that evening at dusk, as benedetta had sent pierre word that she desired to see him, he went down to her little /salon/, and there found her chatting with celia.

"i've seen your pierina, you know," exclaimed the latter, just as the young priest came in. "and with dario, too. or rather, she must have been watching for him; he found her waiting in a path on the pincio and smiled at her. i understood at once. what a beauty she is!"

benedetta smiled at her friend's enthusiasm; but her lips twitched somewhat painfully, for, however sensible she might be, this passion, which she realised to be so naive and so strong, was beginning to make her suffer. she certainly made allowances for dario, but the girl was too much in love with him, and she feared the consequences. even in turning the conversation she allowed the secret of her heart to escape her. "pray sit down, monsieur l'abbe," she said, "we are talking scandal, you see. my poor dario is accused of making love to every pretty woman in rome. people say that it's he who gives la tonietta those white roses which she has been exhibiting at the corso every afternoon for a fortnight past."

"that's certain, my dear," retorted celia impetuously. "at first people were in doubt, and talked of little pontecorvo and lieutenant moretta. but every one now knows that la tonietta's caprice is dario. besides, he joined her in her box at the costanzi the other evening."

pierre remembered that the young prince had pointed out la tonietta at the pincio one afternoon. she was one of the few /demi-mondaines/ that the higher-class society of rome took an interest in. for a month or so the rich englishman to whom she owed her means had been absent, travelling.

"ah!" resumed benedetta, whose budding jealousy was entirely confined to la pierina, "so my poor dario is ruining himself in white roses! well, i shall have to twit him about it. but one or another of these beauties will end by robbing me of him if our affairs are not soon settled. fortunately, i have had some better news. yes, my suit is to be taken in hand again, and my aunt has gone out to-day on that very account."

then, as victorine came in with a lamp, and celia rose to depart, benedetta turned towards pierre, who also was rising from his chair: "please stay," said she; "i wish to speak to you."

however, celia still lingered, interested by the mention of the divorce suit, and eager to know if the cousins would soon be able to marry. and at last throwing her arms round benedetta, she kissed her passionately. "so you are hopeful, my dear," she exclaimed. "you think that the holy father will give you back your liberty? oh! i am so pleased; it will be so nice for you to marry dario! and i'm well pleased on my own account, for my father and mother are beginning to yield. only yesterday i said to them with that quiet little air of mine, 'i want attilio, and you must give him me.' and then my father flew into a furious passion and upbraided me, and shook his fist at me, saying that if he'd made my head as hard as his own he would know how to break it. my mother was there quite silent and vexed, and all at once he turned to her and said: 'here, give her that attilio she wants, and then perhaps we shall have some peace!' oh yes! i'm well pleased, very well pleased indeed!"

as she spoke her pure virginal face beamed with so much innocent, celestial joy that pierre and benedetta could not help laughing. and at last she went off attended by a maid who had waited for her in the first /salon/.

when they were alone benedetta made the priest sit down again: "i have been asked to give you some important advice, my friend," she said. "it seems that the news of your presence in rome is spreading, and that bad reports of you are circulated. your book is said to be a fierce appeal to schism, and you are spoken of as a mere ambitious, turbulent schismatic. after publishing your book in paris you have come to rome, it is said, to raise a fearful scandal over it in order to make it sell. now, if you still desire to see his holiness, so as to plead your cause before him, you are advised to make people forget you, to disappear altogether for a fortnight or three weeks."

pierre was stupefied. why, they would end by maddening him with all the obstacles they raised to exhaust his patience; they would actually implant in him an idea of schism, of an avenging, liberating scandal! he wished to protest and refuse the advice, but all at once he made a gesture of weariness. what would be the good of it, especially with that young woman, who was certainly sincere and affectionate. "who asked you to give me this advice?" he inquired. she did not answer, but smiled, and with sudden intuition he resumed: "it was monsignor nani, was it not?"

thereupon, still unwilling to give a direct reply, she began to praise the prelate. he had at last consented to guide her in her divorce affair; and donna serafina had gone to the palace of the inquisition that very afternoon in order to acquaint him with the result of certain steps she had taken. father lorenza, the confessor of both the boccanera ladies, was to be present at the interview, for the idea of the divorce was in reality his own. he had urged the two women to it in his eagerness to sever the bond which the patriotic priest pisoni had tied full of such fine illusions. benedetta became quite animated as she explained the reasons of her hopefulness. "monsignor nani can do everything," she said, "and i am very happy that my affair should be in his hands. you must be reasonable also, my friend; do as you are requested. i'm sure you will some day be well pleased at having taken this advice."

pierre had bowed his head and remained thoughtful. there was nothing unpleasant in the idea of remaining for a few more weeks in rome, where day by day his curiosity found so much fresh food. of course, all these delays were calculated to discourage him and bend his will. yet what did he fear, since he was still determined to relinquish nothing of his book, and to see the holy father for the sole purpose of proclaiming his new faith? once more, in silence, he took that oath, then yielded to benedetta's entreaties. and as he apologised for being a source of embarrassment in the house she exclaimed: "no, no, i am delighted to have you here. i fancy that your presence will bring us good fortune now that luck seems to be changing in our favour."

it was then agreed that he would no longer prowl around st. peter's and the vatican, where his constant presence must have attracted attention. he even promised that he would virtually spend a week indoors, desirous as he was of reperusing certain books, certain pages of rome's history. then he went on chatting for a moment, lulled by the peacefulness which reigned around him, since the lamp had illumined the /salon/ with its sleepy radiance. six o'clock had just struck, and outside all was dark.

"wasn't his eminence indisposed to-day?" the young man asked.

"yes," replied the contessina. "but we are not anxious: it is only a little fatigue. he sent don vigilio to tell me that he intended to shut himself up in his room and dictate some letters. so there can be nothing much the matter, you see."

silence fell again. for a while not a sound came from the deserted street or the old empty mansion, mute and dreamy like a tomb. but all at once the soft somnolence, instinct with all the sweetness of a dream of hope, was disturbed by a tempestuous entry, a whirl of skirts, a gasp of terror. it was victorine, who had gone off after bringing the lamp, but now returned, scared and breathless: "contessina! contessina!"

benedetta had risen, suddenly quite white and cold, as at the advent of a blast of misfortune. "what, what is it? why do you run and tremble?" she asked.

"dario, monsieur dario--down below. i went down to see if the lantern in the porch were alight, as it is so often forgotten. and in the dark, in the porch, i stumbled against monsieur dario. he is on the ground; he has a knife-thrust somewhere."

a cry leapt from the /amorosa's/ heart: "dead!"

"no, no, wounded."

but benedetta did not hear; in a louder and louder voice she cried: "dead! dead!"

"no, no, i tell you, he spoke to me. and for heaven's sake, be quiet. he silenced me because he did not want any one to know; he told me to come and fetch you--only you. however, as monsieur l'abbe is here, he had better help us. we shall be none too many."

pierre listened, also quite aghast. and when victorine wished to take the lamp her trembling hand, with which she had no doubt felt the prostrate body, was seen to be quite bloody. the sight filled benedetta with so much horror that she again began to moan wildly.

"be quiet, be quiet!" repeated victorine. "we ought not to make any noise in going down. i shall take the lamp, because we must at all events be able to see. now, quick, quick!"

across the porch, just at the entrance of the vestibule, dario lay prone upon the slabs, as if, after being stabbed in the street, he had only had sufficient strength to take a few steps before falling. and he had just fainted, and lay there with his face very pale, his lips compressed, and his eyes closed. benedetta, recovering the energy of her race amidst her excessive grief, no longer lamented or cried out, but gazed at him with wild, tearless, dilated eyes, as though unable to understand. the horror of it all was the suddenness and mysteriousness of the catastrophe, the why and wherefore of this murderous attempt amidst the silence of the old deserted palace, black with the shades of night. the wound had as yet bled but little, for only the prince's clothes were stained.

"quick, quick!" repeated victorine in an undertone after lowering the lamp and moving it around. "the porter isn't there--he's always at the carpenter's next door--and you see that he hasn't yet lighted the lantern. still he may come back at any moment. so the abbe and i will carry the prince into his room at once." she alone retained her head, like a woman of well-balanced mind and quiet activity. the two others, whose stupor continued, listened to her and obeyed her with the docility of children. "contessina," she continued, "you must light us. here, take the lamp and lower it a little so that we may see the steps. you, abbe, take the feet; i'll take hold of him under the armpits. and don't be alarmed, the poor dear fellow isn't heavy."

ah! that ascent of the monumental staircase with its low steps and its landings as spacious as guardrooms. they facilitated the cruel journey, but how lugubrious looked the little /cortege/ under the flickering glimmer of the lamp which benedetta held with arm outstretched, stiffened by determination! and still not a sound came from the old lifeless dwelling, nothing but the silent crumbling of the walls, the slow decay which was making the ceilings crack. victorine continued to whisper words of advice whilst pierre, afraid of slipping on the shiny slabs, put forth an excess of strength which made his breath come short. huge, wild shadows danced over the big expanse of bare wall up to the very vaults decorated with sunken panels. so endless seemed the ascent that at last a halt became necessary; but the slow march was soon resumed. fortunately dario's apartments--bed-chamber, dressing-room, and sitting-room--were on the first floor adjoining those of the cardinal in the wing facing the tiber; so, on reaching the landing, they only had to walk softly along the corridor, and at last, to their great relief, laid the wounded man upon his bed.

victorine vented her satisfaction in a light laugh. "that's done," said she; "put the lamp on that table, contessina. i'm sure nobody heard us. it's lucky that donna serafina should have gone out, and that his eminence should have shut himself up with don vigilio. i wrapped my skirt round monsieur dario's shoulders, you know, so i don't think any blood fell on the stairs. by and by, too, i'll go down with a sponge and wipe the slabs in the porch--" she stopped short, looked at dario, and then quickly added: "he's breathing--now i'll leave you both to watch over him while i go for good doctor giordano, who saw you come into the world, contessina. he's a man to be trusted."

alone with the unconscious sufferer in that dim chamber, which seemed to quiver with the frightful horror that filled their hearts, benedetta and pierre remained on either side of the bed, as yet unable to exchange a word. the young woman first opened her arms and wrung her hands whilst giving vent to a hollow moan, as if to relieve and exhale her grief; and then, leaning forward, she watched for some sign of life on that pale face whose eyes were closed. dario was certainly breathing, but his respiration was slow and very faint, and some time went by before a touch of colour returned to his cheeks. at last, however, he opened his eyes, and then she at once took hold of his hand and pressed it, instilling into the pressure all the anguish of her heart. great was her happiness on feeling that he feebly returned the clasp.

