the noon sun sweltered down through the rank vegetation of the narrow defile. the heat was almost too burdensome to endure. it was moist; it was dank with the reek of decaying matter. the way was a seemingly endless battle against odds. but the travelers were buoyed with the knowledge that it was a short cut, calculated to save them many hours and many miles.
bud tristram had pointed the way. furthermore, he had urged jeff to accept and endure the tortures and shortcomings which he knew they must face in the heart of this remote gulch.
nor were his warnings unneeded, for nature had set up no inconsiderable defenses. here were swarms of over-grown mosquitoes of a peculiarly vicious type, which covered their horses' flanks in a gray horde, almost obliterating their original colors; and a bleeding mass resulted every time either man raised a hand to the back of his own neck to soothe the fierce irritation of the vicious attacks. then the way itself. it was a narrow gorge almost completely occupied by the muddy bed and boggy shores of a drying mountain creek.
it was, in jeff's own words, a "fierce journey." the heat left them drenched in perspiration, and wiltering. the two packhorses fought for their very lives, often hock deep in a sucking mire. while the beasts, who bore the burden of their exacting masters, were driven to battle every inch of the way against a fiercely obstinate rampart of dense grown bush.
mercifully the gorge was less than three miles in length. a greater distance must have left the nervous equine mind staggered, and helpless, and beaten. as it was nearly three hours of incessant struggle only served to pass the final barrier.
"phew!"
jeff masters drew off his hat as they emerged upon the wide opening of a great valley. then he flung himself out of the saddle and began to sweep the blood-inflated mosquitoes from his horse's flanks. bud, with less haste, proceeded to do the same. finally, both men walked round the weary beasts and examined the security of the packs on the led horses.
bud pointed down the valley with one outstretched arm.
"we'll make that way," he said, his deep eyes dwelling almost affectionately upon the wide stretch of blue-tinted grass. "guess we'll take the high land an' camp fer food."
then he turned back to his horse and remounted. jeff silently followed his example and they rode on.
for many minutes no word passed between them. each was busy with his own particular thoughts. the deep look of friendly affection was still in bud's eyes. jeff was far less concerned with the wonderful scene slowly unfolding itself as they proceeded than with the purpose of his journey. he knew they had reached the central point from which they were to radiate their search of the labyrinth of hills. his mind was upon the wealth of possibility before them. the difficulties. bud, for the time at least, was concerned only with that which his eyes beheld, and the memories of other days far, far back when he had possessed no greater responsibility than the quest of adventure, and his own safe delivery from the fruits of his unwisdom.
it was he who first broke the silence between them.
"gee!" he exclaimed, with that curious note of appreciation which that ejaculation can assume. "it's big. say, jeff, it's big an' good to look on. sort of makes you think, too, don't it? jest get a peek that way. them slopes." he indicated the western boundary of the valley rising up, up to great pine-crested heights. "a thousand--two thousand feet. and hills beyond. big hills, with snows you couldn't melt anyhow. over there, too." one great hand waved in the direction of the east. "lesser hills. lesser woods. but--man, it's fine! then ahead. miles an' miles of this queer blue grass which sets fat on cattle inches deep."
his words ceased, but his eyes continued to feast, flooding the simple brain behind them with a joy which no words could describe. presently he went on:
"makes you feel a'mighty god's a pretty big feller, don't it? guess he jest tumbles things around, an' sets up, an' levels down in a way that wouldn't mean a thing to brains like ours--till he's finished it all, and sort of swep' up tidy. look at them colors, way up there to the west. queer? sure. every sort o' blamed color in a tangle no earthly painter could set out. ain't it a pictur'? it's jest a sort o' pictur' a painter feller's li'ble to spend most of his wholesome nights dreamin' about. an' when he wakes up, why, i don't guess he kin even think like it, an' he sure ain't a hell of a chance to paint that way anyhow. say, d'you make it these things are, or is it jest something he sets in us makes us see 'em that way? he's big--he surely is. i'm glad i come along with you, jeff, boy. y' see, a feller sort o' sits around home, an' sees the same grass, an' brands the same steers, an' thinks the same thinks. ther' ain't nothin' he don't know around home. he gets so life don't seem a thing, an' he jest feels he's running things so as he pleases. he sort o' fergets he's jest a part o' the scenery around. he fergets he's set in that scenery by an a'mighty big hand, same as them all-fired m'squitters we just found, an' kind o' guesses he is that a'mighty hand." he turned his deeply smiling eyes on his companion. "i don't often take on like this, jeff," he apologized, "but the sight o' this place makes me want to shout an' get right out an' thank the good god he's seen fit to let me sit around an' live."
but jeff had no means of simple expression such as bud. he could never give verbal expression to the emotions locked away in his heart. those who knew him regarded it as reserve, even hardness. perhaps it was only that shyness which the strongest characters are often most prone to.
he ignored the older man's quaintly expressed feelings, and fastened upon the opening he had at last received, and which he had been seeking ever since it had become obvious that bud's knowledge of the great cathill range was almost phenomenal.
