love took up the harp of life and smote on all the chords with might;
smote the chord of self, that, trembling, pass'd in music out of sight.
—tennyson.
the old, majestic church of st. gervais had been made quite gay with flowers. good m. legros was passing rich, thank god! he could gratify his only child's every whim—however trivial—on this her wedding day.
she had expressed a great desire to see the church quite full of flowers—as many flowers as it could hold, and papa legros had spent—so the gossips said—enough money in indulging this wish as would have kept a dozen poor families in comfort for a dozen years.
'twas mid april and there were white roses from the king's conservatories in versailles, white hyacinths from fontainebleau and white violas from the walled-in gardens at blois, there were white violets and snowdrops and sweet-scented narcissi. they lay everywhere in heavy fragrant bunches and wreaths fashioned by loving hands, untutored in the art of decoration. the high altar groaned beneath the weight of huge brass pots wherein old-fashioned stocks reared their sweet-scented heads. the virgin in her niche, the saints upon their altars almost disappeared beneath their monster crowns of violets and of roses.
the central nave was filled with a motley crowd, attired in holiday clothes, come to see the tailor's daughter wedded to the english milor. a few simple folk there were—gaffers and cronies who had watched rose marie[171] as she grew up in her father's back shop, and who came with shaking heads and ominous murmurs to see the last of the poor child, who of a surety would be drowned when she sailed upon the sea or if she did survive that calamity, would certainly be most unhappy in a land of evil-doers, and of cruel, red-haired, large-toothed men. but there were others, too, mere idlers these, who had never before set eyes on an english milor, and were curious to know if what was said of these english were true, namely that they were big as giants and like them ferocious, with fangs instead of teeth, and fists as heavy as bullocks.
under one of the arches, quite close to the chancel, special places had been reserved and chairs covered with red cloth. here a small group of gaily-dressed ladies and gentlemen had assembled, gilded butterflies flown from out their silken nets over in the st. germain quarter and even from the louvre and versailles; gentlemen of the court and of his majesty's bedchamber with their ladies in stiff brocaded paniers and silken skirts which made a soft swishing sound as the wearers turned to right or left to lend an ear to the whisperings of a gallant or to murmur a word of scandal in that of a friend.
they had crossed the river and wandered into this abandoned quarter of the city from idle curiosity. rumours had reached the court that the earl of stowmaries, one of the richest young gallants of london, had come to wed the daughter of the paris breeches-maker, a man well-known to all. his majesty had deigned to seem interested, mme. de montespan expressed a desire to see this milor, whom gossip had reported as handsome and had endowed with the romantic history of early life spent in distant lands, where he was kept in poverty and exiled by a rapacious kinsman, who robbed him of his inheritance.
[172] gossip as a rule had mingled truth with fiction, but the marquise was interested and brought her brilliantly decked-out sycophants in her train—gentlemen and ladies who sunned themselves in the sunshine of her graces,—to witness the ceremony of st. gervais. from this group beneath the archway came the constant murmur of fluttering fans, the rustle of silks, the creaking of chairs on the flag-stones of the floor—also at times a giggle quickly suppressed, a cry of astonishment or amusement held in check only by the solemnity of the surroundings.
the atmosphere was waxing oppressive, despite the cold april breeze which found its way into the edifice through the chinks of many cracked window panes. the scent of the poet's narcissus, heavy and intoxicating, filled nostrils and brain with its overpowering savour; the roses already inclined to droop added their faded fragrance to the air, mingling, too, with the penetrating odour of white roman hyacinths and the pungent smell of primroses and of violas, whilst through it all the heavy fumes of incense rose upwards to the high-vaulted roof and wrapped the statues of saints, the small side altars and tall embroidered banners in their mystery-creating clouds.
monseigneur the archbishop of paris had just entered, robed in gorgeous cope and mitre and followed by the clergy of st. gervais and the band of acolytes clad in scarlet and white. behind heavy curtains, a band of skilled musicians from his majesty's own opera house were playing an introit from one of m. lulli's most exquisite scores.
all necks were craned to catch sight of the man and woman who were kneeling on crimson cushions at the foot of the chancel steps.
the bride could scarce be seen though her figure looked[173] dainty in her simple white gown; but her golden head was hidden beneath a filmy veil of delicate mechlin lace, which fell right over her face and far back to the edge of her gown.