"tell me," she said, "you can see me and hear me, can't you? what has happened, good god?"

he did not at first answer, being worried by the presence of pierre. on recognising the young priest, however, he seemed content that he should be there, and then glanced apprehensively round the room to see if there were anybody else. and at last he murmured: "no one saw me, no one knows?"

"no, no; be easy. we carried you up with victorine without meeting a soul. aunt has just gone out, uncle is shut up in his rooms."

at this dario seemed relieved, and he even smiled. "i don't want anybody to know, it is so stupid," he murmured.

"but in god's name what has happened?" she again asked him.

"ah! i don't know, i don't know," was his response, as he lowered his eyelids with a weary air as if to escape the question. but he must have realised that it was best for him to confess some portion of the truth at once, for he resumed: "a man was hidden in the shadow of the porch--he must have been waiting for me. and so, when i came in, he dug his knife into my shoulder, there."

forthwith she again leant over him, quivering, and gazing into the depths of his eyes: "but who was the man, who was he?" she asked. then, as he, in a yet more weary way, began to stammer that he didn't know, that the man had fled into the darkness before he could recognise him, she raised a terrible cry: "it was prada! it was prada, confess it, i know it already!" and, quite delirious, she went on: "i tell you that i know it! ah! i would not be his, and he is determined that we shall never belong to one another. rather than have that he will kill you on the day when i am free to be your wife! oh! i know him well; i shall never, never be happy. yes, i know it well, it was prada, prada!"

but sudden energy upbuoyed the wounded man, and he loyally protested: "no, no, it was not prada, nor was it any one working for him. that i swear to you. i did not recognise the man, but it wasn't prada--no, no!"

there was such a ring of truth in dario's words that benedetta must have been convinced by them. but terror once more overpowered her, for the hand she held was suddenly growing soft, moist, and powerless. exhausted by his effort, dario had fallen back, again fainting, his face quite white and his eyes closed. and it seemed to her that he was dying. distracted by her anguish, she felt him with trembling, groping hands: "look, look, monsieur l'abbe!" she exclaimed. "but he is dying, he is dying; he is already quite cold. ah! god of heaven, he is dying!"

pierre, terribly upset by her cries, sought to reassure her, saying: "he spoke too much; he has lost consciousness, as he did before. but i assure you that i can feel his heart beating. here, put your hand here, contessina. for mercy's sake don't distress yourself like that; the doctor will soon be here, and everything will be all right."

but she did not listen to him, and all at once he was lost in amazement, for she flung herself upon the body of the man she adored, caught it in a frantic embrace, bathed it with tears and covered it with kisses whilst stammering words of fire: "ah! if i were to lose you, if i were to lose you! and to think that i repulsed you, that i would not accept happiness when it was yet possible! yes, that idea of mine, that vow i made to the madonna! yet how could she be offended by our happiness? and then, and then, if she has deceived me, if she takes you from me, ah! then i can have but one regret--that i did not damn myself with you--yes, yes, damnation rather than that we should never, never be each other's!"

was this the woman who had shown herself so calm, so sensible, so patient the better to ensure her happiness? pierre was terrified, and no longer recognised her. he had hitherto seen her so reserved, so modest, with a childish charm that seemed to come from her very nature! but under the threatening blow she feared, the terrible blood of the boccaneras had awoke within her with a long heredity of violence, pride, frantic and exasperated longings. she wished for her share of life, her share of love! and she moaned and she clamoured, as if death, in taking her lover from her, were tearing away some of her own flesh.

"calm yourself, i entreat you, madame," repeated the priest. "he is alive, his heart beats. you are doing yourself great harm."

but she wished to die with her lover: "o my darling! if you must go, take me, take me with you. i will lay myself on your heart, i will clasp you so tightly with my arms that they shall be joined to yours, and then we must needs be buried together. yes, yes, we shall be dead, and we shall be wedded all the same--wedded in death! i promised that i would belong to none but you, and i will be yours in spite of everything, even in the grave. o my darling, open your eyes, open your mouth, kiss me if you don't want me to die as soon as you are dead!"

a blaze of wild passion, full of blood and fire, had passed through that mournful chamber with old, sleepy walls. but tears were now overcoming benedetta, and big gasping sobs at last threw her, blinded and strengthless, on the edge of the bed. and fortunately an end was put to the terrible scene by the arrival of the doctor whom victorine had fetched.

doctor giordano was a little old man of over sixty, with white curly hair, and fresh-looking, clean-shaven countenance. by long practice among churchmen he had acquired the paternal appearance and manner of an amiable prelate. and he was said to be a very worthy man, tending the poor for nothing, and displaying ecclesiastical reserve and discretion in all delicate cases. for thirty years past the whole boccanera family, children, women, and even the most eminent cardinal himself, had in all cases of sickness been placed in the hands of this prudent practitioner. lighted by victorine and helped by pierre, he undressed dario, who was roused from his swoon by pain; and after examining the wound he declared with a smile that it was not at all dangerous. the young prince would at the utmost have to spend three weeks in bed, and no complications were to be feared. then, like all the doctors of rome, enamoured of the fine thrusts and cuts which day by day they have to dress among chance patients of the lower classes, he complacently lingered over the wound, doubtless regarding it as a clever piece of work, for he ended by saying to the prince in an undertone: "that's what we call a warning. the man didn't want to kill, the blow was dealt downwards so that the knife might slip through the flesh without touching the bone. ah! a man really needs to be skilful to deal such a stab; it was very neatly done."

"yes, yes," murmured dario, "he spared me; had he chosen he could have pierced me through."

benedetta did not hear. since the doctor had declared the case to be free from danger, and had explained that the fainting fits were due to nervous shock, she had fallen in a chair, quite prostrated. gradually, however, some gentle tears coursed from her eyes, bringing relief after her frightful despair, and then, rising to her feet, she came and kissed dario with mute and passionate delight.

"i say, my dear doctor," resumed the prince, "it's useless for people to know of this. it's so ridiculous. nobody has seen anything, it seems, excepting monsieur l'abbe, whom i ask to keep the matter secret. and in particular i don't want anybody to alarm the cardinal or my aunt, or indeed any of our friends."

doctor giordano indulged in one of his placid smiles. "/bene, bene/," said he, "that's natural; don't worry yourself. we will say that you have had a fall on the stairs and have dislocated your shoulder. and now that the wound is dressed you must try to sleep, and don't get feverish. i will come back to-morrow morning."

that evening of excitement was followed by some very tranquil days, and a new life began for pierre, who at first remained indoors, reading and writing, with no other recreation than that of spending his afternoons in dario's room, where he was certain to find benedetta. after a somewhat intense fever lasting for eight and forty hours, cure took its usual course, and the story of the dislocated shoulder was so generally believed, that the cardinal insisted on donna serafina departing from her habits of strict economy, to have a second lantern lighted on the landing in order that no such accident might occur again. and then the monotonous peacefulness was only disturbed by a final incident, a threat of trouble, as it were, with which pierre found himself mixed up one evening when he was lingering beside the convalescent patient.

benedetta had absented herself for a few minutes, and as victorine, who had brought up some broth, was leaning towards the prince to take the empty cup from him, she said in a low voice: "there's a girl, monsieur, la pierina, who comes here every day, crying and asking for news of you. i can't get rid of her, she's always prowling about the place, so i thought it best to tell you of it."

unintentionally, pierre heard her and understood everything. dario, who was looking at him, at once guessed his thoughts, and without answering victorine exclaimed: "yes, abbe, it was that brute tito! how idiotic, eh?" at the same time, although the young man protested that he had done nothing whatever for the girl's brother to give him such a "warning," he smiled in an embarrassed way, as if vexed and even somewhat ashamed of being mixed up in an affair of the kind. and he was evidently relieved when the priest promised that he would see the girl, should she come back, and make her understand that she ought to remain at home.