"you know these parts a heap," he observed.
"know 'em?" bud laughed in his deep-throated way, which was only another indication of his buoyant mood. "you'd know 'em, boy, if you'd had a father build up a big pelt trading post right in this valley, an' fer sixteen years o' your life you'd ridden, an' shot, an' hunted over this blue grass, and these hills, for nigh a range of fifty mile. guess i know this territory same as you know the playgrounds o' the college that handed you your knowledge o' figgers. know it? say, you could dump me right down anywhere around here for fifty miles an' more, an' i'd travel straight here same as the birds fly." he laughed again. "when you said you'd the notion of huntin' out your brother, who was huntin' these hills, you give me the excuse i'd been yearnin' to find in years. i wanted to see these hills again. i wanted it bad. guess i was jest crazy fer it. it didn't get me figgerin' long, either, to locate wher' we'd likely find that boy you're lookin' fer. ther' ain't no better huntin' ground than around this valley. it's sort of untouched since my father died, an' i had to quit it and take to punchin' cattle. then ther's that post he built. a dandy place, with nigh everything a pelt hunter needs fer his comfort. we're making for that post right now, an' when we make it i'm guessin' we ain't goin' to chase much farther to locate that twin brother of yours."
"but you never----"
bud shook his great head, and stretched his ungainly legs with his stirrups thrust out wide.
"sure i didn't tell you these things," he nodded, in simple, almost childlike enjoyment.
"i never---- say, does nan know you were--raised here?"
"surely." then bud went on with an amused twinkle in his eyes. "but i guess nan's like me. it ain't our way worryin' other folks with our troubles. you see, most folks ain't a heap o' time to listen to other folks' troubles. most everybody's jest yearnin' to tell their own."
"troubles?" jeff smiled in his own peculiarly shadowy fashion. "you don't seem to figure this valley's any sort of trouble, nor its associations. but maybe there's a bone or two hidden around you don't figure to show me."
bud remained silent for some moments. then he gave way to another of his joyous, deep-throated laughs.
"no, sirree! ther' ain't no troubles to this valley fer me. none. i got memories i wouldn't sell fer a farm. them wer' days you didn't find trouble in nothin'. no. it's later on you see things diff'rent. make good, an' you see troubles wher' there shouldn't be none. you an' me we're guessin' to make a pile o' dollars, so we could set up a palace on 5th av'noo, new york, if we was yearnin' that-a-way. i don't reckon there's many fellers 'ud find trouble in such a play as that. wal, i'd be willing enough to turn it all down, an' pitch camp right here among these hills, an' chase pelts for the few dollars needed to keep the wind from rattling my bones--'cep' fer nan."
"ah yes--nan. there's nan to think of. and nan's more to you, bud, than anything else in life. say, your little girl's a bright jewel. i don't need to say a word about her value, eh? but some day you're going to lose her. and then?"
bud's eyes came round upon him and for some moments encountered jeff's steady regard. then he looked away, and slowly all its simple delight dropped from the strong weather-tanned face, to be replaced by an almost painful dejection. presently he turned again, and, in a moment, jeff found an added interest in the wonderful scene that lay ahead of him.
"nan's a fine, good gal," bud declared, with simple earnestness. "guess she's her mother over again--only she's jest nan. nan's more to me than all the dollars in creation, boy. guess you're right. oh, yes, you're right--sure." the man brushed aside the beads of sweat from his broad forehead. "an' nan's goin' to do jest as she notions. she's goin' to live around her home as long as she feels that way. when she don't feel that way she's goin' to quit. when she feels like choosin' a man fer herself--why, i'm goin' to do all i know helpin' her that way. but it's goin' to be her choice, boy. an' when that time comes, why, i'll get right down on my knees an' pray a'mighty god he's the feller for her, an' the man i'm hopin' she'll choose, an' that he wants her, same as she wants him."
then he shook his head and a deep sigh escaped him.