but every one could see milor well, for his dark head towered above those of the spectators. and he held his head very erect, some folk thinking that on this occasion a man should look less proud and certainly less defiant. he was gorgeously clad in surcoat and vest of delicate ivory-tinted silk, with exquisite embroideries of gold and silver which the gaffers thought must have cost a mint of money. but then english milors were all so rich, and this one—so 'twas said—was one of the richest amongst all; he certainly was one of the most handsome. goodly to look at was the verdict of the women, with his dark hair innocent of those monstrous perruques which the jeunesse dorée of paris and versailles had lately affected. he wore neither beard nor moustache and every one could see what a firm, strong mouth and jaw he had—an obstinate one murmured some of the ladies, a masterful one, sighed the others.
mme. de montespan enthroned on a velvet-covered armchair made vain attempts to draw his dark, deep-set eyes to hers.
but milor looked straight before him, and his arms were crossed over his broad chest. when monseigneur kneeled at the foot of the altar and began to recite the first verse of the introibe, milor knelt too, beside his bride, and buried his face in his hands.
m. and mme. legros clad in their sunday best, knelt quite close to the bridal pair. maman in rich puce-coloured brocade, her scanty locks hidden beneath a remarkable confection of lace was frequently mopping her eyes, the[174] while m. legros, master tailor to the court of paris, tried to conceal the inordinate pride which he felt at seeing his only child wedded to so great a lord.
now monseigneur bent his broad shoulders and sotto voce murmured the confiteor. rose marie in the innocence of her heart prayed to the virgin to make her quite, quite perfect, as good as my lord thought her to be, lest he be deceived and disappointed in her. she had not spoken to him alone again after that happy yet sad quarter of an hour when she had seen his proud head bent before her, and felt that unutterable pity for him, which so quickly then became unutterable love.
that his self-accusations were only the result of an over-sensitive conscience she firmly believed, and if in his early youth my lord had sinned as other young men sin from thoughtlessness and want of a guiding hand, who was she that she should judge him, now that he had honoured her with his love?
and as monseigneur at the altar read the holy gospel wherein the good god himself enjoins man and woman to cleave to one another, rose marie's whole heart went out to the man by her side, and the magnetism of her enthusiastic sacrifice of her whole self to him drew his dark eyes down to hers.
michael, as in a dream, saw the exquisite white-clad figure close to him; never—he thought—had he beheld aught so lovely, so pure, so worthy of love. then looking from her to the great altar before him, he saw through the moving clouds of incense phantom figures and objects from out his past.
there in that dark recess, beside the niche of that mitred saint, faces of men who had sneered at his misfortunes, the men of law who had plundered him, and a forest of[175] outstretched palms, oily and smooth awaiting the bribes. there again high up in the groined roof, his companions in those far-off days in flanders, faces red with the excesses of the day, hands soiled with the evil deeds of night; the miserable camp followers in the wake of a starving mercenary army, dissolute men and intemperate women; and all around him the poor, miserable scum of london, the men with whom he had herded, beasts like himself, no more human since wretchedness had killed all manhood in that perpetual, that degrading search after forgetfulness.
all these monsters and ghoulish phantoms grinned at michael now, polluting the sacred edifice with their imaginary presence. they floated corpse-like on the shifting clouds of the ever-rising incense and taunted michael with their grinning faces, daring him now to turn from the broad path of happiness whither the snow-white hand of an ignorant girl was so trustingly leading him.
"follow the path of honour, follow truth and loyalty now, michael, and to-morrow thou'lt be one of us again: one with the grinning and dishonest sceptics, one with the profligate crowd of mercenary soldiers, one with the flotsam and jetsam of criminal london, the drunkards, the roisterers, god's damned upon earth. truth leads the way to perdition, follow truth now, michael, an you can."
and as, up high on the altar steps, monseigneur now held up for the adoration of the multitude the sacred mysteries which no brain of man can understand, michael bowing his head and looking within himself with searching, conscience-stricken eyes, saw nothing but loyalty to the girl who was thus unwittingly snatching him from out the yawning abyss of misery and degradation, of humiliation for himself and starvation for his mother.
