there are many accounts of the flying clown, in books, nearly all of which refer to him as bull-bat or nighthawk, and a member of the goatsucker or nightjar family. but he wasn't a bull and he wasn't a bat and he wasn't a hawk and he wasn't a jar; and he flew more by day than by night, and he never, never milked a goat in all his life. so for the purposes of this story we may as well give him a name to suit ourselves, and call him mis nomer.
he was a poor skinny little thing, but you would not have guessed it to see him; for he always wore a loose fluffy coat, which made him look bigger and plumper than he really was. it was a gray and brown and creamy buff-and-white sort of coat, quite mottled, with a rather plain, nearly black, back. it was trimmed with white, there being a white stripe near the end of the coat-tail, a big, fine, v-shaped white place under his chin that had something the look of a necktie, and a bar of white reaching nearly across the middle of each wing.
these bars would have made you notice his long, pointed wings if he had been near you, and they were well worth noticing; for besides just flying with them,—which[pg 134] was wonderful enough, as he was a talented flier,—he used them in a sort of gymnastic stunt he was fond of performing in the springtime.
perhaps he did it to show off. i do not know. certainly he had as good a right to be proud of his accomplishments as a turkey or a peacock that spreads its tail, or a boy who walks on his hands. maybe a better right, for they have solid earth to strut upon and run no risks, while mis did his whole trick in the air. it was a kind of acrobatic feat, though he had no gymnasium with bars or rings or tight rope, and there was no canvas stretched to catch him if he fell. a circus, with tents, and a gate-keeper to take your ticket, would have been lucky if it could have hired mis to show his skill for money.
but mis couldn't be hired. not he! he was a free, wild clown, performing only under mother nature's tent of wide-arched sky. if you wanted to see him, you could—ticket or no ticket. that was nothing to him; for mis, the wild clown of the air, had no thought either of money or fame among people.
far, far up, he flew, hither and yon, in a matter-of-fact-enough way; and then of a sudden, with wings half-closed, he dropped toward the earth. could he stop such speed, or must he strike and kill himself in his fall? down, down he plunged; and then, at last, he made a sound as if he groaned a loud, deep "boom."[pg 135]
the flying clown. the flying clown.
[pg 136]
but just at the moment of this sound he was turning, and then, the first anyone knew, he was flying up gayly, quite gayly. then it wasn't a groan of fear? mis afraid! why the rascal had but to move his wings this way and that, and go up instead of down. he might be within a second of dashing himself to death against the ground, but so sure were his wings and so strong his muscles, that a second was time and to spare for him to stop and turn and rise again toward the safe height from which he dived. a fine trick that! the fun of the plunge, and then the quick jerk at the end that sent the wind groaning against and between the feathers of his wings, with a "boom" loud and sudden enough to startle anyone within hearing.
yes, you might have seen the little clown at his tricks without a ticket at the wild-circus gate, for all he cared or knew. what did the children of men matter to him? had not his fathers and grandfathers and great-grandfathers given high-air circus performances of a springtime, in the days when bison and passenger pigeons inherited their full share of the earth, before our fathers and grandfathers and great-grandfathers had even seen america?
was it, then, just for the joy of the season that he played in the air, or was there, after all, someone besides himself to be pleased with the sport? who knows[pg 137] whether the little acrobat was showing his mate what a splendid fellow he was, how strong of wing and skillful in the tricks of flight? be that as it may, the mate of mis was satisfied in some way or other, and went with him on a voyage of discovery one afternoon, when the sky was nicely cloudy and the light pleasantly dull.
now, like all good parents, mis and his mate were a bit particular about what sort of neighborhood they should choose for their home; for the bringing up of a family, even if it is a small one, is most important.
a peaceful place and a sunny exposure they must have; there must be good hunting near at hand; and one more thing, too, was necessary. now, the house-lot they finally decided upon met all four of these needs, though it sounds like a joke to tell you where it was. but then, when a clown goes merrily forth to find him a home, we must not be surprised if he is funny about it. it was where the sun could shine upon it; though how mis and his mate knew that, all on a dull, dark afternoon, i'm sure i can't tell. maybe because there wasn't a tree in sight. and as for peace, it was as undisturbed as a deserted island. it was, in fact, a sort of island in a sea of air, and at certain times of the day and night there was game enough in this sea to satisfy even such hunters as they.
