shows what dangers may be encountered in the pursuit of art and science.
who has not experienced the almost unqualified pleasure of a walk, on a bright beautiful morning, before breakfast? how amply it repays one for the self-denying misery of getting up! we say misery advisedly, for it is an undoubted, though short-lived, agony, that of arousing one’s inert, contented, and peaceful frame into a state of activity. there is a moment in the daily life of man—of some men, at least—when heroism of a very high stamp is displayed; that moment when, the appointed hour of morning having arrived, he thrusts one lethargic toe from under the warm bed-clothes into the relatively cold atmosphere of his chamber. if the toe is drawn back, the man is nobody. if it is thrust further out, and followed up by the unwilling body, the man is a hero! the agony, however, like that of tooth-drawing, is soon over, and the delightful commendations of an approving conscience are superadded to the pleasures of an early morning walk.
such pleasures were enjoyed one morning by emma gray and nita horetzki and lewis stoutley, when, at an early hour, they issued from their hotel, and walked away briskly up the vale of chamouni.
“i say, emma, isn’t it a charming, delicious, and outrageously delightful day!” exclaimed lewis.
although the young man addressed himself to his cousin, who walked on his left, he glanced at nita, who walked on his right, and thus, with a sense of justice peculiarly his own, divided his attentions equally between them.
“you are unusually enthusiastic, cousin,” said emma, with a laugh. “i thought you said last night that weather never affected you?”
“true, but there is more than weather here, there is scenery, and—and sunshine.”
“sunshine?” repeated nita, lifting her large orbs to his face with a look of surprise, for although the sun may be said to have risen as regards the world at large, it had not yet surmounted the range of mont blanc, or risen to the inhabitants of chamouni. “i not see it; where is the sunshine?”
“there!” exclaimed lewis, mentally, as he gazed straight down into her wondering orbs, and then added aloud, as he swept his arm aloft with a mock-heroic air, “behold it gleaming on the mountain-ridges.”
there is no doubt that the enthusiasm of lewis as to the weather, scenery, and sunshine would have been much reduced, perhaps quenched altogether, if nita had not been there, for the youth was steeped in that exquisite condition termed first love,—the very torments incident to which are moderated joys,—but it must not be supposed that he conducted himself with the maudlin sentimentality not unfrequently allied to that condition. although a mischievous and, we are bound to admit, a reckless youth, he was masculine in his temperament, and capable of being deeply, though not easily, stirred into enthusiasm. it was quite in accordance with this nature that his jesting tone and manner suddenly vanished as his gaze became riveted on the ridge to which he had carelessly directed attention. even nita was for a moment forgotten in the sight that met his eyes, for the trees and bushes which crowned the ridge were to all appearance composed of solid fire!
“did you ever see anything like that before emma?” he asked, eagerly.
“never; i have seen sunrises and sunsets in many parts of our own land, but nothing at all like that; what can be the cause of it?”
there was good reason for the wonder thus called forth, for the light was not on the trees but behind them. the sun had not quite risen, but was very near the summit of the ridge, so that these trees and bushes were pictured, as it were, against the brightest part of the glowing sky. in such circumstances we are taught by ordinary experience that objects will be unusually dark, but these trees were incomparably brighter than the glowing sky itself. it was not that their mere edges were tipped with fire, but their entire substance, even to the central core of the pine-stems, was to all appearance made of pure light, as if each tree and shrub had been made of steel raised to a condition of intense white heat. no shining of the sun through or upon trees can convey the slightest idea of the sight. it was something absolutely new to our travellers, and roused their astonishment as well as wonder to the highest pitch.
“oh!” exclaimed nita, clasping her hands with a force peculiar to her demonstrative nature, “how wonderful! how i do wish the professor was here to tell us how and what it be.”
that evening the professor, who had observed the phenomenon more than once, told them all he knew about it. there were differences of opinion, he said, as to the cause, for men of physical science, not less than doctors, were prone to differ. for himself, he had only noted the facts and knew not the cause. the luminous trees appeared only at that part of the ridge where the sun was just going to rise—elsewhere the trees were projected as dark objects, in the usual way, against the bright sky. not only were the trees thus apparently self-luminous, but when birds chanced to be flying amongst them, they had the appearance of sparks of molten silver flitting to and fro. see note 1.