[176] anon monseigneur whispered the pater noster, and after that he turned and with hand upheld, three fingers pointing upwards to the mystery-hidden vault, he pronounced the solemn benediction on michael kestyon and rose marie his wife. not a sound stirred in the vast and ancient church, save the voice of the archbishop as it rose high above the chancel, and the blessing spoken by him seemed to descend with unseen wings on the bowed heads of the two young people whom so strange a fate was linking together.
to her—the girl—it was a sacrament—this confirmation of the vows spoken in her name when she was too young even to lisp them; for him it was the word of honour of a man who throughout a rough life had never succeeded in burying honour out of sight.
both pronounced their vows without thought of ever rebelling against them. both pronounced the solemn "i will" with fervour as well as gladness. the assistants almost held their breath. instinctive awe had silenced every chattering tongue, stilled every careless laugh.
my lord's voice rang out clear and distinct in the midst of that hushed reverence, and more than one fair dame accustomed to the insipid gallantries of the court of versailles sighed for the latent and rugged passion which rang out through that firm "i will."
rose marie's young heart gave a great leap for joy.
"he loves me," she whispered exultantly to herself, despite the solemnity of the moment, the sacredness of her surroundings, "he loves me, he loves me. i can tell it by the sound of his voice."
and she had to press her bouquet of roses to her lips to suppress the little cry of joy which almost escaped her throat. perhaps she did not altogether understand at this[177] moment what she herself meant when she thought "he loves me!" mayhap some of those ladies in the stiff brocades, who cast admiring glances at my lord knew and guessed much more of what went on in his mind than did the simple tradesman's daughter with the innocent mind and the pure heart of childhood still undefiled within her.
and now monseigneur came right down the altar steps and my lord and rose marie had to rise, and to pass through the wrought-iron gates of the rood screen, then pause, standing just below the communion rail. monseigneur stood there awaiting them, and the good curé of st. gervais was near him holding a jewelled salver whereon rested two circlets of gold. my lord took one of these between his fingers and some one whispered in rose marie's ear to hold out her hand.
from far away came in sweet muffled sounds the opening bars of lulli's beati omnes exquisitely played on the string instruments. all round rose marie's feet lay a carpet of white roses which sent their last dying fragrance into the air. she felt my lord's strong hand grasping her own and the tiny band of gold being slipped on her finger—the sign of her bondage to her lord; she was so happy that she could have cried for joy, so happy that she longed to kiss that cold little circlet which now irrevocably bound her to him.
she raised her eyes and saw his dark head bent just over her hand, and it seemed as if a magnetic fluid ran from his veins into hers, for she felt the passion which quivered in his pulse, and though she might not wholly understand it as yet, she nevertheless responded to it with all the strength of her young nature full of the joy of love and of life.
[178] "may the god of abraham, the god of isaac, the god of jacob be with you and remain with you always."
monseigneur had begun to speak the final prayer. bride and bridegroom had partaken of the sacrament together, and monseigneur had declared that the other sacrament, that of matrimony, had indissolubly now renewed the ties which already bound them to one another since childhood. this was not a marriage, he said, but the repetition of solemn vows made in their name when they were too young to understand, the consecration by the church of those bonds which she forged for them eighteen years ago.
the solemn amen was pronounced and sung; the king's musicians played the first bars of a stirring wedding march specially composed for this great occasion by ma?tre colasse of his majesty's orchestra. there was a general movement amongst the spectators, a great sigh of excited satisfaction as monseigneur having stood for a few moments whispering final admonitions to milor, now turned and walked with slow steps out through the chancel door.
one by one the glittering group of gorgeously-clad priests and acolytes disappeared out through the narrow opening. the strains of the hidden orchestra swelled in glorious volume until they filled every corner of the vast building, like a p?an of triumph and of joy. there was a general frou-frou of silken skirts, a clink of swords, a scraping of chairs against the flagged floor, as my lord now led his young bride down the nave. he pressed her trembling hand against his side, the while he frowned—despite himself—at this crowd of peering faces, this sea of importunate looks which made him restive and impatient. he longed to take his snowdrop away with him, out of this indifferent throng, far, far away to some hidden nook[179] among the kentish hills, there where the lime trees were just beginning to unfold their delicate leaves of emerald tinged with gold, where lying on a carpet of primroses and violets, beneath a cool, grey sky, his burning head fanned by the cold, spring breezes, he could kneel at her feet and tell her that with her small icy tendrils she had already twined herself around his heart; that her blue eyes, cold and pure as those of a forget-me-not beside a brook, had taught the miserable reprobate his first lesson of love.
then when the pale tints of the limes turned to a more vivid green, when primroses had paled beneath the shadows of brilliant lent lilies, then he would try his hand at the great miracle of which he dreamed, the transmutation of the white snowdrop into a glowing, crimson rose.
