on division number three of the los muertos ranch the wheat had already been cut, and s. behrman on a certain morning in the first week of august drove across the open expanse of stubble toward the southwest, his eyes searching the horizon for the feather of smoke that would mark the location of the steam harvester. however, he saw nothing. the stubble extended onward apparently to the very margin of the world.
at length, s. behrman halted his buggy and brought out his field glasses from beneath the seat. he stood up in his place and, adjusting the lenses, swept the prospect to the south and west. it was the same as though the sea of land were, in reality, the ocean, and he, lost in an open boat, were scanning the waste through his glasses, looking for the smoke of a steamer, hull down, below the horizon. “wonder,” he muttered, “if they're working on four this morning?”
at length, he murmured an “ah” of satisfaction. far to the south into the white sheen of sky, immediately over the horizon, he made out a faint smudge—the harvester beyond doubt.
thither s. behrman turned his horse's head. it was all of an hour's drive over the uneven ground and through the crackling stubble, but at length he reached the harvester. he found, however, that it had been halted. the sack sewers, together with the header-man, were stretched on the ground in the shade of the machine, while the engineer and separator-man were pottering about a portion of the works.
“what's the matter, billy?” demanded s. behrman reining up.
the engineer turned about.
“the grain is heavy in here. we thought we'd better increase the speed of the cup-carrier, and pulled up to put in a smaller sprocket.”
s. behrman nodded to say that was all right, and added a question.
“how is she going?”
“anywheres from twenty-five to thirty sacks to the acre right along here; nothing the matter with that i guess.”
“nothing in the world, bill.”
one of the sack sewers interposed:
“for the last half hour we've been throwing off three bags to the minute.”
“that's good, that's good.”
it was more than good; it was “bonanza,” and all that division of the great ranch was thick with just such wonderful wheat. never had los muertos been more generous, never a season more successful. s. behrman drew a long breath of satisfaction. he knew just how great was his share in the lands which had just been absorbed by the corporation he served, just how many thousands of bushels of this marvellous crop were his property. through all these years of confusion, bickerings, open hostility and, at last, actual warfare he had waited, nursing his patience, calm with the firm assurance of ultimate success. the end, at length, had come; he had entered into his reward and saw himself at last installed in the place he had so long, so silently coveted; saw himself chief of a principality, the master of the wheat.
the sprocket adjusted, the engineer called up the gang and the men took their places. the fireman stoked vigorously, the two sack sewers resumed their posts on the sacking platform, putting on the goggles that kept the chaff from their eyes. the separator-man and header-man gripped their levers.
the harvester, shooting a column of thick smoke straight upward, vibrating to the top of the stack, hissed, clanked, and lurched forward. instantly, motion sprang to life in all its component parts; the header knives, cutting a thirty-six foot swath, gnashed like teeth; beltings slid and moved like smooth flowing streams; the separator whirred, the agitator jarred and crashed; cylinders, augers, fans, seeders and elevators, drapers and chaff-carriers clattered, rumbled, buzzed, and clanged. the steam hissed and rasped; the ground reverberated a hollow note, and the thousands upon thousands of wheat stalks sliced and slashed in the clashing shears of the header, rattled like dry rushes in a hurricane, as they fell inward, and were caught up by an endless belt, to disappear into the bowels of the vast brute that devoured them.
it was that and no less. it was the feeding of some prodigious monster, insatiable, with iron teeth, gnashing and threshing into the fields of standing wheat; devouring always, never glutted, never satiated, swallowing an entire harvest, snarling and slobbering in a welter of warm vapour, acrid smoke, and blinding, pungent clouds of chaff. it moved belly-deep in the standing grain, a hippopotamus, half-mired in river ooze, gorging rushes, snorting, sweating; a dinosaur wallowing through thick, hot grasses, floundering there, crouching, grovelling there as its vast jaws crushed and tore, and its enormous gullet swallowed, incessant, ravenous, and inordinate.
s. behrman, very much amused, changed places with one of the sack sewers, allowing him to hold his horse while he mounted the sacking platform and took his place. the trepidation and jostling of the machine shook him till his teeth chattered in his head. his ears were shocked and assaulted by a myriad-tongued clamour, clashing steel, straining belts, jarring woodwork, while the impalpable chaff powder from the separators settled like dust in his hair, his ears, eyes, and mouth.
directly in front of where he sat on the platform was the chute from the cleaner, and from this into the mouth of a half-full sack spouted an unending gush of grain, winnowed, cleaned, threshed, ready for the mill.
the pour from the chute of the cleaner had for s. behrman an immense satisfaction. without an instant's pause, a thick rivulet of wheat rolled and dashed tumultuous into the sack. in half a minute—sometimes in twenty seconds—the sack was full, was passed over to the second sewer, the mouth reeved up, and the sack dumped out upon the ground, to be picked up by the wagons and hauled to the railroad.
s. behrman, hypnotised, sat watching that river of grain. all that shrieking, bellowing machinery, all that gigantic organism, all the months of labour, the ploughing, the planting, the prayers for rain, the years of preparation, the heartaches, the anxiety, the foresight, all the whole business of the ranch, the work of horses, of steam, of men and boys, looked to this spot—the grain chute from the harvester into the sacks. its volume was the index of failure or success, of riches or poverty. and at this point, the labour of the rancher ended. here, at the lip of the chute, he parted company with his grain, and from here the wheat streamed forth to feed the world. the yawning mouths of the sacks might well stand for the unnumbered mouths of the people, all agape for food; and here, into these sacks, at first so lean, so flaccid, attenuated like starved stomachs, rushed the living stream of food, insistent, interminable, filling the empty, fattening the shrivelled, making it sleek and heavy and solid.
half an hour later, the harvester stopped again. the men on the sacking platform had used up all the sacks. but s. behrman's foreman, a new man on los muertos, put in an appearance with the report that the wagon bringing a fresh supply was approaching.
