discussing it. For the ordinary Englishman perhaps the only work of the class which is still really alive is the delightful political romance of Sir Thomas More. Yet to those who love the dustier shelves of libraries long ranks of its comrades will be not unfamiliar, standing guard as it were over the memory of an intellectual movement as vigorous and creative as any the world has seen.

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