that was what she was called by everybody as soon as she was seen or described. her name, besides baptismal titles, was idalie sainte foy mortemart des islets. when she came into society, in the brilliant little world of new orleans, it was the event of the season, and after she came in, whatever she did became also events. whether she went, or did not go; what she said, or did not say; what she wore, and did not wear—all these became important matters of discussion, quoted as much or more than what the president said, or the governor thought. and in those days, the days of '59, new orleans was not, as it is now, a one-heiress place, but it may be said that one could find heiresses then as one finds type-writing girls now.
mademoiselle idalie received her birth, and what education she had, on her parents' plantation, the famed old reine sainte foy place, and it is no secret that, like the ancient kings of france, her birth exceeded her education.
it was a plantation, the reine sainte foy, the richness and luxury of which are really well described in those fervid pictures of tropical life, at one time the passion of philanthropic imaginations, excited and exciting over the horrors of slavery. although these pictures were then often accused of being purposely exaggerated, they seem now to fall short of, instead of surpassing, the truth. stately walls, acres of roses, miles of oranges, unmeasured fields of cane, colossal sugar-house—they were all there, and all the rest of it, with the slaves, slaves, slaves everywhere, whole villages of negro cabins. and there were also, most noticeable to the natural, as well as to the visionary, eye—there were the ease, idleness, extravagance, self-indulgence, pomp, pride, arrogance, in short the whole enumeration, the moral sine qua non, as some people considered it, of the wealthy slaveholder of aristocratic descent and tastes.
what mademoiselle idalie cared to learn she studied, what she did not she ignored; and she followed the same simple rule untrammeled in her eating, drinking, dressing, and comportment generally; and whatever discipline may have been exercised on the place, either in fact or fiction, most assuredly none of it, even so much as in a threat, ever attended her sacred person. when she was just turned sixteen, mademoiselle idalie made up her mind to go into society. whether she was beautiful or not, it is hard to say. it is almost impossible to appreciate properly the beauty of the rich, the very rich. the unfettered development, the limitless choice of accessories, the confidence, the self-esteem, the sureness of expression, the simplicity of purpose, the ease of execution—all these produce a certain effect of beauty behind which one really cannot get to measure length of nose, or brilliancy of eye. this much can be said: there was nothing in her that positively contradicted any assumption of beauty on her part, or credit of it on the part of others. she was very tall and very thin with small head, long neck, black eyes, and abundant straight black hair,—for which her hair-dresser deserved more praise than she,—good teeth, of course, and a mouth that, even in prayer, talked nothing but commands; that is about all she had en fait d'ornements, as the modesties say. it may be added that she walked as if the reine sainte foy plantation extended over the whole earth, and the soil of it were too vile for her tread. of course she did not buy her toilets in new orleans. everything was ordered from paris, and came as regularly through the custom-house as the modes and robes to the milliners. she was furnished by a certain house there, just as one of a royal family would be at the present day. as this had lasted from her layette up to her sixteenth year, it may be imagined what took place when she determined to make her début. then it was literally, not metaphorically, carte blanche, at least so it got to the ears of society. she took a sheet of note-paper, wrote the date at the top, added, "i make my début in november," signed her name at the extreme end of the sheet, addressed it to her dressmaker in paris, and sent it.
it was said that in her dresses the very handsomest silks were used for linings, and that real lace was used where others put imitation,—around the bottoms of the skirts, for instance,—and silk ribbons of the best quality served the purposes of ordinary tapes; and sometimes the buttons were of real gold and silver, sometimes set with precious stones. not that she ordered these particulars, but the dressmakers, when given carte blanche by those who do not condescend to details, so soon exhaust the outside limits of garments that perforce they take to plastering them inside with gold, so to speak, and, when the bill goes in, they depend upon the furnishings to carry out a certain amount of the contract in justifying the price. and it was said that these costly dresses, after being worn once or twice, were cast aside, thrown upon the floor, given to the negroes—anything to get them out of sight. not an inch of the real lace, not one of the jeweled buttons, not a scrap of ribbon, was ripped off to save. and it was said that if she wanted to romp with her dogs in all her finery, she did it; she was known to have ridden horseback, one moonlight night, all around the plantation in a white silk dinner-dress flounced with alen?on. and at night, when she came from the balls, tired, tired to death as only balls can render one, she would throw herself down upon her bed in her tulle skirts,—on top, or not, of the exquisite flowers, she did not care,—and make her maid undress her in that position; often having her bodices cut off her, because she was too tired to turn over and have them unlaced.
that she was admired, raved about, loved even, goes without saying. after the first month she held the refusal of half the beaux of new orleans. men did absurd, undignified, preposterous things for her; and she? love? marry? the idea never occurred to her. she treated the most exquisite of her pretenders no better than she treated her paris gowns, for the matter of that. she could not even bring herself to listen to a proposal patiently; whistling to her dogs, in the middle of the most ardent protestations, or jumping up and walking away with a shrug of the shoulders, and a "bah!"