“how is the grain elevator at port costa getting on, sir?”
“finished,” replied s. behrman.
the new master of los muertos had decided upon accumulating his grain in bulk in a great elevator at the tide-water port, where the grain ships for liverpool and the east took on their cargoes. to this end, he had bought and greatly enlarged a building at port costa, that was already in use for that purpose, and to this elevator all the crop of los muertos was to be carried. the p. and s. w. made s. behrman a special rate.
“by the way,” said s. behrman to his superintendent, “we're in luck. fallon's buyer was in bonneville yesterday. he's buying for fallon and for holt, too. i happened to run into him, and i've sold a ship load.”
“a ship load!”
“of los muertos wheat. he's acting for some indian famine relief committee—lot of women people up in the city—and wanted a whole cargo. i made a deal with him. there's about fifty thousand tons of disengaged shipping in san francisco bay right now, and ships are fighting for charters. i wired mckissick and got a long distance telephone from him this morning. he got me a barque, the 'swanhilda.' she'll dock day after to-morrow, and begin loading.”
“hadn't i better take a run up,” observed the superintendent, “and keep an eye on things?”
“no,” answered s. behrman, “i want you to stop down here, and see that those carpenters hustle the work in the ranch house. derrick will be out by then. you see this deal is peculiar. i'm not selling to any middle-man—not to fallon's buyer. he only put me on to the thing. i'm acting direct with these women people, and i've got to have some hand in shipping this stuff myself. but i made my selling figure cover the price of a charter. it's a queer, mixed-up deal, and i don't fancy it much, but there's boodle in it. i'll go to port costa myself.”
a little later on in the day, when s. behrman had satisfied himself that his harvesting was going forward favourably, he reentered his buggy and driving to the county road turned southward towards the los muertos ranch house. he had not gone far, however, before he became aware of a familiar figure on horse-back, jogging slowly along ahead of him. he recognised presley; he shook the reins over his horse's back and very soon ranging up by the side of the young man passed the time of day with him.
“well, what brings you down here again, mr. presley?” he observed. “i thought we had seen the last of you.”
“i came down to say good-bye to my friends,” answered presley shortly.
“going away?”
“yes—to india.”
“well, upon my word. for your health, hey?”
“yes.”
“you look knocked up,” asserted the other. “by the way,” he added, “i suppose you've heard the news?”
presley shrank a little. of late the reports of disasters had followed so swiftly upon one another that he had begun to tremble and to quail at every unexpected bit of information.
“what news do you mean?” he asked.
“about dyke. he has been convicted. the judge sentenced him for life.”
for life! riding on by the side of this man through the ranches by the county road, presley repeated these words to himself till the full effect of them burst at last upon him.
jailed for life! no outlook. no hope for the future. day after day, year after year, to tread the rounds of the same gloomy monotony. he saw the grey stone walls, the iron doors; the flagging of the “yard” bare of grass or trees—the cell, narrow, bald, cheerless; the prison garb, the prison fare, and round all the grim granite of insuperable barriers, shutting out the world, shutting in the man with outcasts, with the pariah dogs of society, thieves, murderers, men below the beasts, lost to all decency, drugged with opium, utter reprobates. to this, dyke had been brought, dyke, than whom no man had been more honest, more courageous, more jovial. this was the end of him, a prison; this was his final estate, a criminal.
presley found an excuse for riding on, leaving s. behrman behind him. he did not stop at caraher's saloon, for the heat of his rage had long since begun to cool, and dispassionately, he saw things in their true light. for all the tragedy of his wife's death, caraher was none the less an evil influence among the ranchers, an influence that worked only to the inciting of crime. unwilling to venture himself, to risk his own life, the anarchist saloon-keeper had goaded dyke and presley both to murder; a bad man, a plague spot in the world of the ranchers, poisoning the farmers' bodies with alcohol and their minds with discontent.
at last, presley arrived at the ranch house of los muertos. the place was silent; the grass on the lawn was half dead and over a foot high; the beginnings of weeds showed here and there in the driveway. he tied his horse to a ring in the trunk of one of the larger eucalyptus trees and entered the house.
mrs. derrick met him in the dining-room. the old look of uneasiness, almost of terror, had gone from her wide-open brown eyes. there was in them instead, the expression of one to whom a contingency, long dreaded, has arrived and passed. the stolidity of a settled grief, of an irreparable calamity, of a despair from which there was no escape was in her look, her manner, her voice. she was listless, apathetic, calm with the calmness of a woman who knows she can suffer no further.
“we are going away,” she told presley, as the two sat down at opposite ends of the dining table. “just magnus and myself—all there is left of us. there is very little money left; magnus can hardly take care of himself, to say nothing of me. i must look after him now. we are going to marysville.”
“why there?”
“you see,” she explained, “it happens that my old place is vacant in the seminary there. i am going back to teach—literature.” she smiled wearily. “it is beginning all over again, isn't it? only there is nothing to look forward to now. magnus is an old man already, and i must take care of him.”
“he will go with you, then,” presley said, “that will be some comfort to you at least.”
“i don't know,” she said slowly, “you have not seen magnus lately.”
“is he—how do you mean? isn't he any better?”