"it was such a stupid affair!" the prince repeated, with an exaggerated show of anger. "such things are not of our times."

but all at once he ceased speaking, for benedetta entered the room. she sat down again beside her dear patient, and the sweet, peaceful evening then took its course in the old sleepy chamber, the old, lifeless palace, whence never a sound arose.

when pierre began to go out again he at first merely took a brief airing in the district. the via giulia interested him, for he knew how splendid it had been in the time of julius ii, who had dreamt of lining it with sumptuous palaces. horse and foot races then took place there during the carnival, the palazzo farnese being the starting-point, and the piazza of st. peter's the goal. pierre had also lately read that a french ambassador, d'estree, marquis de coure, had resided at the palazzo sacchetti, and in 1638 had given some magnificent entertainments in honour of the birth of the dauphin,* when on three successive days there had been racing from the ponte sisto to san giovanni dei fiorentini amidst an extraordinary display of sumptuosity: the street being strewn with flowers, and rich hangings adorning every window. on the second evening there had been fireworks on the tiber, with a machine representing the ship argo carrying jason and his companions to the recovery of the golden fleece; and, on another occasion, the farnese fountain, the mascherone, had flowed with wine. nowadays, however, all was changed. the street, bright with sunshine or steeped in shadow according to the hour, was ever silent and deserted. the heavy, ancient palatial houses, their old doors studded with plates and nails, their windows barred with huge iron gratings, always seemed to be asleep, whole storeys showing nothing but closed shutters as if to keep out the daylight for evermore. now and again, when a door was open, you espied deep vaults, damp, cold courts, green with mildew, and encompassed by colonnades like cloisters. then, in the outbuildings of the mansions, the low structures which had collected more particularly on the side of the tiber, various small silent shops had installed themselves. there was a baker's, a tailor's, and a bookbinder's, some fruiterers' shops with a few tomatoes and salad plants set out on boards, and some wine-shops which claimed to sell the vintages of frascati and genzano, but whose customers seemed to be dead. midway along the street was a modern prison, whose horrid yellow wall in no wise enlivened the scene, whilst, overhead, a flight of telegraph wires stretched from the arcades of the farnese palace to the distant vista of trees beyond the river. with its infrequent traffic the street, even in the daytime, was like some sepulchral corridor where the past was crumbling into dust, and when night fell its desolation quite appalled pierre. you did not meet a soul, you did not see a light in any window, and the glimmering gas lamps, few and far between, seemed powerless to pierce the gloom. on either hand the doors were barred and bolted, and not a sound, not a breath came from within. even when, after a long interval, you passed a lighted wine-shop, behind whose panes of frosted glass a lamp gleamed dim and motionless, not an exclamation, not a suspicion of a laugh ever reached your ear. there was nothing alive save the two sentries placed outside the prison, one before the entrance and the other at the corner of the right-hand lane, and they remained erect and still, coagulated, as it were, in that dead street.

* afterwards louis xiv.--trans.

pierre's interest, however, was not merely confined to the via giulia; it extended to the whole district, once so fine and fashionable, but now fallen into sad decay, far removed from modern life, and exhaling a faint musty odour of monasticism. towards san giovanni dei fiorentini, where the new corso vittorio emanuele has ripped up every olden district, the lofty five-storeyed houses with their dazzling sculptured fronts contrasted violently with the black sunken dwellings of the neighbouring lanes. in the evening the globes of the electric lamps on the corso shone out with such dazzling whiteness that the gas lamps of the via giulia and other streets looked like smoky lanterns. there were several old and famous thoroughfares, the via banchi vecchi, the via del pellegrino, the via di monserrato, and an infinity of cross-streets which intersected and connected the others, all going towards the tiber, and for the most part so narrow that vehicles scarcely had room to pass. and each street had its church, a multitude of churches all more or less alike, highly decorated, gilded, and painted, and open only at service time when they were full of sunlight and incense. in the via giulia, in addition to san giovanni dei fiorentini, san biagio della pagnotta, san eligio degli orefici, and three or four others, there was the so-called church of the dead, santa maria dell' orazione; and this church, which is at the lower end behind the farnese palace, was often visited by pierre, who liked to dream there of the wild life of rome, and of the pious brothers of the confraternita della morte, who officiate there, and whose mission is to search for and bury such poor outcasts as die in the campagna. one evening he was present at the funeral of two unknown men, whose bodies, after remaining unburied for quite a fortnight, had been discovered in a field near the appian way.

however, pierre's favourite promenade soon became the new quay of the tiber beyond the palazzo boccanera. he had merely to take the narrow lane skirting the mansion to reach a spot where he found much food for reflection. although the quay was not yet finished, the work seemed to be quite abandoned. there were heaps of rubbish, blocks of stone, broken fences, and dilapidated tool-sheds all around. to such a height had it been necessary to carry the quay walls--designed to protect the city from floods, for the river bed has been rising for centuries past--that the old terrace of the boccanera gardens, with its double flight of steps to which pleasure boats had once been moored, now lay in a hollow, threatened with annihilation whenever the works should be finished. but nothing had yet been levelled; the soil, brought thither for making up the bank, lay as it had fallen from the carts, and on all sides were pits and mounds interspersed with the abandoned building materials. wretched urchins came to play there, workmen without work slept in the sunshine, and women after washing ragged linen spread it out to dry upon the stones. nevertheless the spot proved a happy, peaceful refuge for pierre, one fruitful in inexhaustible reveries when for hours at a time he lingered gazing at the river, the quays, and the city, stretching in front of him and on either hand.

at eight in the morning the sun already gilded the vast opening. on turning to the left he perceived the roofs of the trastevere, of a misty, bluish grey against the dazzling sky. then, just beyond the apse of san giovanni, on the right, the river curved, and on its other bank the poplars of the ospedale di santo spirito formed a green curtain, while the castle of sant' angelo showed brightly in the distance. but pierre's eyes dwelt more particularly on the bank just in front of him, for there he found some lingering vestiges of old rome. on that side indeed between the ponte sisto and the ponte sant' angelo, the quays, which were to imprison the river within high, white, fortress-like walls, had not yet been raised, and the bank with its remnants of the old papal city conjured up an extraordinary vision of the middle ages. the houses, descending to the river brink, were cracked, scorched, rusted by innumerable burning summers, like so many antique bronzes. down below there were black vaults into which the water flowed, piles upholding walls, and fragments of roman stone-work plunging into the river bed; then, rising from the shore, came steep, broken stairways, green with moisture, tiers of terraces, storeys with tiny windows pierced here and their in hap-hazard fashion, houses perched atop of other houses, and the whole jumbled together with a fantastic commingling of balconies and wooden galleries, footbridges spanning courtyards, clumps of trees growing apparently on the very roofs, and attics rising from amidst pinky tiles. the contents of a drain fell noisily into the river from a worn and soiled gorge of stone; and wherever the houses stood back and the bank appeared, it was covered with wild vegetation, weeds, shrubs, and mantling ivy, which trailed like a kingly robe of state. and in the glory of the sun the wretchedness and dirt vanished, the crooked, jumbled houses seemed to be of gold, draped with the purple of the red petticoats and the dazzling white of the shifts which hung drying from their windows; while higher still, above the district, the janiculum rose into all the luminary's dazzlement, uprearing the slender profile of sant' onofrio amidst cypresses and pines.

leaning on the parapet of the quay wall, pierre sadly gazed at the tiber for hours at a time. nothing could convey an idea of the weariness of those old waters, the mournful slowness of their flow along that babylonian trench where they were confined within huge, bare, livid prison-like walls. in the sunlight their yellowness was gilded, and the faint quiver of the current brought ripples of green and blue; but as soon as the shade spread over it the stream became opaque like mud, so turbid in its venerable old age that it no longer even gave back a reflection of the houses lining it. and how desolate was its abandonment, what a stream of silence and solitude it was! after the winter rains it might roll furiously and threateningly, but during the long months of bright weather it traversed rome without a sound, and pierre could remain there all day long without seeing either a skiff or a sail. the two or three little steam-boats which arrived from the coast, the few tartanes which brought wine from sicily, never came higher than the aventine, beyond which there was only a watery desert in which here and there, at long intervals, a motionless angler let his line dangle. all that pierre ever saw in the way of shipping was a sort of ancient, covered pinnace, a rotting noah's ark, moored on the right beside the old bank, and he fancied that it might be used as a washhouse, though on no occasion did he see any one in it. and on a neck of mud there also lay a stranded boat with one side broken in, a lamentable symbol of the impossibility and the relinquishment of navigation. ah! that decay of the river, that decay of father tiber, as dead as the famous ruins whose dust he is weary of laving! and what an evocation! all the centuries of history, so many things, so many men, that those yellow waters have reflected till, full of lassitude and disgust, they have grown heavy, silent and deserted, longing only for annihilation.

one morning on the river bank pierre found la pierina standing behind an abandoned tool-shed. with her neck extended, she was looking fixedly at the window of dario's room, at the corner of the quay and the lane. doubtless she had been frightened by victorine's severe reception, and had not dared to return to the mansion; but some servant, possibly, had told her which was the young prince's window, and so she now came to this spot, where without wearying she waited for a glimpse of the man she loved, for some sign of life and salvation, the mere hope of which made her heart leap. deeply touched by the way in which she hid herself, all humility and quivering with adoration, the priest approached her, and instead of scolding her and driving her away as he had been asked to do, spoke to her in a gentle, cheerful manner, asking her for news of her people as though nothing had happened, and at last contriving to mention dario's name in order that she might understand that he would be up and about again within a fortnight. on perceiving pierre, la pierina had started with timidity and distrust as if anxious to flee; but when she understood him, tears of happiness gushed from her eyes, and with a bright smile she kissed her hand to him, calling: "/grazie, grazie/, thanks, thanks!" and thereupon she darted away, and he never saw her again.