"but i don't know. it don't seem to me reasonable. y' see, the luck's run all my way so far, an' i don't guess you can keep on dealin' the cards without 'em gettin' right up an' handin' it you plenty--some time."
jeff had no reply. something warned him to keep silent. the older man in his earnest simplicity had opened out to him a vista which he felt he had no right to gaze upon.
as they jogged steadily along over the blue-green carpet, and the kaleidoscopic coloring of the distant slopes fell away behind them, his whole mental vision became occupied by the sweet picture of a brown-eyed, brown-haired girl. but he was regarding it without any lover's emotions. rather was he regarding it as one who calmly appraises a beautiful jewel he does not covet. he was thinking of nan as he had known her for some five years. from the days of her schoolgirlhood he had watched her develop into a grown woman full of all that was wholesome and winsome. she was her father over again, trustful, simple, fearless, and she was possessed of a whimsical philosophy quite beyond her years. her beauty was undeniable, her gentle kindliness was no less. but the memory of these things made no stirring within him. nan was just a loyal little friend whom he loved and was ready to serve as he might love and help a sister, but regard of her broke off at that. so, as he rode, the pictures of her failed to hold him, and, finally, his roving gaze became caught and held by a sudden and striking anachronism in the scene about him.
he claimed bud's attention with a gesture which roused him from his engrossing thought.
"fire," he observed.
bud's gaze became rivetted on the spot.
"yes, it's fire--sure," he admitted.
it was a long way ahead. only the trained eyes of prairiemen could have read the sign aright at such a distance. it was a break in the wonderful sea of varying shades of restful green. it was, to them, an ominous dead black patch which broke the sky-line with unmistakable skeleton arms.
it was the only remark upon the subject which passed between them, but as they rode on it occupied something more than a passing attention.
with jeff his interest was mere curiosity. with bud it was deeper and more significant. had the younger man observed him he might have discovered a curious expression almost amounting to pain in the deep eyes which contemplated the blackened limbs where the fire had wrought its havoc.
as they drew nearer it became apparent that the havoc was even greater than they had first supposed. a wide patch of woodland, hundreds of acres in extent, whose upper limits were confined only by the summit of the valley's slope, where it cut the sky-line, had been completely burnt out. nor was it possible to tell if even that limit was the extent of the disaster.
bud suddenly reined in his horse as they came abreast of it, and his voice broke with painful sharpness upon the deathly stillness of the world about them.
"it's gone," he cried, with a note of deep distress and grievous disappointment. "it's burnt right out to a shell. say----"
"what's gone?"
the older man glanced round. then his troubled eyes sought the charred remains of the splendid pines once more.
"why--the post." then he pointed amongst the charred skeletons. "get a peek right in ther'. see, jeff. them walls; them fallen logs. burnt. burnt right through to the heart of 'em. that's all that's left of the home that sheltered me for the first sixteen years of my life. say, i'm sick--sick to death."
jeff left his packhorse and moved forward amongst the blackened limbs. the reek of burnt wood hung heavily upon the air. he threaded his way carefully toward the charred remains of an extensive abode, now plainly visible amongst the black tree trunks.
it was a wide rambling structure, and, though burnt to cinders, much of its general shape, and the great logs which had formed its walls, still remained to testify to all it had been under the hands of those who had originally wrought there.
jeff glanced back at the man he had left behind. he had not stirred. he sat in the saddle just gazing at the destruction. that was all. so he turned again to the ruins, and, dismounting, he proceeded on foot to explore.
* * * * * *
they were eyes wide with repulsion and a certain horror that gazed down upon the object at jeff's feet. it was the rotting, charred remains of a human figure. it was beyond recognition, except in so far as its human identity was concerned. the clothes were gone. the flesh was seared and shriveled. the process of incineration was almost complete.
after a few fascinated moments his eyes searched further along the remains of the old post wall. another figure lay sprawling on the ground. near by it a heavy pistol had fallen wide. a rifle, too, lay across the second body.
every detail was swiftly absorbed by the man's keenly active brain. he stood back from the gutted precincts and gazed speculatively upon the picture. his imagination reconstructed something of what he believed must have occurred in the deep heart of these wrecked woodlands.
what of the fire? how had it been started? was it the work of an incendiary? had the heat of the summer sun wrought the mischief? had the hut itself supplied the trouble? none of these questions offered real enlightenment through the answers he could supply. no. he saw the superheated furnace of the woods blazing, and he saw men struggling with all their might to save themselves, and some of their more precious belongings. the reckless daring of those two, perhaps at the last moment, returning to their shelter on one final journey to save some detail of their home. then the awful penalty for their temerity. perhaps overwhelmed by smoke. death--hideous, appalling death. death, a thousand times worse than that which, in the routine of their lives, it was their work to mete out to the valuable fur bearers which yielded them a means of existence.
a sudden question, not unaccompanied by fear, swept through his brain. it was a question inspired by the belief that these men were fur hunters. who--who were they? he drew close up to each body in turn, seeking identity where none was discoverable. a sweat broke upon his temples. there was no sign in them. there was no human semblance except for outline.