“would you like to see him? he is in the office. you can go right in.”
presley rose. he hesitated a moment, then:
“mrs. annixter,” he asked, “hilma—is she still with you? i should like to see her before i go.” “go in and see magnus,” said mrs. derrick. “i will tell her you are here.”
presley stepped across the stone-paved hallway with the glass roof, and after knocking three times at the office door pushed it open and entered.
magnus sat in the chair before the desk and did not look up as presley entered. he had the appearance of a man nearer eighty than sixty. all the old-time erectness was broken and bent. it was as though the muscles that once had held the back rigid, the chin high, had softened and stretched. a certain fatness, the obesity of inertia, hung heavy around the hips and abdomen, the eye was watery and vague, the cheeks and chin unshaven and unkempt, the grey hair had lost its forward curl towards the temples and hung thin and ragged around the ears. the hawk-like nose seemed hooked to meet the chin; the lips were slack, the mouth half-opened.
where once the governor had been a model of neatness in his dress, the frock coat buttoned, the linen clean, he now sat in his shirt sleeves, the waistcoat open and showing the soiled shirt. his hands were stained with ink, and these, the only members of his body that yet appeared to retain their activity, were busy with a great pile of papers,—oblong, legal documents, that littered the table before him. without a moment's cessation, these hands of the governor's came and went among the papers, deft, nimble, dexterous.
magnus was sorting papers. from the heap upon his left hand he selected a document, opened it, glanced over it, then tied it carefully, and laid it away upon a second pile on his right hand. when all the papers were in one pile, he reversed the process, taking from his right hand to place upon his left, then back from left to right again, then once more from right to left. he spoke no word, he sat absolutely still, even his eyes did not move, only his hands, swift, nervous, agitated, seemed alive.
“why, how are you, governor?” said presley, coming forward. magnus turned slowly about and looked at him and at the hand in which he shook his own.
“ah,” he said at length, “presley...yes.”
then his glance fell, and he looked aimlessly about upon the floor. “i've come to say good-bye, governor,” continued presley, “i'm going away.”
“going away...yes, why it's presley. good-day, presley.”
“good-day, governor. i'm going away. i've come to say good-bye.”
“good-bye?” magnus bent his brows, “what are you saying good-bye for?”
“i'm going away, sir.”
the governor did not answer. staring at the ledge of the desk, he seemed lost in thought. there was a long silence. then, at length, presley said:
“how are you getting on, governor?”
magnus looked up slowly.
“why it's presley,” he said. “how do you do, presley.”
“are you getting on all right, sir?”
“yes,” said magnus after a while, “yes, all right. i am going away. i've come to say good-bye. no—” he interrupted himself with a deprecatory smile, “you said that, didn't you?”
“well, you are going away, too, your wife tells me.”
“yes, i'm going away. i can't stay on...” he hesitated a long time, groping for the right word, “i can't stay on—on—what's the name of this place?”
“los muertos,” put in presley.
“no, it isn't. yes, it is, too, that's right, los muertos. i don't know where my memory has gone to of late.”
“well, i hope you will be better soon, governor.”
as presley spoke the words, s. behrman entered the room, and the governor sprang up with unexpected agility and stood against the wall, drawing one long breath after another, watching the railroad agent with intent eyes.
s. behrman saluted both men affably and sat down near the desk, drawing the links of his heavy watch chain through his fat fingers.
“there wasn't anybody outside when i knocked, but i heard your voice in here, governor, so i came right in. i wanted to ask you, governor, if my carpenters can begin work in here day after to-morrow. i want to take down that partition there, and throw this room and the next into one. i guess that will be o. k., won't it? you'll be out of here by then, won't you?”
there was no vagueness about magnus's speech or manner now. there was that same alertness in his demeanour that one sees in a tamed lion in the presence of its trainer.
“yes, yes,” he said quickly, “you can send your men here. i will be gone by to-morrow.”
“i don't want to seem to hurry you, governor.” “no, you will not hurry me. i am ready to go now.”
“anything i can do for you, governor?”
“nothing.”
“yes, there is, governor,” insisted s. behrman. “i think now that all is over we ought to be good friends. i think i can do something for you. we still want an assistant in the local freight manager's office. now, what do you say to having a try at it? there's a salary of fifty a month goes with it. i guess you must be in need of money now, and there's always the wife to support; what do you say? will you try the place?”
presley could only stare at the man in speechless wonder. what was he driving at? what reason was there back of this new move, and why should it be made thus openly and in his hearing? an explanation occurred to him. was this merely a pleasantry on the part of s. behrman, a way of enjoying to the full his triumph; was he testing the completeness of his victory, trying to see just how far he could go, how far beneath his feet he could push his old-time enemy?
“what do you say?” he repeated. “will you try the place?”
“you—you insist?” inquired the governor.
“oh, i'm not insisting on anything,” cried s. behrman. “i'm offering you a place, that's all. will you take it?”
“yes, yes, i'll take it.”
“you'll come over to our side?”
“yes, i'll come over.”
“you'll have to turn 'railroad,' understand?”
“i'll turn railroad.”
“guess there may be times when you'll have to take orders from me.”
“i'll take orders from you.”
“you'll have to be loyal to railroad, you know. no funny business.”
“i'll be loyal to the railroad.”
“you would like the place then?”
“yes.”
s. behrman turned from magnus, who at once resumed his seat and began again to sort his papers.
“well, presley,” said the railroad agent: “i guess i won't see you again.”
“i hope not,” answered the other.
“tut, tut, presley, you know you can't make me angry.”
he put on his hat of varnished straw and wiped his fat forehead with his handkerchief. of late, he had grown fatter than ever, and the linen vest, stamped with a multitude of interlocked horseshoes, strained tight its imitation pearl buttons across the great protuberant stomach.
presley looked at the man a moment before replying.
but a few weeks ago he could not thus have faced the great enemy of the farmers without a gust of blind rage blowing tempestuous through all his bones. now, however, he found to his surprise that his fury had lapsed to a profound contempt, in which there was bitterness, but no truculence. he was tired, tired to death of the whole business.
“yes,” he answered deliberately, “i am going away. you have ruined this place for me. i couldn't live here where i should have to see you, or the results of what you have done, whenever i stirred out of doors.”