perhaps they chuckled cosily together when they[pg 138] decided to take their peace and sunshine on the flat roof of a very high building in a very large city. their house-lot was covered with pebbles, and it suited them exactly. so well that they moved in, just as it was.
yes, those two ridiculous birds set up housekeeping without any house. mother nomer just settled herself on the bare pebbles in a satisfied way, and that was all there was to it. not a stick or a wisp of hay or a feather to mark the place! and as she sat there quietly, a queer thing happened. she disappeared from sight. as long as she didn't move, she couldn't be seen. her dappled feathers didn't look like a bird. they looked like the light and dark of the pebbles of the flat roof. ah, so that was the one thing more that was necessary for her home, besides sunshine and peace and good hunting. it must be where she could sit and not show; where she could hide by just looking like what was near her, like a sand-colored grasshopper on the sand in the sun,[2] or a walking-stick on a twig,[2] or a butterfly on the bark of a tree.[2]
yes, mis's mate knew, in some natural wise way of her own, the secret of making use of what we call her "protective coloration." this is one of the very most important secrets mother nature has given her children, and many use it—not birds alone, but beasts and[pg 139] insects also. they use it in their own wild way and think nothing about it. we say that it is their instinct that leads them to choose places where they cannot easily be seen. if you do not understand exactly what instinct is, do not feel worried, for there are some things about that secret of mother nature that even the wisest men in the world have not explained. but this we do know, that when her instincts led mother nomer to choose the pebbly roof as a background for her mottled feathers, she did just naturally very much the same thing that the soldiers in the world-war did when they made use of great guns painted to look like things they were not, and ships painted to look like the waves beneath them and the clouds in the sky above. only, the soldiers did not use their protective coloration naturally and by instinct. they did this by taking thought; and very proud they felt, too, of being able to do this by hard study. they talked about it a great deal and the french taught the world a new word, camouflage, to call it by. and their war-time camouflage was wonderful, even though it was only a clumsy imitation of what mother nature did when the feathers of mother nomer were made to grow dappled like little blotches of light and dark; or, to put it the other way about, when the bird was led, by her instinct, to choose for the nesting-time a place where she did not show.[pg 140]
of course, it was not just the gravel on the flat roof that would match her feathers; for there isn't a house in the land that is nearly so old as one thousand years, and birds of this sort have been building much longer than that. no, so far as color went, mother nomer might have chosen a spot in an open field, where there were little broken sticks or stones to give it a mottled look—such a place, indeed, as her ancestors used to find for their nesting in the old days when there were no houses. such a place, too, as most of this kind of bird still seek; for not all of them, by any means, are roof-dwellers in cities.
our bird with the dappled feathers, however, sat in one little spot on that large roof for about sixteen days and nights, with time enough off now and then to get food and water, and to exercise her wings. when she was away, mis came and sat on the same spot. if you had been there to see them come and go, you would have wondered why they cared about that particular spot. it looked like the rest of the sunny roof—just little humps of light and dark. ah, yes! but two of those little humps of light and dark were not pebbles: they were eggs; and if you couldn't have found them, mis and his mate could, though i think even they had to remember where they were instead of eye-spying them.
by the time sixteen days were over, there were no[pg 141] longer eggs beneath the fluffy feathers that had covered them. instead, there were two little balls of down, though you couldn't have seen them either, unless you had been about near enough to touch them; for the downy children of mis were as dappled as his mate and her eggs, and they had, from the moment of their hatching, the instinct for keeping still if danger came near.
peaceful enough, indeed, had been the brooding days. peaceful enough, indeed, had been the brooding days.
peaceful enough, indeed, had been the brooding days of mother nomer. something of the noise and bustle, to be sure, of the city streets came up to her; but that was from far below, and things far off are not worth worrying about. sometimes, too, the sound of voices[pg 142] floated out from the upper windows of the building, quite near; but the birds soon became used to that.