“but you have not yet told me, ladies,” said lewis, as they resumed their walk, “what has induced you to indulge in so early a ramble to-day?”
“can you not imagine,” said nita, “that it is the love of nature?”
“undoubtedly i can; but as this is the first time since we came that you have chosen to display a love for nature before breakfast, i may be forgiven for supposing there is another and no doubt secondary cause.”
“you are right,” said emma; “were you not present last night when we discussed our plans for to-day?”
“no, he was in the verandah,” interposed nita, with an arch smile, “indulging that savage and unintellectual taste you call smoking.”
“ah, mademoiselle, be not too severe. it may not, indeed, be styled an intellectual pursuit, but neither, surely, can it be called savage, seeing that it softens and ameliorates the rugged spirit of man.”
“it is savage,” returned nita, “because you do not encourage ladies to join you in it.”
“pardon me, mademoiselle,” cried lewis, pulling out his cigar-case, “nothing would gratify me more than your acceptance of—”
“insult me not, monsieur,” said nita, with a toss of her pretty little head, “but reply to your cousin’s question.”
“ah, to be sure, well—let me see, what was it? was i present when the plans for the day were arranged? yes i was, but i missed the first part of the conversation, having been, as mademoiselle horetzki truly observes, occupied with that—a—”
“savage habit,” interposed nita.
“savage habit,” said lewis, “the savage element of which i am willing to do away with at a moment’s notice when desired. i merely heard that the professor had fixed to go on the glacier for the purpose of measuring it, as though it were a badly clad giant, and he a scientific tailor who had undertaken to make a top-coat for it. i also heard that you two had decided on a walk before breakfast, and, not caring to do tailoring on the ice, i begged leave to join you—therefore i am here.”
“ah, you prefer woman’s society and safety to manly exercise and danger!” said nita.
although lewis was, as we have said, by no means an effeminate youth, he was at that age when the male creature shrinks from the slightest imputation of a lack of manliness. he coloured, therefore, as he laughingly replied that in his humble opinion his present walk involved the manly exercise of moral courage in withstanding shafts of sarcasm, which were far more dangerous in his eyes than hidden crevasses or flying boulders.
“but you both forget,” interposed emma, “that i have not yet explained the object of our morning walk.”
“true, cousin, let us have it.”
“well,” continued emma, “when you were engages in your ‘savage’ indulgence, a difficulty stood in the way of the professor’s plans, inasmuch as our guide antoine had asked and obtained leave to absent himself a couple of days for the purpose of taking his wife and child over the country to pay a short visit to a relative in some valley, the name of which i forget. antoine had said that he would be quite willing to give up his leave of absence if a messenger were sent to inform his wife of his change of plan, and to ask a certain baptist le croix, who lives close beside her, to be her guide. as we two did not mean to join the ice-party, we at once offered to be the messengers. hence our present expedition at so early an hour. after seeing madame antoine grennon and having breakfast we mean to spend the day in sketching.”
“may i join you in this after-portion of the day’s work?” asked lewis. “i may not, indeed, claim to use the pencil with the facility of our friend slingsby, but i am not altogether destitute of a little native talent in that way. i will promise to give you both as many cigars as you choose, and will submit my sketches to mademoiselle’s criticism, which will be incurring extreme danger.”
“well, you may come,” said nita, with a condescending nod, “but pray fulfil the first part of your promise, give me the cigars.”
lewis drew them out with alacrity, and laughingly asked, “how many?”
“all of them; the case also.”
in some surprise the youth put the cigar-case into her hand, and she immediately flung it into a neighbouring pool.
“ah, how cruel,” said lewis, putting on a most forlorn look, while emma gave vent to one of her subdued little explosions of laughter.
“what! is our society not enough for monsieur?” asked nita, in affected surprise.
“more than enough,” replied lewis, with affected enthusiasm.
“then you can be happy without your cigars,” returned nita.