on another morning at an early hour, as pierre was going to say mass at santa brigida on the piazza farnese, he was surprised to meet benedetta coming out of the church and carrying a small phial of oil. she evinced no embarrassment, but frankly told him that every two or three days she went thither to obtain from the beadle a few drops of the oil used for the lamp that burnt before an antique wooden statue of the madonna, in which she had perfect confidence. she even confessed that she had never had confidence in any other madonna, having never obtained anything from any other, though she had prayed to several of high repute, madonnas of marble and even of silver. and so her heart was full of ardent devotion for the holy image which refused her nothing. and she declared in all simplicity, as though the matter were quite natural and above discussion, that the few drops of oil which she applied, morning and evening, to dario's wound, were alone working his cure, so speedy a cure as to be quite miraculous. pierre, fairly aghast, distressed indeed to find such childish, superstitious notions in one so full of sense and grace and passion, did not even venture to smile.

in the evenings, when he came back from his strolls and spent an hour or so in dario's room, he would for a time divert the patient by relating what he had done and seen and thought of during the day. and when he again ventured to stray beyond the district, and became enamoured of the lovely gardens of rome, which he visited as soon as they opened in the morning in order that he might be virtually alone, he delighted the young prince and benedetta with his enthusiasm, his rapturous passion for the splendid trees, the plashing water, and the spreading terraces whence the views were so sublime. it was not the most extensive of these gardens which the more deeply impressed his heart. in the grounds of the villa borghese, the little roman bois de boulogne, there were certainly some majestic clumps of greenery, some regal avenues where carriages took a turn in the afternoon before the obligatory drive to the pincio; but pierre was more touched by the reserved garden of the villa--that villa dazzling with marble and now containing one of the finest museums in the world. there was a simple lawn of fine grass with a vast central basin surmounted by a figure of venus, nude and white; and antique fragments, vases, statues, columns, and /sarcophagi/ were ranged symmetrically all around the deserted, sunlit yet melancholy, sward. on returning on one occasion to the pincio pierre spent a delightful morning there, penetrated by the charm of this little nook with its scanty evergreens, and its admirable vista of all rome and st. peter's rising up afar off in the soft limpid radiance. at the villa albani and the villa pamphili he again came upon superb parasol pines, tall, stately, and graceful, and powerful elm-trees with twisted limbs and dusky foliage. in the pamphili grounds, the elm-trees steeped the paths in a delicious half-light, the lake with its weeping willows and tufts of reeds had a dreamy aspect, while down below the /parterre/ displayed a fantastic floral mosaic bright with the various hues of flowers and foliage. that which most particularly struck pierre, however, in this, the noblest, most spacious, and most carefully tended garden of rome, was the novel and unexpected view that he suddenly obtained of st. peter's, whilst skirting a low wall: a view whose symbolism for ever clung to him. rome had completely vanished, and between the slopes of monte mario and another wooded height which hid the city, there only appeared the colossal dome which seemed to be poised on an infinity of scattered blocks, now white, now red. these were the houses of the borgo, the jumbled piles of the vatican and the basilica which the huge dome surmounted and annihilated, showing greyly blue in the light blue of the heavens, whilst far away stretched a delicate, boundless vista of the campagna, likewise of a bluish tint.

it was, however, more particularly in the less sumptuous gardens, those of a more homely grace, that pierre realised that even things have souls. ah! that villa mattei on one side of the coelius with its terraced grounds, its sloping alleys edged with laurel, aloe, and spindle tree, its box-plants forming arbours, its oranges, its roses, and its fountains! pierre spent some delicious hours there, and only found a similar charm on visiting the aventine, where three churches are embowered in verdure. the little garden of santa sabina, the birthplace of the dominican order, is closed on all sides and affords no view: it slumbers in quiescence, warm and perfumed by its orange-trees, amongst which that planted by st. dominic stands huge and gnarled but still laden with ripe fruit. at the adjoining priorato, however, the garden, perched high above the tiber, overlooks a vast expanse, with the river and the buildings on either bank as far as the summit of the janiculum. and in these gardens of rome pierre ever found the same clipped box-shrubs, the same eucalypti with white trunks and pale leaves long like hair, the same ilex-trees squat and dusky, the same giant pines, the same black cypresses, the same marbles whitening amidst tufts of roses, and the same fountains gurgling under mantling ivy. never did he enjoy more gentle, sorrow-tinged delight than at the villa of pope julius, where all the life of a gay and sensual period is suggested by the semi-circular porticus opening on the gardens, a porticus decorated with paintings, golden trellis-work laden with flowers, amidst which flutter flights of smiling cupids. then, on the evening when he returned from the farnesina, he declared that he had brought all the dead soul of ancient rome away with him, and it was not the paintings executed after raffaelle's designs that had touched him, it was rather the pretty hall on the river side decorated in soft blue and pink and lilac, with an art devoid of genius yet so charming and so roman; and in particular it was the abandoned garden once stretching down to the tiber, and now shut off from it by the new quay, and presenting an aspect of woeful desolation, ravaged, bossy and weedy like a cemetery, albeit the golden fruit of orange and citron tree still ripened there.

and for the last time a shock came to pierre's heart on the lovely evening when he visited the villa medici. there he was on french soil.* and again what a marvellous garden he found with box-plants, and pines, and avenues full of magnificence and charm! what a refuge for antique reverie was that wood of ilex-trees, so old and so sombre, where the sun in declining cast fiery gleams of red gold amidst the sheeny bronze of the foliage. you ascend by endless steps, and from the crowning belvedere on high you embrace all rome at a glance as though by opening your arms you could seize it in its entirety. from the villa's dining-room, decorated with portraits of all the artists who have successfully sojourned there, and from the spacious peaceful library one beholds the same splendid, broad, all-conquering panorama, a panorama of unlimited ambition, whose infinite ought to set in the hearts of the young men dwelling there a determination to subjugate the world. pierre, who came thither opposed to the principle of the "prix de rome," that traditional, uniform education so dangerous for originality, was for a moment charmed by the warm peacefulness, the limpid solitude of the garden, and the sublime horizon where the wings of genius seemed to flutter. ah! how delightful, to be only twenty and to live for three years amidst such infinite sweetness, encompassed by the finest works of man; to say to oneself that one is as yet too young to produce, and to reflect, and seek, and learn how to enjoy, suffer, and love! but pierre afterwards reflected that this was not a fit task for youth, and that to appreciate the divine enjoyment of such a retreat, all art and blue sky, ripe age was needed, age with victories already gained and weariness following upon the accomplishment of work. he chatted with some of the young pensioners, and remarked that if those who were inclined to dreaminess and contemplation, like those who could merely claim mediocrity, accommodated themselves to this life cloistered in the art of the past, on the other hand artists of active bent and personal temperament pined with impatience, their eyes ever turned towards paris, their souls eager to plunge into the furnace of battle and production.

* here is the french academy, where winners of the "prix de rome" in painting, sculpture, architecture, engraving, and music are maintained by the french government for three years. the creation dates from louis xiv.--trans.

all those gardens of which pierre spoke to dario and benedetta with so much rapture, awoke within them the memory of the garden of the villa montefiori, now a waste, but once so green, planted with the finest orange-trees of rome, a grove of centenarian orange-trees where they had learnt to love one another. and the memory of their early love brought thoughts of their present situation and their future prospects. to these the conversation always reverted, and evening after evening pierre witnessed their delight, and heard them talk of coming happiness like lovers transported to the seventh heaven. the suit for the dissolution of benedetta's marriage was now assuming a more and more favourable aspect. guided by a powerful hand, donna serafina was apparently acting very vigorously, for almost every day she had some further good news to report. she was indeed anxious to finish the affair both for the continuity and for the honour of the name, for on the one hand dario refused to marry any one but his cousin, and on the other this marriage would explain everything and put an end to an intolerable situation. the scandalous rumours which circulated both in the white and the black world quite incensed her, and a victory was the more necessary as leo xiii, already so aged, might be snatched away at any moment, and in the conclave which would follow she desired that her brother's name should shine forth with untarnished, sovereign radiance. never had the secret ambition of her life, the hope that her race might give a third pope to the church, filled her with so much passion. it was as if she therein sought a consolation for the harsh abandonment of advocate morano. invariably clad in sombre garb, ever active and slim, so tightly laced that from behind one might have taken her for a young girl, she was so to say the black soul of that old palace; and pierre, who met her everywhere, prowling and inspecting like a careful house-keeper, and jealously watching over her brother the cardinal, bowed to her in silence, chilled to the heart by the stern look of her withered wrinkled face in which was set the large, opiniative nose of her family. however she barely returned his bows, for she still disdained that paltry foreign priest, and only tolerated him in order to please monsignor nani and viscount philibert de la choue.

a witness every evening of the anxious delight and impatience of benedetta and dario, pierre by degrees became almost as impassioned as themselves, as desirous for an early solution. benedetta's suit was about to come before the congregation of the council once more. monsignor palma, the defender of the marriage, had demanded a supplementary inquiry after the favourable decision arrived at in the first instance by a bare majority of one vote--a majority which the pope would certainly not have thought sufficient had he been asked for his ratification. so the question now was to gain votes among the ten cardinals who formed the congregation, to persuade and convince them, and if possible ensure an almost unanimous pronouncement. the task was arduous, for, instead of facilitating matters, benedetta's relationship to cardinal boccanera raised many difficulties, owing to the intriguing spirit rife at the vatican, the spite of rivals who, by perpetuating the scandal, hoped to destroy boccanera's chance of ever attaining to the papacy. every afternoon, however, donna serafina devoted herself to the task of winning votes under the direction of her confessor, father lorenza, whom she saw daily at the collegio germanico, now the last refuge of the jesuits in rome, for they have ceased to be masters of the gesu. the chief hope of success lay in prada's formal declaration that he would not put in an appearance. the whole affair wearied and irritated him; the imputations levelled against him as a man, seemed to him supremely odious and ridiculous; and he no longer even took the trouble to reply to the assignations which were sent to him. he acted indeed as if he had never been married, though deep in his heart the wound dealt to his passion and his pride still lingered, bleeding afresh whenever one or another of the scandalous rumours in circulation reached his ears. however, as their adversary desisted from all action, one can understand that the hopes of benedetta and dario increased, the more so as hardly an evening passed without donna serafina telling them that she believed she had gained the support of another cardinal.