"god! if it should be----"
his sentence remained incompleted. a dreadful fear had broken it off. he was gazing down upon the second body, in earnest, horrified contemplation. then to his amazement he was answered by bud's familiar voice.
"it ain't the boy we're chasin' up, jeff," he said, with a deep assurance.
"how d'you know that?"
the demand was incisive, almost rough.
"these folks weren't pelt hunters. not by a sight. i bin around."
jeff had turned to the speaker, and a great relief shone in his eyes.
"what--who were they--then?" he asked sharply.
"maybe it was a ranch--of sorts."
"of sorts? you mean----?"
"rustlers. come right on out of here, an' i'll show you."
with gentle insistence he drew his friend away from the painfully fascinating spectacle which held so difficult a riddle. and presently they were again with their horses, which were grazing unconcernedly upon the sweet blue grass which the valley yielded so generously.
"well?" there was almost impatience in jeff's monosyllable.
for answer bud pointed at a number of rough fences, uneven, crude, makeshift, some distance away.
"see them? oh, yes, i guess they're corrals sure. but it don't take a feller who's lived all his life among cattle more'n five seconds to locate their meanin'. they're corrals set up in an a'mighty hurry by folks who hate work o' that sort anyway. an' i'd say, jeff, cattlemen--real cattlemen--don't dump a range down in the heart of the cathills, not even fer this sweet-grass you can see around, when ther's the prairie jest outside. that is cattlemen who got no sort o' reason fer keepin' quit of the--open plains. then ther's bin a big drive away north from here. mebbe they wer' gettin' clear of this fire."
under the influence of bud's clear convictions all jeff's fears vanished. he accepted the other's admittedly better understanding of these things all the more readily that he desired earnestly to dispel the last shadows of his momentary doubt.
"that's so," he agreed. then he added: "but anyway, our camp's gone."
"yes. we'll make camp some'ere else. meanwhiles----"
"yes?"
"we must follow up the trail."
there was irrevocable decision in the older cattleman's tone. and his words had the effect of startling the other.
"but--i don't see----"
"they're rustlers. ther's their tracks clear as day. this is their hiding. wal, i guess there's jest one thing to be done. it's our duty to track 'em down. our duty to the cattle world, jeff, boy."
"but what about--ronald?"
bud looked him squarely in the eyes.
"we're cattlemen first, jeff. the other'll come later."
jeff nodded, but there was a certain reluctance in his manner. his whole heart was set upon the search for his twin brother. he felt that his duty as a cattleman scarcely had the right to claim him at such a time. but the older man's manner made it difficult to protest, and, in deference to him, he felt it would be ungenerous to refuse. after all it only meant perhaps the delay of a day for his own projects.
"then we'll feed and water right here, bud," he said resignedly. "we can leave our pack ponies, and ride light. there's five hours of daylight yet."
"yes, five hours good. thanks, boy. don't you worry a thing. we'll make this time good. we're goin' to find your ronald--if he's anywheres around these cathills."
* * * * * *
the more concentrated the character, the more sure its power of moral endurance, so the more acute its suffering under adversity. such penalties lie ambushed for the strong, as though in delight at the immensity of the suffering which can thereby be inflicted.
such an ambush was awaiting jeffrey masters. it came with terrifying suddenness. bud was on the lead. the great sea of blue grass had been beaten and crushed by the hoofs of a considerable herd. there was no difficulty, and the pace he made was rapid. but, even so, bud's keen eyes never left the well-defined trail. he was reading it with an understanding which might well have seemed almost superhuman. and as he rode he communicated odd fragments of his reading to the man behind him.
"it's queer," he observed once, when they had covered nearly two miles of the track. "ther's a great bunch of horsemen been over this. kind o' seems to me as if ther' was as many horses as steers. they're headin' northeast, too."
jeff's eyes were as close upon the trail as bud's, only he read with less understanding.
"they seem leading out of the valley," he said. "maybe there's another camp way up further."
suddenly bud drew rein, his great body lurching forward in the saddle as his horse "propped" itself to a standstill. jeff's horse followed suit of its own accord.
"what's doing?"
jeff's demand was accompanied by a keen look into the other's face.
bud's eyes were wide with speculation.