“perfectly happy,” replied lewis, taking a small case from his pocket, from which he extracted a neat little meerschaum pipe, and began to fill it with tobacco.
again emma had occasion to open the safety-valve of another little explosive laugh; but before anything further could be said, they came in sight of antoine grennon’s cottage.
it was prettily situated beneath a clump of pines. a small stream, spanned by a rustic bridge, danced past it. under the shadow of the bridge they saw madame engaged in washing linen. she had a washing-tub, of course, but instead of putting the linen into this she put herself in it, after having made an island of it by placing it a few inches deep in the stream. thus she could kneel and get at the water conveniently without wetting her knees or skirts. on a sloping slab of wood she manipulated the linen with such instrumentality as cold water, soap, a wooden mallet and a hard brush. beside her, in a miniature tub, her little daughter conducted a miniature washing.
the three travellers, looking over the bridge, could witness the operation without being themselves observed.
“it is a lively process,” remarked lewis, as madame seized a mass of linen with great vigour, and caused it to fall on the sloping plank with a sounding slap.
madame was an exceedingly handsome and well-made woman, turned thirty, and much inclined to embonpoint. her daughter was turned three, and still more inclined to the same condition. their rounded, well-shaped, and muscular arms, acted very much in the same way, only madame’s vigour was a good deal more intense and persistent—too much so, perhaps, for the fabrics with which she had to deal; but if the said fabrics possessed the smallest degree of consciousness, they could not have had the heart to complain of rough treatment from such neat though strong hands, while being smiled upon by such a pretty, though decisive countenance.
“it is dreadfully rough treatment,” said emma, whose domestic-economical spirit was rather shocked.
“terrible!” exclaimed nita, as madame gripped another article of apparel and beat it with her mallet as though it had been the skull of her bitterest enemy, while soap-suds and water spurted from it as if they had been that enemy’s brains.
“and she washes, i believe, for our hotel,” said emma, with a slightly troubled expression. perhaps a thought of her work-box and buttons flashed across her mind at the moment.
“you are right,” said lewis, with a pleased smile.
“i heard antoine say to gillie, the other day, that his wife washed a large portion of the hotel linen. no doubt some of ours is amongst it. indeed i am sure of it,” he added, with a look of quiet gravity, as madame grennon seized another article, swished it through the water, caused it to resound on the plank, and scrubbed it powerfully with soap; “that a what’s-’is-name, belongs to me. i know it by the cut of its collar. formerly, i used to know it chiefly by its fair and fragile texture. i shall know it hereafter as an amazing illustration of the truth of the proverb, that no one knows what he can stand till he is tried. the blows which she is at present delivering to it with her mallet, are fast driving all preconceived notions in regard to linen out of my head. scrubbing it, as she does now, with a hard brush, against the asperities of the rough plank, and then twisting it up like a roly-poly prior to swishing it through the water a second time, would once have induced me to doubt the strength of delicate mother-of-pearl buttons and fine white thread. i shall doubt no longer.”
as he said so, madame grennon chanced to look up, and caught sight of the strangers. she rose at once, and, forsaking her tub, advanced to meet them, the curly-haired daughter following close at her heels, for, wherever her mother went she followed, and whatever her mother did she imitated.
the object of the visit was soon explained, and the good woman led the visitors into her hut where baptist le croix chanced to be at the time.
there was something very striking in the appearance of this man. he was a tall fine-looking fellow, a little past the prime of life, but with a frame whose great muscular power was in no degree abated. his face was grave, good-natured, and deeply sunburnt; but there was a peculiarly anxious look about the eyes, and a restless motion in them, as if he were constantly searching for something which he could not find.
he willingly undertook to conduct his friend’s wife and child to the residence of their relative.
on leaving the hut to return to chamouni, madame grennon accompanied her visitors a short way, and nita took occasion, while expressing admiration of baptist’s appearance, to comment on his curiously anxious look.
“ah! mademoiselle,” said madame, with a half sad look, “the poor man is taken up with a strange notion—some people call it a delusion—that gold is to be found somewhere here in the mountains.”
“gold?” cried nita, with such energy that her companions looked at her in surprise.
“why, nita,” exclaimed emma, “your looks are almost as troubled and anxious as those of le croix himself.”
“how strange!” said nita, musing and paying no attention to emma’s remark. “why does he think so?”