when the twins were but a few days old, however, their mother had a real scare. a man came up to take down some electric wires that had been fastened not far from the spot that was the nomer home. he tramped heavily about, throwing down his tools here and there, and whistling loudly as he worked. all this frightened little mother nomer. there is no doubt about that, for her heart beat more and more quickly. but she didn't budge. she couldn't. it was a part of her camouflage trick to sit still in danger. the greater the danger, the stiller to sit! she even kept her eyes nearly shut, until, when the man had cut the last and nearest end of wire and put all his things together in a pile ready to take down, he came to look over the edge of the roof-wall. as he bent to do this, he brushed suddenly against her.
then mother nomer sprang into the air; and the man jumped, in such surprise that, had it not been for the wall, he would have fallen from the roof. it would be hard to tell which was the more startled for a moment—man or bird. but mother nomer did not fly far. she fell back to the roof some distance from her precious babies and fluttered pitifully about, her wings and tail spread wide and dragging as she moved lamely. she did not look like a part of the pebbly roof now. she showed[pg 143] plainly, for she was moving. she looked like a wounded bird, and the man, thinking he must have hurt her in some way, followed her to pick her up and see what the trouble was. three times he almost got her. almost, but not quite. crippled as she seemed, she could still fumble and flutter just out of reach; and when at last the man had followed her to a corner of the roof far from her young, mother nomer sprang up, and spreading her long, pointed wings, took flight, whole and sound as a bird need be.
the man understood and laughed. he laughed at himself for being fooled. for it wasn't the first time a bird had tricked him so. once, when he was a country boy, a partridge, fluttering as if broken-winged, had led him through the underbrush of the wood-lot; and once a bird by the river-side stumbled on before him, crying piteously, "pete! pete! pete-weet!" and once—why, yes, he should have remembered that this is the trick of many a mother-bird when danger threatens her young.
so he went back, with careful step, to where he had been before. he looked this way and that. there was no nest. he saw no young. the little nomer twins were not the son and daughter of mis, the clown, and mother nomer, the trick cripple, for nothing! they sat there, the little rascals, right before his eyes, and budged not; they could practice the art of camouflage, too.[pg 144]
the little rascals could practise the art of
camouflage. the little rascals could practise the art of camouflage.
but as he stood and looked, a wistful light came into the eyes of the man. it had been many years since he had found nesting birds and watched the ways of them. his memory brought old pictures back to him. the crotch in the tree, where the robin had plastered her nest, modeling the mud with her feathered breast; the brook-edge willows, where the blackbirds built; the meadow, with its hidden homes of bobolinks; and the woods where the whip-poor-wills called o' nights. his thoughts made a boy of him again, and he forgot everything else in the world in his wish to see the little birds he felt sure must be among the pebbles before him. so he crept about carefully, here and there, and at last came upon the children of mis. he picked up the fluffy little balls of down and snuggled them gently in his big hands for a moment. then he put them back to their safe roof,[pg 145] and, gathering up his tools, went on his way, whistling a merry tune remembered from the days when he trudged down long-ago lane to the pasture, for his father's cows. late of afternoon it used to be, while the nighthawks dashed overhead in their air-hunts, showing the white spots in their wings that looked like holes, and sometimes making him jump as they dropped and turned, with a sudden "boom."
no sooner had the sound of his whistle gone from the roof, than mother nomer came back to her houseless home—any spot doing as well as another, now that the twins were hatched and able to walk about. as she called her babies to her and tucked them under her feathers, her heart still beating quickly with the excitement of her scare, it would be easy to guess from the dear way of her cuddling that it isn't a beautiful woven cradle or quaint walls of clay that matter most in the life of young birds, but the loving care that is given them. in this respect the young orioles, swinging in their hammock among the swaying tips of the elm tree, and the children of eve and petro, in their wonderful brick mansion, were no better off than the twins of mis and mother nomer.