“nonsense, presley,” answered the other, refusing to become angry. “that's foolishness, that kind of talk; though, of course, i understand how you feel. i guess it was you, wasn't it, who threw that bomb into my house?”
“it was.”
“well, that don't show any common sense, presley,” returned s. behrman with perfect aplomb. “what could you have gained by killing me?”
“not so much probably as you have gained by killing harran and annixter. but that's all passed now. you're safe from me.” the strangeness of this talk, the oddity of the situation burst upon him and he laughed aloud. “it don't seem as though you could be brought to book, s. behrman, by anybody, or by any means, does it? they can't get at you through the courts,—the law can't get you, dyke's pistol missed fire for just your benefit, and you even escaped caraher's six inches of plugged gas pipe. just what are we going to do with you?”
“best give it up, pres, my boy,” returned the other. “i guess there ain't anything can touch me. well, magnus,” he said, turning once more to the governor. “well, i'll think over what you say, and let you know if i can get the place for you in a day or two. you see,” he added, “you're getting pretty old, magnus derrick.”
presley flung himself from the room, unable any longer to witness the depths into which magnus had fallen. what other scenes of degradation were enacted in that room, how much further s. behrman carried the humiliation, he did not know. he suddenly felt that the air of the office was choking him.
he hurried up to what once had been his own room. on his way he could not but note that much of the house was in disarray, a great packing-up was in progress; trunks, half-full, stood in the hallways, crates and cases in a litter of straw encumbered the rooms. the servants came and went with armfuls of books, ornaments, articles of clothing.
presley took from his room only a few manuscripts and note-books, and a small valise full of his personal effects; at the doorway he paused and, holding the knob of the door in his hand, looked back into the room a very long time.
he descended to the lower floor and entered the dining-room. mrs. derrick had disappeared. presley stood for a long moment in front of the fireplace, looking about the room, remembering the scenes that he had witnessed there—the conference when osterman had first suggested the fight for railroad commissioner and then later the attack on lyman derrick and the sudden revelation of that inconceivable treachery. but as he stood considering these things a door to his right opened and hilma entered the room.
presley came forward, holding out his hand, all unable to believe his eyes. it was a woman, grave, dignified, composed, who advanced to meet him. hilma was dressed in black, the cut and fashion of the gown severe, almost monastic. all the little feminine and contradictory daintinesses were nowhere to be seen. her statuesque calm evenness of contour yet remained, but it was the calmness of great sorrow, of infinite resignation. beautiful she still remained, but she was older. the seriousness of one who has gained the knowledge of the world—knowledge of its evil—seemed to envelope her. the calm gravity of a great suffering past, but not forgotten, sat upon her. not yet twenty-one, she exhibited the demeanour of a woman of forty.
the one-time amplitude of her figure, the fulness of hip and shoulder, the great deep swell from waist to throat were gone. she had grown thinner and, in consequence, seemed unusually, almost unnaturally tall. her neck was slender, the outline of her full lips and round chin was a little sharp; her arms, those wonderful, beautiful arms of hers, were a little shrunken. but her eyes were as wide open as always, rimmed as ever by the thin, intensely black line of the lashes and her brown, fragrant hair was still thick, still, at times, glittered and coruscated in the sun. when she spoke, it was with the old-time velvety huskiness of voice that annixter had learned to love so well.
“oh, it is you,” she said, giving him her hand. “you were good to want to see me before you left. i hear that you are going away.”
she sat down upon the sofa.
“yes,” presley answered, drawing a chair near to her, “yes, i felt i could not stay—down here any longer. i am going to take a long ocean voyage. my ship sails in a few days. but you, mrs. annixter, what are you going to do? is there any way i can serve you?”
“no,” she answered, “nothing. papa is doing well. we are living here now.”
“you are well?”
she made a little helpless gesture with both her hands, smiling very sadly.
“as you see,” she answered.
as he talked, presley was looking at her intently. her dignity was a new element in her character and the certain slender effect of her figure, emphasised now by the long folds of the black gown she wore, carried it almost superbly. she conveyed something of the impression of a queen in exile. but she had lost none of her womanliness; rather, the contrary. adversity had softened her, as well as deepened her. presley saw that very clearly. hilma had arrived now at her perfect maturity; she had known great love and she had known great grief, and the woman that had awakened in her with her affection for annixter had been strengthened and infinitely ennobled by his death. what if things had been different? thus, as he conversed with her, presley found himself wondering. her sweetness, her beautiful gentleness, and tenderness were almost like palpable presences. it was almost as if a caress had been laid softly upon his cheek, as if a gentle hand closed upon his. here, he knew, was sympathy; here, he knew, was an infinite capacity for love.
then suddenly all the tired heart of him went out towards her. a longing to give the best that was in him to the memory of her, to be strong and noble because of her, to reshape his purposeless, half-wasted life with her nobility and purity and gentleness for his inspiration leaped all at once within him, leaped and stood firm, hardening to a resolve stronger than any he had ever known.
for an instant he told himself that the suddenness of this new emotion must be evidence of its insincerity. he was perfectly well aware that his impulses were abrupt and of short duration. but he knew that this was not sudden. without realising it, he had been from the first drawn to hilma, and all through these last terrible days, since the time he had seen her at los muertos, just after the battle at the ditch, she had obtruded continually upon his thoughts. the sight of her to-day, more beautiful than ever, quiet, strong, reserved, had only brought matters to a culmination.
“are you,” he asked her, “are you so unhappy, hilma, that you can look forward to no more brightness in your life?”
“unless i could forget—forget my husband,” she answered, “how can i be happy? i would rather be unhappy in remembering him than happy in forgetting him. he was my whole world, literally and truly. nothing seemed to count before i knew him, and nothing can count for me now, after i have lost him.”