"they've broke up--hereabouts," he cried. "more'n half the horses have cut out. say, ther'," he went on pointing away to the right. "that's the way they've took, clear across ther' to the east. the herd's gone on with jest a few boys to handle it. say----"
"look!"
a curious suppressed force rang in jeff's exclamation. he was pointing at a bluff of wide-spreading sturdy trees that grew hard in against the eastern slope of the valley.
bud followed the direction indicated, and that which he beheld robbed him of all inclination for further speech.
long silent moments passed. moments fraught with poignant, stirring emotions. something painful was slowly creeping into the eyes of both men as they continued to regard this stout cluster of trees.
"oaks."
the word was muttered.
jeff vouchsafed no reply, but led the way toward them at a gallop.
they drew up almost in the shadow of the trees, at a point where three hideous things were hanging suspended by rawhide ropes. they were swaying gently, stirred almost imperceptibly under the pressure of the light breeze.
bud sat stock still upon his horse. for a moment jeff remained at his side. then the latter stirred. he pressed his horse forward, urging it closer under the overhanging boughs. the animal moved willingly enough for a few yards. then panic suddenly beset it. it shied. it reared and plunged. the fierce reminder of the spur was powerless to affect it beyond driving it to even more strenuous rebellion. the terror-stricken creature would not approach another step in the direction of those ominous swinging bodies.
jeff finally leaped from the saddle and released his horse. it turned to bolt, but bud reached its hanging reins and secured it. then he sat still, observing the movements of his companion with strained, intent gaze.
jeff passed under the great limbs of the tree. he cautiously approached the first of the hanging bodies. it was hideous. there was a bandage drawn tightly over the dead eyes, but its folds were powerless to disguise the rest of the contorted features. the head was tilted over on one side. its flesh was ghastly, and deep discolorations blotched it from the neck up. the body was clad in the ordinary garb of the prairieman, with the loose waistcoat hanging open over a discolored cotton shirt, and the nether part of it sheathed in dirty moleskin trousers. the ankles were lashed securely together, and the arms firmly pinioned.
for some moments jeff stared up at the dead man. his blue eyes were quite unsoftening. there was no real pity in him for the fate of a cattle thief. he understood only the justice of it from the point of view of the cattle grower. so his cold eyes gazed up at the horrid spectacle unflinchingly.
after some moments he passed on to the second body. the same conditions prevailed. a colored handkerchief concealed the glazed eyes, and the dropping jaw displayed the blackened cavity beyond the lips.
he moved away to the third. its back was turned to him, and the bared head displayed a close mass of fair curling hair. in this instance the bandage over the eyes had fallen from its place, and lay lodged against the raw hide rope about the dead man's neck. he moved round quickly. in a moment he was facing the dreadful dead features.
he stood there without a sound. but his eyes had changed from their cold regard to a horror unspeakable. once his lips parted, and there was an automatic effort to moisten them with a parching tongue. he swallowed with a visible effort. but no other movement came from him.
the moments passed. hideous, dreadful moments of an agony that was displayed in the drawn lines which had suddenly taken possession of his strong features. it was the face of a man whose soul is seared with the blasting fury of a hell from the sight of which he is powerless to withdraw his terrified gaze. he knew nothing but the agony which smote through his every sense. the world about him, the place, even the hideous swaying remains of a once joyous life that confronted him. he was blind, blind to it all, crushed beneath a burden of agony which left him stupefied. his twin brother ronald was there before him, a dreadful, dead thing, hanged for a--cattle thief.
* * * * * *
bud gazed from the dead to the living. his deep eyes were full of an understanding which required no words. there was that about the dead, distorted face which was unmistakable. one look into the dreadful eyes of the living had told him all he needed.
he, too, stood silently contemplating the swaying figure. but it was only for a moment. then he moved swiftly, actively. as he moved he drew a sheath knife from his belt.
he reached up. the steel of the knife gleamed. the next moment the dead thing was in his arms.
a low fierce cry suddenly broke the silence of those dreadful shades.
"leave him! don't dare, or--i'll kill you!"
bud's head turned, and the muzzle of a gun touched his cheek. the blazing eyes behind it shone like coals of fire as they glared into his.
but the great bud's purpose was stronger than the madness of the other's agony.
"put up your gun, jeff," he said, in a deep gentle voice. "we're jest goin' to hide this poor boy wher' the eyes o' men an' beasts can't see him. we're jest goin' to hide him away wher' mebbe the good god'll watch over him, an' help him, an' surely will forgive him. you ken jest help me, boy, to locate the place, an' when we find it we'll sort o' seal it up, an' you ken hide the key away in your heart so no one'll ever find it. are you goin' to help, jeff?"
for answer the gun was abruptly withdrawn. then bud saw the stricken man's hand dash across his eyes, and, as it passed, he realized the moisture of tears upon the back of it.