busy indeed was mis in the twilights that followed the hatching of his children; and, though he was as much in the air as ever, it was not the fun of frolic and clownish[pg 146] tricks that kept him there. for, besides his own keen appetite, he had now the hunger of the twins to spur him on. such a hunter as he was in those days! why, he caught a thousand mosquitos on one trip; and meeting a swarm of flying ants, thought nothing at all of gobbling up five hundred before he stopped. countless flies went down his throat. and when the big, brown bumping beetles, with hard, shiny wing-covers on their backs and soft, fuzzy velvet underneath, flew out at dusk, twenty or thirty of them, as likely as not, would make a luncheon for mis the clown. for he was lean and hungry, and he ate and ate and ate; but he never grew fat. he hunted zigzag through the twilight of the evening and the twilight of the dawn. when the nights were bright and game was plenty, he hunted zigzag through the moonlight. when the day was dull and insects were on the wing, he hunted, though it was high noon. and many a midnight rambler going home from the theatre looked up, wondering what made the darting shadows, and saw mis and his fellows dashing busily above where the night-insects were hovering about the electric lights of the city streets. he hunted long and he hunted well; but so keen was his appetite and so huge the hunger of his twins, that it took the mother, too, to keep the meals provided in the nomer home.
i think they were never unhappy about it, for there[pg 147] is a certain satisfaction in doing well what we can do; and there is no doubt that these birds were made to be hunters. mis and his kind swept the air, of course, because they and their young were hungry; but the game they caught, had it gone free to lay its myriad eggs, would have cost many a farmer a fortune in sprays to save his crops, and would have added untold discomfort to dwellers in country and city alike.
although mis, under his feathers, was much smaller than one would think to look at him, there were several large things about him besides his appetite. his mouth was almost huge, and reached way around to the sides of his head under his eyes. it opened up more like the mouth of a frog or a toad than like that of most birds. when he hunted he kept it yawning wide open, so that it made a trap for many an unlucky insect that flew straight in, without ever knowing what happened to it when it disappeared down the great hollow throat, into a stomach so enormous that it hardly seems possible that a bird less than twice the size of mis could own it.
there were other odd things about him, too—for instance, the comb he wore on his middle toe-nail. what he did with it, i can't say. he didn't seem to do very much with his feet anyway. they were rather feeble little things, and he never used them in carrying home anything he caught. he didn't even use them as most[pg 148] birds do when they stop to rest; for, instead of sitting on a twig when he was not flying, he would settle as if lying down. sometimes he stayed on a large level branch, not cross-wise like most birds, but the long way; and when he did that, he looked like a humpy knot on the branch. when there were no branches handy, he would use a rail or a log or a wall, or even the ground; but wherever he settled himself, he looked like a blotch of light and dark, and one could gaze right at him without noticing that a bird was there. that was the way mother nomer did, too—clowns both of them and always ready for the wonderful game of camouflage!
they had remarkable voices. there seemed to be just one word to their call. i am not going to tell you what that word is. there is a reason why i am not. the reason is, that i do not know. to be sure, i have heard nighthawks say it every summer for years, but i can't say it myself. it is a very funny word, but you will have to get one of them to speak it for you!
they came by all their different kinds of queerness naturally enough, mis and mother nomer did, for it seemed to run in the family to be peculiar, and all their relatives had oddities of one kind or another. take cousin whip-poor-will, who wears whiskers, for instance; and cousin chuck-will's widow, who wears whiskers that branch. you could tell from their very names[pg 149] that they would do uncommon things. and as for their more distant relatives, the hummingbirds and chimney swifts, it would take a story apiece as long as this to begin to tell of their strange doings. but it is a nice, likable sort of queerness they all have; so very interesting, too, that we enjoy them the better for it.
there is one more wonderful thing yet that mis and his mate did—and their twins with them; for before this happened, the children had grown to be as big as their parents, and a bit plumper, perhaps, though not enough to be noticed under their feathers. toward the end of a pleasant summer, they joined a company of their kind, a sort of traveling circus, and went south for the winter. just what performances they gave along the way, i did not hear; but with a whole flock of flying clowns on the wing, it seems likely that they had a gay time of it altogether!