“you think now,” he answered, “that in being happy again you would be disloyal to him. but you will find after a while—years from now—that it need not be so. the part of you that belonged to your husband can always keep him sacred, that part of you belongs to him and he to it. but you are young; you have all your life to live yet. your sorrow need not be a burden to you. if you consider it as you should—as you will some day, believe me—it will only be a great help to you. it will make you more noble, a truer woman, more generous.”
“i think i see,” she answered, “and i never thought about it in that light before.”
“i want to help you,” he answered, “as you have helped me. i want to be your friend, and above all things i do not want to see your life wasted. i am going away and it is quite possible i shall never see you again, but you will always be a help to me.”
“i do not understand,” she answered, “but i know you mean to be very, very kind to me. yes, i hope when you come back—if you ever do—you will still be that. i do not know why you should want to be so kind, unless—yes, of course—you were my husband's dearest friend.”
they talked a little longer, and at length presley rose.
“i cannot bring myself to see mrs. derrick again,” he said. “it would only serve to make her very unhappy. will you explain that to her? i think she will understand.”
“yes,” answered hilma. “yes, i will.”
there was a pause. there seemed to be nothing more for either of them to say. presley held out his hand.
“good-bye,” she said, as she gave him hers.
he carried it to his lips.
“good-bye,” he answered. “good-bye and may god bless you.”
he turned away abruptly and left the room. but as he was quietly making his way out of the house, hoping to get to his horse unobserved, he came suddenly upon mrs. dyke and sidney on the porch of the house. he had forgotten that since the affair at the ditch, los muertos had been a home to the engineer's mother and daughter.
“and you, mrs. dyke,” he asked as he took her hand, “in this break-up of everything, where do you go?”
“to the city,” she answered, “to san francisco. i have a sister there who will look after the little tad.”
“but you, how about yourself, mrs. dyke?”
she answered him in a quiet voice, monotonous, expressionless:
“i am going to die very soon, mr. presley. there is no reason why i should live any longer. my son is in prison for life, everything is over for me, and i am tired, worn out.”
“you mustn't talk like that, mrs. dyke,” protested presley, “nonsense; you will live long enough to see the little tad married.” he tried to be cheerful. but he knew his words lacked the ring of conviction. death already overshadowed the face of the engineer's mother. he felt that she spoke the truth, and as he stood there speaking to her for the last time, his arm about little sidney's shoulder, he knew that he was seeing the beginnings of the wreck of another family and that, like hilda hooven, another baby girl was to be started in life, through no fault of hers, fearfully handicapped, weighed down at the threshold of existence with a load of disgrace. hilda hooven and sidney dyke, what was to be their histories? the one, sister of an outcast; the other, daughter of a convict. and he thought of that other young girl, the little honora gerard, the heiress of millions, petted, loved, receiving adulation from all who came near to her, whose only care was to choose from among the multitude of pleasures that the world hastened to present to her consideration.
“good-bye,” he said, holding out his hand.
“good-bye.”
“good-bye, sidney.”
he kissed the little girl, clasped mrs. dyke's hand a moment with his; then, slinging his satchel about his shoulders by the long strap with which it was provided, left the house, and mounting his horse rode away from los muertos never to return.
presley came out upon the county road. at a little distance to his left he could see the group of buildings where once broderson had lived. these were being remodelled, at length, to suit the larger demands of the new agriculture. a strange man came out by the road gate; no doubt, the new proprietor. presley turned away, hurrying northwards along the county road by the mammoth watering-tank and the long wind-break of poplars.
he came to caraher's place. there was no change here. the saloon had weathered the storm, indispensable to the new as well as to the old regime. the same dusty buggies and buckboards were tied under the shed, and as presley hurried by he could distinguish caraher's voice, loud as ever, still proclaiming his creed of annihilation.
bonneville presley avoided. he had no associations with the town. he turned aside from the road, and crossing the northwest corner of los muertos and the line of the railroad, turned back along the upper road till he came to the long trestle and annixter's,—silence, desolation, abandonment.
a vast stillness, profound, unbroken, brooded low over all the place. no living thing stirred. the rusted wind-mill on the skeleton-like tower of the artesian well was motionless; the great barn empty; the windows of the ranch house, cook house, and dairy boarded up. nailed upon a tree near the broken gateway was a board, white painted, with stencilled letters, bearing the inscription:
“warning. all persons found trespassing on these premises will be prosecuted to the fullest extent of the law. by order p. and s. w. r. r.”
as he had planned, presley reached the hills by the head waters of broderson's creek late in the afternoon. toilfully he climbed them, reached the highest crest, and turning about, looked long and for the last time at all the reach of the valley unrolled beneath him. the land of the ranches opened out forever and forever under the stimulus of that measureless range of vision. the whole gigantic sweep of the san joaquin expanded titanic before the eye of the mind, flagellated with heat, quivering and shimmering under the sun's red eye. it was the season after the harvest, and the great earth, the mother, after its period of reproduction, its pains of labour, delivered of the fruit of its loins, slept the sleep of exhaustion in the infinite repose of the colossus, benignant, eternal, strong, the nourisher of nations, the feeder of an entire world.
and as presley looked there came to him strong and true the sense and the significance of all the enigma of growth. he seemed for one instant to touch the explanation of existence. men were nothings, mere animalculae, mere ephemerides that fluttered and fell and were forgotten between dawn and dusk. vanamee had said there was no death. but for one second presley could go one step further. men were naught, death was naught, life was naught; force only existed—force that brought men into the world, force that crowded them out of it to make way for the succeeding generation, force that made the wheat grow, force that garnered it from the soil to give place to the succeeding crop.
it was the mystery of creation, the stupendous miracle of recreation; the vast rhythm of the seasons, measured, alternative, the sun and the stars keeping time as the eternal symphony of reproduction swung in its tremendous cadences like the colossal pendulum of an almighty machine—primordial energy flung out from the hand of the lord god himself, immortal, calm, infinitely strong.