but the man who terrified them all was monsignor palma, whom the congregation had appointed to defend the sacred ties of matrimony. his rights and privileges were almost unlimited, he could appeal yet again, and in any case would make the affair drag on as long as it pleased him. his first report, in reply to morano's memoir, had been a terrible blow, and it was now said that a second one which he was preparing would prove yet more pitiless, establishing as a fundamental principle of the church that it could not annul a marriage whose nonconsummation was purely and simply due to the action of the wife in refusing obedience to her husband. in presence of such energy and logic, it was unlikely that the cardinals, even if sympathetic, would dare to advise the holy father to dissolve the marriage. and so discouragement was once more overcoming benedetta when donna serafina, on returning from a visit to monsignor nani, calmed her somewhat by telling her that a mutual friend had undertaken to deal with monsignor palma. however, said she, even if they succeeded, it would doubtless cost them a large sum.

monsignor palma, a theologist expert in all canonical affairs, and a perfectly honest man in pecuniary matters, had met with a great misfortune in his life. he had a niece, a poor and lovely girl, for whom, unhappily, in his declining years he conceived an insensate passion, with the result that to avoid a scandal he was compelled to marry her to a rascal who now preyed upon her and even beat her. and the prelate was now passing through a fearful crisis, weary of reducing himself to beggary, and indeed no longer having the money necessary to extricate his nephew by marriage from a very nasty predicament, the result of cheating at cards. so the idea was to save the young man by a considerable pecuniary payment, and then to procure him employment without asking aught of his uncle, who, as if offering complicity, came in tears one evening, when night had fallen, to thank donna serafina for her exceeding goodness.

pierre was with dario that evening when benedetta entered the room, laughing and joyfully clapping her bands. "it's done, it's done!" she said, "he has just left aunt, and vowed eternal gratitude to her. he will now be obliged to show himself amiable."

however dario distrustfully inquired: "but was he made to sign anything, did he enter into a formal engagement?"

"oh! no; how could one do that? it's such a delicate matter," replied benedetta. "but people say that he is a very honest man." nevertheless, in spite of these words, she herself became uneasy. what if monsignor palma should remain incorruptible in spite of the great service which had been rendered him? thenceforth this idea haunted them, and their suspense began once more.

dario, eager to divert his mind, was imprudent enough to get up before he was perfectly cured, and, his wound reopening, he was obliged to take to his bed again for a few days. every evening, as previously, pierre strove to enliven him with an account of his strolls. the young priest was now getting bolder, rambling in turn through all the districts of rome, and discovering the many "classical" curiosities catalogued in the guide-books. one evening he spoke with a kind of affection of the principal squares of the city which he had first thought commonplace, but which now seemed to him very varied, each with original features of its own. there was the noble piazza del popolo of such monumental symmetry and so full of sunlight; there was the piazza di spagna, the lively meeting-place of foreigners, with its double flight of a hundred and thirty steps gilded by the sun; there was the vast piazza colonna, always swarming with people, and the most italian of all the roman squares from the presence of the idle, careless crowd which ever lounged round the column of marcus aurelius as if waiting for fortune to fall from heaven; there was also the long and regular piazza navona, deserted since the market was no longer held there, and retaining a melancholy recollection of its former bustling life; and there was the campo dei fiori, which was invaded each morning by the tumultuous fruit and vegetable markets, quite a plantation of huge umbrellas sheltering heaps of tomatoes, pimentoes, and grapes amidst a noisy stream of dealers and housewives. pierre's great surprise, however, was the piazza del campidoglio--the "square of the capitol"--which to him suggested a summit, an open spot overlooking the city and the world, but which he found to be small and square, and on three sides enclosed by palaces, whilst on the fourth side the view was of little extent.* there are no passers-by there; visitors usually come up by a flight of steps bordered by a few palm-trees, only foreigners making use of the winding carriage-ascent. the vehicles wait, and the tourists loiter for a while with their eyes raised to the admirable equestrian statue of marcus aurelius, in antique bronze, which occupies the centre of the piazza. towards four o'clock, when the sun gilds the left-hand palace, and the slender statues of its entablature show vividly against the blue sky, you might think yourself in some warm cosy square of a little provincial town, what with the women of the neighbourhood who sit knitting under the arcade, and the bands of ragged urchins who disport themselves on all sides like school-boys in a playground.

* the piazza del campidoglio is really a depression between the capitolium proper and the northern height called the arx. it is supposed to have been the exact site of romulus's traditional asylum.--trans.

then, on another evening pierre told benedetta and dario of his admiration for the roman fountains, for in no other city of the world does water flow so abundantly and magnificently in fountains of bronze and marble, from the boat-shaped fontana della barcaccia on the piazza di spagna, the triton on the piazza barberini, and the tortoises which give their name to the piazza delle tartarughe, to the three fountains of the piazza navona where bernini's vast central composition of rock and river-gods rises so triumphantly, and to the colossal and pompous fountain of trevi, where king neptune stands on high attended by lofty figures of health and fruitfulness. and on yet another evening pierre came home quite pleased, relating that he had at last discovered why it was that the old streets around the capitol and along the tiber seemed to him so strange: it was because they had no footways, and pedestrians, instead of skirting the walls, invariably took the middle of the road, leisurely wending their way among the vehicles. pierre was very fond of those old districts with their winding lanes, their tiny squares so irregular in shape, and their huge square mansions swamped by a multitudinous jumble of little houses. he found a charm, too, in the district of the esquiline, where, besides innumerable flights of ascending steps, each of grey pebbles edged with white stone, there were sudden sinuous slopes, tiers of terraces, seminaries and convents, lifeless, with their windows ever closed, and lofty, blank walls above which a superb palm-tree would now and again soar into the spotless blue of the sky. and on yet another evening, having strolled into the campagna beside the tiber and above the ponte molle, he came back full of enthusiasm for a form of classical art which hitherto he had scarcely appreciated. along the river bank, however, he had found the very scenery that poussin so faithfully depicted: the sluggish, yellow stream fringed with reeds; low riven cliffs, whose chalky whiteness showed against the ruddy background of a far-stretching, undulating plain, bounded by blue hills; a few spare trees with a ruined porticus opening on to space atop of the bank, and a line of pale-hued sheep descending to drink, whilst the shepherd, with an elbow resting on the trunk of an ilex-tree, stood looking on. it was a special kind of beauty, broad and ruddy, made up of nothing, sometimes simplified into a series of low, horizontal lines, but ever ennobled by the great memories it evoked: the roman legions marching along the paved highways across the bare campagna; the long slumber of the middle ages; and then the awakening of antique nature in the midst of catholicism, whereby, for the second time, rome became ruler of the world.

one day when pierre came back from seeing the great modern cemetery, the campo verano, he found celia, as well as benedetta, by the side of dario's bed. "what, monsieur l'abbe!" exclaimed the little princess when she learnt where he had been; "it amuses you to visit the dead?"

"oh those frenchmen," remarked dario, to whom the mere idea of a cemetery was repulsive; "those frenchmen seem to take a pleasure in making their lives wretched with their partiality for gloomy scenes."

"but there is no escaping the reality of death," gently replied pierre; "the best course is to look it in the face."

this made the prince quite angry. "reality, reality," said he, "when reality isn't pleasant i don't look at it; i try never to think of it even."

in spite of this rejoinder, pierre, with his smiling, placid air, went on enumerating the things which had struck him: first, the admirable manner in which the cemetery was kept, then the festive appearance which it derived from the bright autumn sun, and the wonderful profusion in which marble was lavished in slabs, statues, and chapels. the ancient atavism had surely been at work, the sumptuous mausoleums of the appian way had here sprung up afresh, making death a pretext for the display of pomp and pride. in the upper part of the cemetery the roman nobility had a district of its own, crowded with veritable temples, colossal statues, groups of several figures; and if at times the taste shown in these monuments was deplorable, it was none the less certain that millions had been expended on them. one charming feature of the place, said pierre, was that the marbles, standing among yews and cypresses were remarkably well preserved, white and spotless; for, if the summer sun slowly gilded them, there were none of those stains of moss and rain which impart an aspect of melancholy decay to the statues of northern climes.

touched by the discomfort of dario, benedetta, hitherto silent, ended by interrupting pierre. "and was the hunt interesting?" she asked, turning to celia.

the little princess had been taken by her mother to see a fox-hunt, and had been speaking of it when the priest entered the room.