well! every one knows what happened after '59. there is no need to repeat. the history of one is the history of all. but there was this difference—for there is every shade of difference in misfortune, as there is every shade of resemblance in happiness. mortemart des islets went off to fight. that was natural; his family had been doing that, he thought, or said, ever since charlemagne. just as naturally he was killed in the first engagement. they, his family, were always among the first killed; so much so that it began to be considered assassination to fight a duel with any of them. all that was in the ordinary course of events. one difference in their misfortunes lay in that after the city was captured, their plantation, so near, convenient, and rich in all kinds of provisions, was selected to receive a contingent of troops—a colored company. if it had been a colored company raised in louisiana it might have been different; and these negroes mixed with the negroes in the neighborhood,—and negroes are no better than whites, for the proportion of good and bad among them,—and the officers were always off duty when they should have been on, and on when they should have been off.
one night the dwelling caught fire. there was an immediate rush to save the ladies. oh, there was no hesitation about that! they were seized in their beds, and carried out in the very arms of their enemies; carried away off to the sugar-house, and deposited there. no danger of their doing anything but keep very quiet and still in their chemises de nuit, and their one sheet apiece, which was about all that was saved from the conflagration—that is, for them. but it must be remembered that this is all hearsay. when one has not been present, one knows nothing of one's own knowledge; one can only repeat. it has been repeated, however, that although the house was burned to the ground, and everything in it destroyed, wherever, for a year afterward, a man of that company or of that neighborhood was found, there could have been found also, without search-warrant, property that had belonged to the des islets. that is the story; and it is believed or not, exactly according to prejudice.
how the ladies ever got out of the sugar-house, history does not relate; nor what they did. it was not a time for sociability, either personal or epistolary. at one offensive word your letter, and you, very likely, examined; and ship island for a hotel, with soldiers for hostesses! madame des islets died very soon after the accident—of rage, they say; and that was about all the public knew.
indeed, at that time the society of new orleans had other things to think about than the fate of the des islets. as for la grande demoiselle, she had prepared for her own oblivion in the hearts of her female friends. and the gentlemen,—her preux chevaliers,—they were burning with other passions than those which had driven them to her knees, encountering a little more serious response than "bahs" and shrugs. and, after all, a woman seems the quickest thing forgotten when once the important affairs of life come to men for consideration.
it might have been ten years according to some calculations, or ten eternities,—the heart and the almanac never agree about time,—but one morning old champigny (they used to call him champignon) was walking along his levee front, calculating how soon the water would come over, and drown him out, as the louisianians say. it was before a seven-o'clock breakfast, cold, wet, rainy, and discouraging. the road was knee-deep in mud, and so broken up with hauling, that it was like walking upon waves to get over it. a shower poured down. old champigny was hurrying in when he saw a figure approaching. he had to stop to look at it, for it was worth while. the head was hidden by a green barege veil, which the showers had plentifully besprinkled with dew; a tall, thin figure. figure! no; not even could it be called a figure: straight up and down, like a finger or a post; high-shouldered, and a step—a step like a plow-man's. no umbrella; no—nothing more, in fact. it does not sound so peculiar as when first related—something must be forgotten. the feet—oh, yes, the feet—they were like waffle-irons, or frying-pans, or anything of that shape.
old champigny did not care for women—he never had; they simply did not exist for him in the order of nature. he had been married once, it is true, about a half century before; but that was not reckoned against the existence of his prejudice, because he was célibataire to his finger-tips, as any one could see a mile away. but that woman intrigué'd him.
he had no servant to inquire from. he performed all of his own domestic work in the wretched little cabin that replaced his old home. for champigny also belonged to the great majority of the nouveaux pauvres. he went out into the rice-field, where were one or two hands that worked on shares with him, and he asked them. they knew immediately; there is nothing connected with the parish that a field-hand does not know at once. she was the teacher of the colored public school some three or four miles away. "ah," thought champigny, "some northern lady on a mission." he watched to see her return in the evening, which she did, of course; in a blinding rain. imagine the green barege veil then; for it remained always down over her face.
old champigny could not get over it that he had never seen her before. but he must have seen her, and, with his abstraction and old age, not have noticed her, for he found out from the negroes that she had been teaching four or five years there. and he found out also—how, is not important—that she was idalie sainte foy mortemart des islets. la grande demoiselle! he had never known her in the old days, owing to his uncomplimentary attitude toward women, but he knew of her, of course, and of her family. it should have been said that his plantation was about fifty miles higher up the river, and on the opposite bank to reine sainte foy. it seemed terrible. the old gentleman had had reverses of his own, which would bear the telling, but nothing was more shocking to him than this—that idalie sainte foy mortemart des islets should be teaching a public colored school for—it makes one blush to name it—seven dollars and a half a month. for seven dollars and a half a month to teach a set of—well! he found out where she lived, a little cabin—not so much worse than his own, for that matter—in the corner of a field; no companion, no servant, nothing but food and shelter. her clothes have been described.
only the good god himself knows what passed in champigny's mind on the subject. we know only the results. he went and married la grande demoiselle. how? only the good god knows that too. every first of the month, when he goes to the city to buy provisions, he takes her with him—in fact, he takes her everywhere with him.
passengers on the railroad know them well, and they always have a chance to see her face. when she passes her old plantation la grande demoiselle always lifts her veil for one instant—the inevitable green barege veil. what a face! thin, long, sallow, petrified! and the neck! if she would only tie something around the neck! and her plain, coarse cottonade gown! the negro women about her were better dressed than she.
poor old champignon! it was not an act of charity to himself, no doubt cross and disagreeable, besides being ugly. and as for love, gratitude!