but as he stood thus looking down upon the great valley he was aware of the figure of a man, far in the distance, moving steadily towards the mission of san juan. the man was hardly more than a dot, but there was something unmistakably familiar in his gait; and besides this, presley could fancy that he was hatless. he touched his pony with his spur. the man was vanamee beyond all doubt, and a little later presley, descending the maze of cow-paths and cattle-trails that led down towards the broderson creek, overtook his friend.
instantly presley was aware of an immense change. vanamee's face was still that of an ascetic, still glowed with the rarefied intelligence of a young seer, a half-inspired shepherd-prophet of hebraic legends; but the shadow of that great sadness which for so long had brooded over him was gone; the grief that once he had fancied deathless was, indeed, dead, or rather swallowed up in a victorious joy that radiated like sunlight at dawn from the deep-set eyes, and the hollow, swarthy cheeks. they talked together till nearly sundown, but to presley's questions as to the reasons for vanamee's happiness, the other would say nothing. once only he allowed himself to touch upon the subject.
“death and grief are little things,” he said. “they are transient. life must be before death, and joy before grief. else there are no such things as death or grief. these are only negatives. life is positive. death is only the absence of life, just as night is only the absence of day, and if this is so, there is no such thing as death. there is only life, and the suppression of life, that we, foolishly, say is death. 'suppression,' i say, not extinction. i do not say that life returns. life never departs. life simply is. for certain seasons, it is hidden in the dark, but is that death, extinction, annihilation? i take it, thank god, that it is not. does the grain of wheat, hidden for certain seasons in the dark, die? the grain we think is dead resumes again; but how? not as one grain, but as twenty. so all life. death is only real for all the detritus of the world, for all the sorrow, for all the injustice, for all the grief. presley, the good never dies; evil dies, cruelty, oppression, selfishness, greed—these die; but nobility, but love, but sacrifice, but generosity, but truth, thank god for it, small as they are, difficult as it is to discover them—these live forever, these are eternal. you are all broken, all cast down by what you have seen in this valley, this hopeless struggle, this apparently hopeless despair. well, the end is not yet. what is it that remains after all is over, after the dead are buried and the hearts are broken? look at it all from the vast height of humanity—'the greatest good to the greatest numbers.' what remains? men perish, men are corrupted, hearts are rent asunder, but what remains untouched, unassailable, undefiled? try to find that, not only in this, but in every crisis of the world's life, and you will find, if your view be large enough, that it is not evil, but good, that in the end remains.”
there was a long pause. presley, his mind full of new thoughts, held his peace, and vanamee added at length:
“i believed angele dead. i wept over her grave; mourned for her as dead in corruption. she has come back to me, more beautiful than ever. do not ask me any further. to put this story, this idyl, into words, would, for me, be a profanation. this must suffice you. angele has returned to me, and i am happy. adios.”
he rose suddenly. the friends clasped each other's hands.
“we shall probably never meet again,” said vanamee; “but if these are the last words i ever speak to you, listen to them, and remember them, because i know i speak the truth. evil is short-lived. never judge of the whole round of life by the mere segment you can see. the whole is, in the end, perfect.”
abruptly he took himself away. he was gone. presley, alone, thoughtful, his hands clasped behind him, passed on through the ranches—here teeming with ripened wheat—his face set from them forever.
not so vanamee. for hours he roamed the countryside, now through the deserted cluster of buildings that had once been annixter's home; now through the rustling and, as yet, uncut wheat of quien sabe! now treading the slopes of the hills far to the north, and again following the winding courses of the streams. thus he spent the night.
at length, the day broke, resplendent, cloudless. the night was passed. there was all the sparkle and effervescence of joy in the crystal sunlight as the dawn expanded roseate, and at length flamed dazzling to the zenith when the sun moved over the edge of the world and looked down upon all the earth like the eye of god the father.
at the moment, vanamee stood breast-deep in the wheat in a solitary corner of the quien sabe rancho. he turned eastward, facing the celestial glory of the day and sent his voiceless call far from him across the golden grain out towards the little valley of flowers.
swiftly the answer came. it advanced to meet him. the flowers of the seed ranch were gone, dried and parched by the summer's sun, shedding their seed by handfuls to be sown again and blossom yet another time. the seed ranch was no longer royal with colour. the roses, the lilies, the carnations, the hyacinths, the poppies, the violets, the mignonette, all these had vanished, the little valley was without colour; where once it had exhaled the most delicious perfume, it was now odourless. under the blinding light of the day it stretched to its hillsides, bare, brown, unlovely. the romance of the place had vanished, but with it had vanished the vision.
it was no longer a figment of his imagination, a creature of dreams that advanced to meet vanamee. it was reality—it was angele in the flesh, vital, sane, material, who at last issued forth from the entrance of the little valley. romance had vanished, but better than romance was here. not a manifestation, not a dream, but her very self. the night was gone, but the sun had risen; the flowers had disappeared, but strong, vigorous, noble, the wheat had come.
in the wheat he waited for her. he saw her coming. she was simply dressed. no fanciful wreath of tube-roses was about her head now, no strange garment of red and gold enveloped her now. it was no longer an ephemeral illusion of the night, evanescent, mystic, but a simple country girl coming to meet her lover. the vision of the night had been beautiful, but what was it compared to this? reality was better than romance. the simple honesty of a loving, trusting heart was better than a legend of flowers, an hallucination of the moonlight. she came nearer. bathed in sunlight, he saw her face to face, saw her hair hanging in two straight plaits on either side of her face, saw the enchanting fulness of her lips, the strange, balancing movement of her head upon her slender neck. but now she was no longer asleep. the wonderful eyes, violet blue, heavy-lidded, with their perplexing, oriental slant towards the temples, were wide open and fixed upon his.
from out the world of romance, out of the moonlight and the star sheen, out of the faint radiance of the lilies and the still air heavy with perfume, she had at last come to him. the moonlight, the flowers, and the dream were all vanished away. angele was realised in the wheat. she stood forth in the sunlight, a fact, and no longer a fancy.
he ran forward to meet her and she held out her arms to him. he caught her to him, and she, turning her face to his, kissed him on the mouth.