"yes, it was very interesting, my dear," she replied; "the meet was at noon near the tomb of caecilia metella, where a buffet had been arranged under a tent. and there was such a number of people--the foreign colony, the young men of the embassies, and some officers, not to mention ourselves--all the men in scarlet and a great many ladies in habits. the 'throw-off' was at one o'clock, and the gallop lasted more than two hours and a half, so that the fox had a very long run. i wasn't able to follow, but all the same i saw some extraordinary things--a great wall which the whole hunt had to leap, and then ditches and hedges--a mad race indeed in the rear of the hounds. there were two accidents, but nothing serious; one gentleman, who was unseated, sprained his wrist badly, and another broke his leg."*

* the roman hunt, which counts about one hundred subscribers, has flourished since 1840. there is a kennel of english hounds, an english huntsman and whip, and a stable of english hunters.--trans.

dario had listened to celia with passionate interest, for fox-hunting is one of the great pleasures of rome, and the campagna, flat and yet bristling with obstacles, is certainly well adapted to the sport. "ah!" said the young prince in a despairing tone, "how idiotic it is to be riveted to this room! i shall end by dying of /ennui/!"

benedetta contented herself with smiling; neither reproach nor expression of sadness came from her at this candid display of egotism. her own happiness at having him all to herself in the room where she nursed him was great indeed; still her love, at once full of youth and good sense, included a maternal element, and she well understood that he hardly amused himself, deprived as he was of his customary pleasures and severed from his friends, few of whom he was willing to receive, for he feared that they might think the story of the dislocated shoulder suspicious. of course there were no more /fetes/, no more evenings at the theatre, no more flirtations. but above everything else dario missed the corso, and suffered despairingly at no longer seeing or learning anything by watching the procession of roman society from four to five each afternoon. accordingly, as soon as an intimate called, there were endless questions: had the visitor seen so and so? had such a one reappeared? how had a certain friend's love affair ended? was any new adventure setting the city agog? and so forth; all the petty frivolities, nine days' wonders, and puerile intrigues in which the young prince had hitherto expended his manly energy.

after a pause celia, who was fond of coming to him with innocent gossip, fixed her candid eyes on him--the fathomless eyes of an enigmatical virgin, and resumed: "how long it takes to set a shoulder right!"

had she, child as she was, with love her only business, divined the truth? dario in his embarrassment glanced at benedetta, who still smiled. however, the little princess was already darting to another subject: "ah! you know, dario, at the corso yesterday i saw a lady--" then she stopped short, surprised and embarrassed that these words should have escaped her. however, in all bravery she resumed like one who had been a friend since childhood, sharing many a little love secret: "yes, a very pretty person whom you know. well, she had a bouquet of white roses with her all the same."

at this benedetta indulged in a burst of frank merriment, and dario, still looking at her, also laughed. she had twitted him during the early days because no young woman ever sent to make inquiries about him. for his part, he was not displeased with the rupture, for the continuance of the connection might have proved embarrassing; and so, although his vanity may have been slightly hurt, the news that he was already replaced in la tonietta's affections was welcome rather than otherwise. "ah!" he contented himself with saying, "the absent are always in the wrong."

"the man one loves is never absent," declared celia with her grave, candid air.

however, benedetta had stepped up to the bed to raise the young man's pillows: "never mind, dario /mio/," said she, "all those things are over; i mean to keep you, and you will only have me to love."

he gave her a passionate glance and kissed her hair. she spoke the truth: he had never loved any one but her, and she was not mistaken in her anticipation of keeping him always to herself alone, as soon as they should be wedded. to her great delight, since she had been nursing him he had become quite childish again, such as he had been when she had learnt to love him under the orange-trees of the villa montefiori. he retained a sort of puerility, doubtless the outcome of impoverished blood, that return to childhood which one remarks amongst very ancient races; and he toyed on his bed with pictures, gazed for hours at photographs, which made him laugh. moreover, his inability to endure suffering had yet increased; he wished benedetta to be gay and sing, and amused her with his petty egotism which led him to dream of a life of continual joy with her. ah! how pleasant it would be to live together and for ever in the sunlight, to do nothing and care for nothing, and even if the world should crumble somewhere to heed it not!

"one thing which greatly pleases me," suddenly said the young prince, "is that monsieur l'abbe has ended by falling in love with rome."

pierre admitted it with a good grace.

"we told you so," remarked benedetta. "a great deal of time is needed for one to understand and love rome. if you had only stayed here for a fortnight you would have gone off with a deplorable idea of us, but now that you have been here for two full months we are quite at ease, for you will never think of us without affection."

she looked exceedingly charming as she spoke these words, and pierre again bowed. however, he had already given thought to the phenomenon, and fancied he could explain it. when a stranger comes to rome he brings with him a rome of his own, a rome such as he dreams of, so ennobled by imagination that the real rome proves a terrible disenchantment. and so it is necessary to wait for habituation, for the mediocrity of the reality to soften, and for the imagination to have time to kindle again, and only behold things such as they are athwart the prodigious splendour of the past.

however, celia had risen and was taking leave. "good-bye, dear," she said; "i hope the wedding will soon take place. you know, dario, that i mean to be betrothed before the end of the month. oh yes, i intend to make my father give a grand entertainment. and how nice it would be if the two weddings could take place at the same time!"

two days later, after a long ramble through the trastevere district, followed by a visit to the palazzo farnese, pierre felt that he could at last understand the terrible, melancholy truth about rome. he had several times already strolled through the trastevere, attracted towards its wretched denizens by his compassion for all who suffered. ah! that quagmire of wretchedness and ignorance! he knew of abominable nooks in the faubourgs of paris, frightful "rents" and "courts" where people rotted in heaps, but there was nothing in france to equal the listless, filthy stagnation of the trastevere. on the brightest days a dank gloom chilled the sinuous, cellar-like lanes, and the smell of rotting vegetables, rank oil, and human animality brought on fits of nausea. jumbled together in a confusion which artists of romantic turn would admire, the antique, irregular houses had black, gaping entrances diving below ground, outdoor stairways conducting to upper floors, and wooden balconies which only a miracle upheld. there were crumbling fronts, shored up with beams; sordid lodgings whose filth and bareness could be seen through shattered windows; and numerous petty shops, all the open-air cook-stalls of a lazy race which never lighted a fire at home: you saw frying-shops with heaps of polenta, and fish swimming in stinking oil, and dealers in cooked vegetables displaying huge turnips, celery, cauliflowers, and spinach, all cold and sticky. the butcher's meat was black and clumsily cut up; the necks of the animals bristled with bloody clots, as though the heads had simply been torn away. the baker's loaves, piled on planks, looked like little round paving stones; at the beggarly greengrocers' merely a few pimentoes and fir-apples were shown under the strings of dry tomatoes which festooned the doorways; and the only shops which were at all attractive were those of the pork butchers with their salted provisions and their cheese, whose pungent smell slightly attenuated the pestilential reek of the gutters. lottery offices, displaying lists of winning numbers, alternated with wine-shops, of which latter there was a fresh one every thirty yards with large inscriptions setting forth that the best wines of genzano, marino, and frascati were to be found within. and the whole district teemed with ragged, grimy denizens, children half naked and devoured by vermin, bare-headed, gesticulating and shouting women, whose skirts were stiff with grease, old men who remained motionless on benches amidst swarms of hungry flies; idleness and agitation appearing on all sides, whilst cobblers sat on the sidewalks quietly plying their trade, and little donkeys pulled carts hither and thither, and men drove turkeys along, whip in hand, and hands of beggars rushed upon the few anxious tourists who had timorously ventured into the district. at the door of a little tailor's shop an old house-pail dangled full of earth, in which a succulent plant was flowering. and from every window and balcony, as from the many cords which stretched across the street from house to house, all the household washing hung like bunting, nameless drooping rags, the symbolical banners of abominable misery.

pierre's fraternal, soul filled with pity at the sight. ah! yes, it was necessary to demolish all those pestilential districts where the populace had wallowed for centuries as in a poisonous gaol! he was for demolition and sanitary improvement, even if old rome were killed and artists scandalised. doubtless the trastevere was already greatly changed, pierced with several new thoroughfares which let the sun stream in. and amidst the /abattis/ of rubbish and the spacious clearings, where nothing new had yet been erected, the remaining portions of the old district seemed even blacker and more loathsome. some day, no doubt, it would all be rebuilt, but how interesting was this phase of the city's evolution: old rome expiring and new rome just dawning amidst countless difficulties! to appreciate the change it was necessary to have known the filthy rome of the past, swamped by sewage in every form. the recently levelled ghetto had, over a course of centuries, so rotted the soil on which it stood that an awful pestilential odour yet arose from its bare site. it was only fitting that it should long remain waste, so that it might dry and become purified in the sun. in all the districts on either side of the tiber where extensive improvements have been undertaken you find the same scenes. you follow some narrow, damp, evil-smelling street with black house-fronts and overhanging roofs, and suddenly come upon a clearing as in a forest of ancient leprous hovels. there are squares, broad footways; lofty white carved buildings yet in the rough, littered with rubbish and fenced off. on every side you find as it were a huge building yard, which the financial crisis perpetuates; the city of to-morrow arrested in its growth, stranded there in its monstrous, precocious, surprising infancy. nevertheless, therein lies good and healthful work, such as was and is absolutely necessary if rome is to become a great modern city, instead of being left to rot, to dwindle into a mere ancient curiosity, a museum show-piece.

