an irish story-teller
i
am often doubted when i say that the irish peasantry still believe in fairies. people think i am merely trying to bring back a little of the old dead beautiful world of romance into this century of great engines and spinning-jinnies. surely the hum of wheels and clatter of printing presses, to let alone the lecturers with their black coats and tumblers of water, have driven away the goblin kingdom and made silent the feet of the little dancers.[2]
old biddy hart at any rate does not think so. our bran-new opinions have never been heard of under her brown-thatched roof tufted with yellow stone-crop. it is not so long since i sat by the turf fire eating her griddle cake in her cottage on the slope of benbulben and asking after her friends, the fairies, who inhabit the green thorn-covered hill up there behind her house. how firmly she believed in them! how greatly she feared offending them! for a long time she would give me no answer but 'i always mind my own affairs and they always mind theirs.' a little talk about my great-grandfather who lived all his life in the valley below, and a few words to remind her how i myself was often under her roof when but seven or eight years old loosened her tongue, however. it would be less dangerous at any rate to talk to me of the fairies than it would be to tell some 'towrow' of them, as she contemptuously called english tourists, for i had[3] lived under the shadow of their own hillsides. she did not forget, however, to remind me to say after we had finished, 'god bless them, thursday' (that being the day), and so ward off their displeasure, in case they were angry at our notice, for they love to live and dance unknown of men.
once started, she talked on freely enough, her face glowing in the firelight as she bent over the griddle or stirred the turf, and told how such a one was stolen away from near coloney village and made to live seven years among 'the gentry,' as she calls the fairies for politeness' sake, and how when she came home she had no toes, for she had danced them off; and how such another was taken from the neighbouring village of grange and compelled to nurse the child of the queen of the fairies a few months before i came. her news about the creatures is always quite matter-of-fact and detailed, just as if she dealt with any common occur[4]rence: the late fair, or the dance at rosses last year, when a bottle of whisky was given to the best man, and a cake tied up in ribbons to the best woman dancer. they are, to her, people not so different from herself, only grander and finer in every way. they have the most beautiful parlours and drawing-rooms, she would tell you, as an old man told me once. she has endowed them with all she knows of splendour, although that is not such a great deal, for her imagination is easily pleased. what does not seem to us so very wonderful is wonderful to her, there, where all is so homely under her wood rafters and her thatched ceiling covered with whitewashed canvas. we have pictures and books to help us imagine a splendid fairy world of gold and silver, of crowns and marvellous draperies; but she has only that little picture of st. patrick over the fireplace, the bright-coloured crockery on the dresser, and the sheet of ballads stuffed by her[5] young daughter behind the stone dog on the mantelpiece. is it strange, then, if her fairies have not the fantastic glories of the fairies you and i are wont to see in picture-books and read of in stories? she will tell you of peasants who met the fairy cavalcade and thought it but a troop of peasants like themselves until it vanished into shadow and night, and of great fairy palaces that were mistaken, until they melted away, for the country seats of rich gentlemen.
her views of heaven itself have the same homeliness, and she would be quite as na?ve about its personages if the chance offered as was the pious clondalkin laundress who told a friend of mine that she had seen a vision of st. joseph, and that he had 'a lovely shining hat upon him and a shirt-buzzom that was never starched in this world.' she would have mixed some quaint poetry with it, however; for there is a world of difference[6] between benbulben and dublinised clondalkin.
heaven and fairyland—to these has biddy hart given all she dreams of magnificence, and to them her soul goes out—to the one in love and hope, to the other in love and fear—day after day and season after season; saints and angels, fairies and witches, haunted thorn-trees and holy wells, are to her what books, and plays, and pictures are to you and me. indeed they are far more; for too many among us grow prosaic and commonplace, but she keeps ever a heart full of music. 'i stand here in the doorway,' she said once to me on a fine day, 'and look at the mountain and think of the goodness of god'; and when she talks of the fairies i have noticed a touch of tenderness in her voice. she loves them because they are always young, always making festival, always far off from the old age that is coming upon her and filling her bones with aches,[7] and because, too, they are so like little children.
do you think the irish peasant would be so full of poetry if he had not his fairies? do you think the peasant girls of donegal, when they are going to service inland, would kneel down as they do and kiss the sea with their lips if both sea and land were not made lovable to them by beautiful legends and wild sad stories? do you think the old men would take life so cheerily and mutter their proverb, 'the lake is not burdened by its swan, the steed by its bridle, or a man by the soul that is in him,' if the multitude of spirits were not near them?
w. b. yeats.
clondalkin,
july 1891.