“i love you, i love you,” she murmured.
upon descending from his train at port costa, s. behrman asked to be directed at once to where the bark “swanhilda” was taking on grain. though he had bought and greatly enlarged his new elevator at this port, he had never seen it. the work had been carried on through agents, s. behrman having far too many and more pressing occupations to demand his presence and attention. now, however, he was to see the concrete evidence of his success for the first time.
he picked his way across the railroad tracks to the line of warehouses that bordered the docks, numbered with enormous roman numerals and full of grain in bags. the sight of these bags of grain put him in mind of the fact that among all the other shippers he was practically alone in his way of handling his wheat. they handled the grain in bags; he, however, preferred it in the bulk. bags were sometimes four cents apiece, and he had decided to build his elevator and bulk his grain therein, rather than to incur this expense. only a small part of his wheat—that on number three division—had been sacked. all the rest, practically two-thirds of the entire harvest of los muertos, now found itself warehoused in his enormous elevator at port costa.
to a certain degree it had been the desire of observing the working of his system of handling the wheat in bulk that had drawn s. behrman to port costa. but the more powerful motive had been curiosity, not to say downright sentiment. so long had he planned for this day of triumph, so eagerly had he looked forward to it, that now, when it had come, he wished to enjoy it to its fullest extent, wished to miss no feature of the disposal of the crop. he had watched it harvested, he had watched it hauled to the railway, and now would watch it as it poured into the hold of the ship, would even watch the ship as she cleared and got under way.
he passed through the warehouses and came out upon the dock that ran parallel with the shore of the bay. a great quantity of shipping was in view, barques for the most part, cape horners, great, deep sea tramps, whose iron-shod forefeet had parted every ocean the world round from rangoon to rio janeiro, and from melbourne to christiania. some were still in the stream, loaded with wheat to the plimsoll mark, ready to depart with the next tide. but many others laid their great flanks alongside the docks and at that moment were being filled by derrick and crane with thousands upon thousands of bags of wheat. the scene was brisk; the cranes creaked and swung incessantly with a rattle of chains; stevedores and wharfingers toiled and perspired; boatswains and dock-masters shouted orders, drays rumbled, the water lapped at the piles; a group of sailors, painting the flanks of one of the great ships, raised an occasional chanty; the trade wind sang aeolian in the cordages, filling the air with the nimble taint of salt. all around were the noises of ships and the feel and flavor of the sea.
s. behrman soon discovered his elevator. it was the largest structure discernible, and upon its red roof, in enormous white letters, was his own name. thither, between piles of grain bags, halted drays, crates and boxes of merchandise, with an occasional pyramid of salmon cases, s. behrman took his way. cabled to the dock, close under his elevator, lay a great ship with lofty masts and great spars. her stern was toward him as he approached, and upon it, in raised golden letters, he could read the words “swanhilda—liverpool.”
he went aboard by a very steep gangway and found the mate on the quarter deck. s. behrman introduced himself.
“well,” he added, “how are you getting on?”
“very fairly, sir,” returned the mate, who was an englishman. “we'll have her all snugged down tight by this time, day after to-morrow. it's a great saving of time shunting the stuff in her like that, and three men can do the work of seven.”
“i'll have a look 'round, i believe,” returned s. behrman.
“right—oh,” answered the mate with a nod.
s. behrman went forward to the hatch that opened down into the vast hold of the ship. a great iron chute connected this hatch with the elevator, and through it was rushing a veritable cataract of wheat.
it came from some gigantic bin within the elevator itself, rushing down the confines of the chute to plunge into the roomy, gloomy interior of the hold with an incessant, metallic roar, persistent, steady, inevitable. no men were in sight. the place was deserted. no human agency seemed to be back of the movement of the wheat. rather, the grain seemed impelled with a force of its own, a resistless, huge force, eager, vivid, impatient for the sea.
s. behrman stood watching, his ears deafened with the roar of the hard grains against the metallic lining of the chute. he put his hand once into the rushing tide, and the contact rasped the flesh of his fingers and like an undertow drew his hand after it in its impetuous dash.
cautiously he peered down into the hold. a musty odour rose to his nostrils, the vigorous, pungent aroma of the raw cereal. it was dark. he could see nothing; but all about and over the opening of the hatch the air was full of a fine, impalpable dust that blinded the eyes and choked the throat and nostrils.
as his eyes became used to the shadows of the cavern below him, he began to distinguish the grey mass of the wheat, a great expanse, almost liquid in its texture, which, as the cataract from above plunged into it, moved and shifted in long, slow eddies. as he stood there, this cataract on a sudden increased in volume. he turned about, casting his eyes upward toward the elevator to discover the cause. his foot caught in a coil of rope, and he fell headforemost into the hold.
the fall was a long one and he struck the surface of the wheat with the sodden impact of a bundle of damp clothes. for the moment he was stunned. all the breath was driven from his body. he could neither move nor cry out. but, by degrees, his wits steadied themselves and his breath returned to him. he looked about and above him. the daylight in the hold was dimmed and clouded by the thick, chaff-dust thrown off by the pour of grain, and even this dimness dwindled to twilight at a short distance from the opening of the hatch, while the remotest quarters were lost in impenetrable blackness. he got upon his feet only to find that he sunk ankle deep in the loose packed mass underfoot.