that day, as pierre went from the trastevere to the palazzo farnese, where he was expected, he chose a roundabout route, following the via di pettinari and the via dei giubbonari, the former so dark and narrow with a great hospital wall on one side and a row of wretched houses on the other, and the latter animated by a constant stream of people and enlivened by the jewellers' windows, full of big gold chains, and the displays of the drapers' shops, where stuffs hung in bright red, blue, green, and yellow lengths. and the popular district through which he had roamed and the trading district which he was now crossing reminded him of the castle fields with their mass of workpeople reduced to mendicity by lack of employment and forced to camp in the superb, unfinished, abandoned mansions. ah! the poor, sad people, who were yet so childish, kept in the ignorance and credulity of a savage race by centuries of theocracy, so habituated to mental night and bodily suffering that even to-day they remained apart from the social awakening, simply desirous of enjoying their pride, indolence, and sunlight in peace! they seemed both blind and deaf in their decadence, and whilst rome was being overturned they continued to lead the stagnant life of former times, realising nought but the worries of the improvements, the demolition of the old favourite districts, the consequent change in habits, and the rise in the cost of food, as if indeed they would rather have gone without light, cleanliness, and health, since these could only be secured by a great financial and labour crisis. and yet, at bottom, it was solely for the people, the populace, that rome was being cleansed and rebuilt with the idea of making it a great modern capital, for democracy lies at the end of these present day transformations; it is the people who will inherit the cities whence dirt and disease are being expelled, and where the law of labour will end by prevailing and killing want. and so, though one may curse the dusting and repairing of the ruins and the stripping of all the wild flora from the colosseum, though one may wax indignant at sight of the hideous fortress like ramparts which imprison the tiber, and bewail the old romantic banks with their greenery and their antique dwellings dipping into the stream, one must at the same time acknowledge that life springs from death, and that to-morrow must perforce blossom in the dust of the past.

while thinking of all these things pierre had reached the deserted, stern-looking piazza farnese, and for a moment he looked up at the bare monumental facade of the heavy square palazzo, its lofty entrance where hung the tricolour, its rows of windows and its famous cornice sculptured with such marvellous art. then he went in. a friend of narcisse habert, one of the /attaches/ of the embassy to the king of italy, was waiting for him, having offered to show him over the huge pile, the finest palace in rome, which france had leased as a lodging for her ambassador.* ah! that colossal, sumptuous, deadly dwelling, with its vast court whose porticus is so dark and damp, its giant staircase with low steps, its endless corridors, its immense galleries and halls. all was sovereign pomp blended with death. an icy, penetrating chill fell from the walls. with a discreet smile the /attache/ owned that the embassy was frozen in winter and baked in summer. the only part of the building which was at all lively and pleasant was the first storey, overlooking the tiber, which the ambassador himself occupied. from the gallery there, containing the famous frescoes of annibale caracci, one can see the janiculum, the corsini gardens, and the acqua paola above san pietro in montorio. then, after a vast drawing-room comes the study, peaceful and pleasant, and enlivened by sunshine. but the dining-room, the bed-chambers, and other apartments occupied by the /personnel/ look out on to the mournful gloom of a side street. all these vast rooms, twenty and four-and-twenty feet high, have admirable carved or painted ceilings, bare walls, a few of them decorated with frescoes, and incongruous furniture, superb pier tables mingling with modern /bric-a-brac/. and things become abominable when you enter the gala reception-rooms overlooking the piazza, for there you no longer find an article of furniture, no longer a hanging, nothing but disaster, a series of magnificent deserted halls given over to rats and spiders. the embassy occupies but one of them, where it heaps up its dusty archives. near by is a huge hall occupying the height of two floors, and thus sixty feet in elevation. reserved by the owner of the palace, the ex-king of naples, it has become a mere lumber-room where /maquettes/, unfinished statues, and a very fine sarcophagus are stowed away amidst all kinds of remnants. and this is but a part of the palace. the ground floor is altogether uninhabited; the french "ecole de rome" occupies a corner of the second floor; while the embassy huddles in chilly fashion in the most habitable corner of the first floor, compelled to abandon everything else and lock the doors to spare itself the useless trouble of sweeping. no doubt it is grand to live in the palazzo farnese, built by pope paul iii and for more than a century inhabited by cardinals; but how cruel the discomfort and how frightful the melancholy of this huge ruin, three-fourths of whose rooms are dead, useless, impossible, cut off from life. and the evenings, oh! the evenings, when porch, court, stairs, and corridors are invaded by dense gloom, against which a few smoky gas lamps struggle in vain, when a long, long journey lies before one through the lugubrious desert of stone, before one reaches the ambassador's warm and cheerful drawing-room!

* the french have two embassies at rome: one at the palazzo farnese, to the italian court, and the other at the palazzo rospigliosi, to the vatican.--trans.

pierre came away quite aghast. and, as he walked along, the many other grand palaces which he had seen during his strolls rose before him, one and all of them stripped of their splendour, shorn of their princely establishments, let out in uncomfortable flats! what could be done with those grandiose galleries and halls now that no fortune could defray the cost of the pompous life for which they had been built, or even feed the retinue needed to keep them up? few indeed were the nobles who, like prince aldobrandini, with his numerous progeny, still occupied their entire mansions. almost all of them let the antique dwellings of their forefathers to companies or individual tenants, reserving only a storey, and at times a mere lodging in some dark corner, for themselves. the palazzo chigi was let: the ground floor to bankers and the first floor to the austrian ambassador, while the prince and his family divided the second floor with a cardinal. the palazzo sciarra was let: the first floor to the minister of foreign affairs and the second to a senator, while the prince and his mother merely occupied the ground floor. the palazzo barberini was let: its ground floor, first floor, and second floor to various families, whilst the prince found a refuge on the third floor in the rooms which had been occupied by his ancestors' lackeys. the palazzo borghese was let: the ground floor to a dealer in antiquities, the first floor to a lodge of freemasons, and the rest to various households, whilst the prince only retained the use of a small suite of apartments. and the palazzo odescalchi, the palazzo colonna, the palazzo doria were let: their princes reduced to the position of needy landlords eager to derive as much profit as possible from their property in order to make both ends meet. a blast of ruin was sweeping over the roman patriziato, the greatest fortunes had crumbled in the financial crisis, very few remained wealthy, and what a wealth it was, stagnant and dead, which neither commerce nor industry could renew. the numerous princes who had tried speculation were stripped of their fortunes. the others, terrified, called upon to pay enormous taxes, amounting to nearly one-third of their incomes, could henceforth only wait and behold their last stagnant millions dwindle away till they were exhausted or distributed according to the succession laws. such wealth as remained to these nobles must perish, for, like everything else, wealth perishes when it lacks a soil in which it may fructify. in all this there was solely a question of time: eventual ruin was a foregone and irremediable conclusion, of absolute, historical certainty. those who resigned themselves to the course of letting their deserted mansions still struggled for life, seeking to accommodate themselves to present-day exigencies; whilst death already dwelt among the others, those stubborn, proud ones who immured themselves in the tombs of their race, like that appalling palazzo boccanera, which was falling into dust amidst such chilly gloom and silence, the latter only broken at long intervals when the cardinal's old coach rumbled over the grassy court.

the point which most struck pierre, however, was that his visits to the trastevere and the palazzo farnese shed light one on the other, and led him to a conclusion which had never previously seemed so manifest. as yet no "people," and soon no aristocracy. he had found the people so wretched, ignorant, and resigned in its long infancy induced by historic and climatic causes that many years of instruction and culture were necessary for it to become a strong, healthy, and laborious democracy, conscious of both its rights and its duties. as for the aristocracy, it was dwindling to death in its crumbling palaces, no longer aught than a finished, degenerate race, with such an admixture also of american, austrian, polish, and spanish blood that pure roman blood became a rare exception; and, moreover, it had ceased to belong either to sword or gown, unwilling to serve constitutional italy and forsaking the sacred college, where only /parvenus/ now donned the purple. and between the lowly and the aristocracy there was as yet no firmly seated middle class, with the vigour of fresh sap and sufficient knowledge, and good sense to act as the transitional educator of the nation. the middle class was made up in part of the old servants and clients of the princes, the farmers who rented their lands, the stewards, notaries, and solicitors who managed their fortunes; in part, too, of all the employees, the functionaries of every rank and class, the deputies and senators, whom the new government had brought from the provinces; and, in particular, of the voracious hawks who had swooped down upon rome, the pradas, the men of prey from all parts of the kingdom, who with beak and talon devoured both people and aristocracy. for whom, then, had one laboured? for whom had those gigantic works of new rome been undertaken? a shudder of fear sped by, a crack as of doom was heard, arousing pitiful disquietude in every fraternal heart. yes, a threat of doom and annihilation: as yet no people, soon no aristocracy, and only a ravenous middle class, quarrying, vulture-like, among the ruins.