“hell,” he muttered, “here's a fix.”
directly underneath the chute, the wheat, as it poured in, raised itself in a conical mound, but from the sides of this mound it shunted away incessantly in thick layers, flowing in all directions with the nimbleness of water. even as s. behrman spoke, a wave of grain poured around his legs and rose rapidly to the level of his knees. he stepped quickly back. to stay near the chute would soon bury him to the waist.
no doubt, there was some other exit from the hold, some companion ladder that led up to the deck. he scuffled and waded across the wheat, groping in the dark with outstretched hands. with every inhalation he choked, filling his mouth and nostrils more with dust than with air. at times he could not breathe at all, but gagged and gasped, his lips distended. but search as he would he could find no outlet to the hold, no stairway, no companion ladder. again and again, staggering along in the black darkness, he bruised his knuckles and forehead against the iron sides of the ship. he gave up the attempt to find any interior means of escape and returned laboriously to the space under the open hatchway. already he could see that the level of the wheat was raised.
“god,” he said, “this isn't going to do at all.” he uttered a great shout. “hello, on deck there, somebody. for god's sake.”
the steady, metallic roar of the pouring wheat drowned out his voice. he could scarcely hear it himself above the rush of the cataract. besides this, he found it impossible to stay under the hatch. the flying grains of wheat, spattering as they fell, stung his face like wind-driven particles of ice. it was a veritable torture; his hands smarted with it. once he was all but blinded. furthermore, the succeeding waves of wheat, rolling from the mound under the chute, beat him back, swirling and dashing against his legs and knees, mounting swiftly higher, carrying him off his feet.
once more he retreated, drawing back from beneath the hatch. he stood still for a moment and shouted again. it was in vain. his voice returned upon him, unable to penetrate the thunder of the chute, and horrified, he discovered that so soon as he stood motionless upon the wheat, he sank into it. before he knew it, he was knee-deep again, and a long swirl of grain sweeping outward from the ever-breaking, ever-reforming pyramid below the chute, poured around his thighs, immobolising him.
a frenzy of terror suddenly leaped to life within him. the horror of death, the fear of the trap, shook him like a dry reed. shouting, he tore himself free of the wheat and once more scrambled and struggled towards the hatchway. he stumbled as he reached it and fell directly beneath the pour. like a storm of small shot, mercilessly, pitilessly, the unnumbered multitude of hurtling grains flagellated and beat and tore his flesh. blood streamed from his forehead and, thickening with the powder-like chaff-dust, blinded his eyes. he struggled to his feet once more. an avalanche from the cone of wheat buried him to his thighs. he was forced back and back and back, beating the air, falling, rising, howling for aid. he could no longer see; his eyes, crammed with dust, smarted as if transfixed with needles whenever he opened them. his mouth was full of the dust, his lips were dry with it; thirst tortured him, while his outcries choked and gagged in his rasped throat.
and all the while without stop, incessantly, inexorably, the wheat, as if moving with a force all its own, shot downward in a prolonged roar, persistent, steady, inevitable.
he retreated to a far corner of the hold and sat down with his back against the iron hull of the ship and tried to collect his thoughts, to calm himself. surely there must be some way of escape; surely he was not to die like this, die in this dreadful substance that was neither solid nor fluid. what was he to do? how make himself heard?
but even as he thought about this, the cone under the chute broke again and sent a great layer of grain rippling and tumbling toward him. it reached him where he sat and buried his hand and one foot.
he sprang up trembling and made for another corner.
“by god,” he cried, “by god, i must think of something pretty quick!”
once more the level of the wheat rose and the grains began piling deeper about him. once more he retreated. once more he crawled staggering to the foot of the cataract, screaming till his ears sang and his eyeballs strained in their sockets, and once more the relentless tide drove him back.
then began that terrible dance of death; the man dodging, doubling, squirming, hunted from one corner to another, the wheat slowly, inexorably flowing, rising, spreading to every angle, to every nook and cranny. it reached his middle. furious and with bleeding hands and broken nails, he dug his way out to fall backward, all but exhausted, gasping for breath in the dust-thickened air. roused again by the slow advance of the tide, he leaped up and stumbled away, blinded with the agony in his eyes, only to crash against the metal hull of the vessel. he turned about, the blood streaming from his face, and paused to collect his senses, and with a rush, another wave swirled about his ankles and knees. exhaustion grew upon him. to stand still meant to sink; to lie or sit meant to be buried the quicker; and all this in the dark, all this in an air that could scarcely be breathed, all this while he fought an enemy that could not be gripped, toiling in a sea that could not be stayed.
guided by the sound of the falling wheat, s. behrman crawled on hands and knees toward the hatchway. once more he raised his voice in a shout for help. his bleeding throat and raw, parched lips refused to utter but a wheezing moan. once more he tried to look toward the one patch of faint light above him. his eye-lids, clogged with chaff, could no longer open. the wheat poured about his waist as he raised himself upon his knees.
reason fled. deafened with the roar of the grain, blinded and made dumb with its chaff, he threw himself forward with clutching fingers, rolling upon his back, and lay there, moving feebly, the head rolling from side to side. the wheat, leaping continuously from the chute, poured around him. it filled the pockets of the coat, it crept up the sleeves and trouser legs, it covered the great, protuberant stomach, it ran at last in rivulets into the distended, gasping mouth. it covered the face. upon the surface of the wheat, under the chute, nothing moved but the wheat itself. there was no sign of life. then, for an instant, the surface stirred. a hand, fat, with short fingers and swollen veins, reached up, clutching, then fell limp and prone. in another instant it was covered. in the hold of the “swanhilda” there was no movement but the widening ripples that spread flowing from the ever-breaking, ever-reforming cone; no sound, but the rushing of the wheat that continued to plunge incessantly from the iron chute in a prolonged roar, persistent, steady, inevitable.