on the evening of that day, when all was dark, pierre went to spend an hour on the river quay beyond the boccanera mansion. he was very fond of meditating on that deserted spot in spite of the warnings of victorine, who asserted that it was not safe. and, indeed, on such inky nights as that one, no cutthroat place ever presented a more tragic aspect. not a soul, not a passer-by; a dense gloom, a void in front and on either hand. at a corner of the mansion, now steeped in darkness, there was a gas lamp which stood in a hollow since the river margin had been banked up, and this lamp cast an uncertain glimmer upon the quay, level with the latter's bossy soil. thus long vague shadows stretched from the various materials, piles of bricks and piles of stone, which were strewn around. on the right a few lights shone upon the bridge near san giovanni and in the windows of the hospital of the santo spirito. on the left, amidst the dim recession of the river, the distant districts were blotted out. then yonder, across the stream, was the trastevere, the houses on the bank looking like vague, pale phantoms, with infrequent window-panes showing a blurred yellow glimmer, whilst on high only a dark band shadowed the janiculum, near whose summit the lamps of some promenade scintillated like a triangle of stars. but it was the tiber which impassioned pierre; such was its melancholy majesty during those nocturnal hours. leaning over the parapet, he watched it gliding between the new walls, which looked like those of some black and monstrous prison built for a giant. so long as lights gleamed in the windows of the houses opposite he saw the sluggish water flow by, showing slow, moire-like ripples there where the quivering reflections endowed it with a mysterious life. and he often mused on the river's famous past and evoked the legends which assert that fabulous wealth lies buried in its muddy bed. at each fresh invasion of the barbarians, and particularly when rome was sacked, the treasures of palaces and temples are said to have been cast into the water to prevent them from falling into the hands of the conquerors. might not those golden bars trembling yonder in the glaucous stream be the branches of the famous candelabrum which titus brought from jerusalem? might not those pale patches whose shape remained uncertain amidst the frequent eddies indicate the white marble of statues and columns? and those deep moires glittering with little flamelets, were they not promiscuous heaps of precious metal, cups, vases, ornaments enriched with gems? what a dream was that of the swarming riches espied athwart the old river's bosom, of the hidden life of the treasures which were said to have slumbered there for centuries; and what a hope for the nation's pride and enrichment centred in the miraculous finds which might be made in the tiber if one could some day dry it up and search its bed, as had already been suggested! therein, perchance, lay rome's new fortune.

however, on that black night, whilst pierre leant over the parapet, it was stern reality alone which occupied his mind. he was still pursuing the train of thought suggested by his visits to the trastevere and the farnese palace, and in presence of that lifeless water was coming to the conclusion that the selection of rome for transformation into a modern capital was the great misfortune to which the sufferings of young italy were due. he knew right well that the selection had been inevitable: rome being the queen of glory, the antique ruler of the world to whom eternity had been promised, and without whom the national unity had always seemed an impossibility. and so the problem was a terrible one, since without rome italy could not exist, and with rome it seemed difficult for it to exist. ah! that dead river, how it symbolised disaster! not a boat upon its surface, not a quiver of the commercial and industrial activity of those waters which bear life to the very hearts of great modern cities! there had been fine schemes, no doubt--rome a seaport, gigantic works, canalisation to enable vessels of heavy tonnage to come up to the aventine; but these were mere delusions; the authorities would scarcely be able to clear the river mouth, which deposits were continually choking. and there was that other cause of mortal languishment, the campagna--the desert of death which the dead river crossed and which girdled rome with sterility. there was talk of draining and planting it; much futile discussion on the question whether it had been fertile in the days of the old romans; and even a few experiments were made; but, all the same, rome remained in the midst of a vast cemetery like a city of other times, for ever separated from the modern world by that /lande/ or moor where the dust of centuries had accumulated. the geographical considerations which once gave the city the empire of the world no longer exist. the centre of civilisation has been displaced. the basin of the mediterranean has been divided among powerful nations. in italy all roads now lead to milan, the city of industry and commerce, and rome is but a town of passage. and so the most valiant efforts have failed to rouse it from its invincible slumber. the capital which the newcomers sought to improvise with such extreme haste has remained unfinished, and has almost ruined the nation. the government, legislators, and functionaries only camp there, fleeing directly the warm weather sets in so as to escape the pernicious climate. the hotels and shops even put up their shutters, and the streets and promenades become deserts, the city having failed to acquire any life of its own, and relapsing into death as soon as the artificial life instilled into it is withdrawn. so all remains in suspense in this purely decorative capital, where only a fresh growth of men and money can finish and people the huge useless piles of the new districts. if it be true that to-morrow always blooms in the dust of the past, one ought to force oneself to hope; but pierre asked himself if the soil were not exhausted, and since mere buildings could no longer grow on it, if it were not for ever drained of the sap which makes a race healthy, a nation powerful.

as the night advanced the lights in the houses of the trastevere went out one by one: yet pierre for a long time lingered on the quay, leaning over the blackened river and yielding to hopelessness. there was now no distance to the gloom; all had become dense; no longer did any reflections set a moire-like, golden quiver in the water, or reveal beneath its mystery-concealing current a fantastic, dancing vision of fabulous wealth. gone was the legend, gone the seven-branched golden candelabrum, gone the golden vases, gone the golden jewellery, the whole dream of antique treasure that had vanished into night, even like the antique glory of rome. not a glimmer, nothing but slumber, disturbed solely by the heavy fall of sewage from the drain on the right-hand, which could not be seen. the very water had disappeared, and pierre no longer espied its leaden flow through the darkness, no longer had any perception of the sluggish senility, the long-dating weariness, the intense sadness of that ancient and glorious tiber, whose waters now rolled nought but death. only the vast, opulent sky, the eternal, pompous sky displayed the dazzling life of its milliards of planets above that river of darkness, bearing away the ruins of wellnigh three thousand years.

before returning to his own chamber that evening pierre entered dario's room, and found victorine there preparing things for the night. and as soon as she heard where he had been she raised her voice in protest: "what! you have again been to the quay at this time of night, monsieur l'abbe? you want to get a good knife thrust yourself, it seems. well, for my part, i certainly wouldn't take the air at such a late hour in this dangerous city." then, with her wonted familiarity, she turned and spoke to the prince, who was lying back in an arm-chair and smiling: "that girl, la pierina," she said, "hasn't been back here, but all the same i've lately seen her prowling about among the building materials."

dario raised his hand to silence her, and, addressing pierre, exclaimed: "but you spoke to her, didn't you? it's becoming idiotic! just fancy that brute tito coming back to dig his knife into my other shoulder--"

all at once he paused, for he had just perceived benedetta standing there and listening to him; she had slipped into the room a moment previously in order to wish him good-night. at sight of her his embarrassment was great indeed; he wished to speak, explain his words, and swear that he was wholly innocent in the affair. but she, with a smiling face, contented herself with saying, "i knew all about it, dario /mio/. i am not so foolish as not to have thought it all over and understood the truth. if i ceased questioning you it was because i knew, and loved you all the same."

the young woman looked very happy as she spoke, and for this she had good cause, for that very evening she had learnt that monsignor palma had shown himself grateful for the service rendered to his nephew by laying a fresh and favourable memoir on the marriage affair before the congregation of the council. he had been unwilling to recall his previous opinions so far as to range himself completely on the contessina's side, but the certificates of two doctors whom she had recently seen had enabled him to conclude that her own declarations were accurate. and gliding over the question of wifely obedience, on which he had previously laid stress, he had skilfully set forth the reasons which made a dissolution of the marriage desirable. no hope of reconciliation could be entertained, so it was certain that both parties were constantly exposed to temptation and sin. he discreetly alluded to the fact that the husband had already succumbed to this danger, and praised the wife's lofty morality and piety, all the virtues which she displayed, and which guaranteed her veracity. then, without formulating any conclusion of his own, he left the decision to the wisdom of the congregation. and as he virtually repeated advocate morano's arguments, and prada stubbornly refused to enter an appearance, it now seemed certain that the congregation would by a great majority pronounce itself in favour of dissolution, a result which would enable the holy father to act benevolently.

"ah! dario /mio/!" said benedetta, "we are at the end of our worries. but what a lot of money, what a lot of money it all costs! aunt says that they will scarcely leave us water to drink."

so speaking she laughed with the happy heedlessness of an impassioned /amorosa/. it was not that the jurisdiction of the congregations was in itself ruinous; indeed, in principle, it was gratuitous. still there were a multitude of petty expenses, payments to subaltern employees, payments for medical consultations and certificates, copies of documents, and the memoirs and addresses of counsel. and although the votes of the cardinals were certainly not bought direct, some of them ended by costing considerable sums, for it often became necessary to win over dependants, to induce quite a little world to bring influence to bear upon their eminences; without mentioning that large pecuniary gifts, when made with tact, have a decisive effect in clearing away the greatest difficulties in that sphere of the vatican. and, briefly, monsignor palma's nephew by marriage had cost the boccaneras a large sum.

"but it doesn't matter, does it, dario /mio/?" continued benedetta. "since you are now cured, they must make haste to give us permission to marry. that's all we ask of them. and if they want more, well, i'll give them my pearls, which will be all i shall have left me."

he also laughed, for money had never held any place in his life. he had never had it at his pleasure, and simply hoped that he would always live with his uncle the cardinal, who would certainly not leave him and his young wife in the streets. ruined as the family was, one or two hundred thousand francs represented nothing to his mind, and he had heard that certain dissolutions of marriage had cost as much as half a million. so, by way of response, he could only find a jest: "give them my ring as well," said he; "give them everything, my dear, and we shall still be happy in this old palace even if we have to sell the furniture!"

his words filled her with enthusiasm; she took his head between both hands and kissed him madly on the eyes in an extraordinary transport of passion. then, suddenly turning to pierre, she said: "oh! excuse me, monsieur l'abbe. i was forgetting that i have a commission for you. yes, monsignor nani, who brought us that good news, bade me tell you that you are making people forget you too much, and that you ought to set to work to defend your book."

the priest listened in astonishment; then replied: "but it was he who advised me to disappear."

"no doubt--only it seems that the time has now come for you to see people and plead your cause. and monsignor nani has been able to learn that the reporter appointed to examine your book is monsignor fornaro, who lives on the piazza navona."

pierre's stupefaction was increasing, for a reporter's name is never divulged, but kept quite secret, in order to ensure a free exercise of judgment. was a new phase of his sojourn in rome about to begin then? his mind was all wonderment. however, he simply answered: "very good, i will set to work and see everybody."