“indeed, mademoiselle, i cannot tell; but he seems quite sure of it, and spends nearly all his time in the mountains searching for gold, and hunting the chamois.”
they parted here, and for a time lewis tried to rally nita about what he styled her sympathy with the chamois-hunter, but nita did not retort with her wonted sprightliness; the flow of her spirits was obviously checked, and did not return during their walk back to the hotel.
while this little incident was enacting in the valley, events of a far different nature were taking place among the mountains, into the solitudes of which the professor, accompanied by captain wopper, lawrence, slingsby, and gillie, and led by antoine, had penetrated for the purpose of ascertaining the motion of a huge precipice of ice.
“you are not a nervous man, i think,” said the professor to antoine as they plodded over the ice together.
“no, monsieur, not very,” answered the guide, with a smile and a sly glance out of the corners of his eyes. captain wopper laughed aloud at the question, and gillie grinned. gillie’s countenance was frequently the residence of a broad grin. nature had furnished him with a keen sense of the ludicrous, and a remarkably open countenance. human beings are said to be blind to their own peculiarities.
if gillie had been an exception to this rule and if he could have, by some magical power, been enabled to stand aside and look at his own spider-like little frame, as others saw it, clad in blue tights and buttons, it is highly probable that he would have expired in laughing at himself.
“i ask the question,” continued the professor, “because i mean to request your assistance in taking measurements in a somewhat dangerous place, namely, the ice-precipice of the tacul.”
“it is well, monsieur,” returned the guide, with another smile, “i am a little used to dangerous places.”
gillie pulled his small hands out of the trouser-pockets in which he usually carried them, and rubbed them by way of expressing his gleeful feelings. had the sentiment which predominated in his little mind been audibly expressed, it would probably have found vent in some such phrase as, “won’t there be fun, neither—oh dear no, not by no means.” to him the height of happiness was the practice of mischief. danger in his estimation meant an extremely delicious form of mischief.
“is the place picturesque as well as dangerous?” asked slingsby, with a wild look in his large eyes as he walked nearer to the professor.
“it is; you will find many aspects of ice-formation well worthy of your pencil.”
it is due to the artist to say that his wildness that morning was not the result only of despair at the obvious indifference with which nita regarded him. it was the combination of that wretched condition with a heroic resolve to forsake the coy maiden and return to his first love—his beloved art—that excited him; and the idea of renewing his devotion to her in dangerous circumstances was rather congenial to his savage state of mind. it may be here remarked that mr slingsby, besides being an enthusiastic painter, was an original genius in a variety of ways. among other qualities he possessed an inventive mind, and, besides having had an ice-axe made after a pattern of his own,—which was entirely new and nearly useless,—he had designed a new style of belt with a powerful rope having a hook attached to it, with which he proposed, and actually managed, to clamber up and down difficult places, and thus attain points of vantage for sketching. several times had he been rescued by guides from positions of extreme peril, but his daring and altogether unteachable spirit had thrown him again and again into new conditions of danger. he was armed with his formidable belt and rope on the present excursion, and his aspect was such that his friends felt rather uneasy about him, and would not have been surprised if he had put the belt round his neck instead of his waist, and attempted to hang himself.
“do you expect to complete your measurements to-day?” asked lawrence, who accompanied the professor as his assistant.
“oh no. that were impossible. i can merely fix my stakes to-day and leave them. to-morrow or next day i will return to observe the result.”
the eastern side of the glacier du géant, near the tacul, at which they soon arrived, showed an almost perpendicular precipice about 140 feet high. as they collected in a group in front of that mighty pale-blue wall, the danger to which the professor had alluded became apparent, even to the most inexperienced eye among them. high on the summit of the precipice, where its edge cut sharply against the blue sky, could be seen the black boulders and débris of the lateral moraine of the glacier. the day was unusually warm, and the ice melted so rapidly that parts of this moraine were being sent down in frequent avalanches. the rustle of débris was almost incessant, and, ever and anon, the rustle rose into a roar as great boulders bounded over the edge, and, after dashing portions of the ice-cliffs into atoms, went smoking down into the chaos below. it was just beyond this chaos that the party stood.
“now, antoine,” said the professor, “i want you to go to the foot of that precipice and fix a stake in the ice there.”
“well, monsieur, it shall be done,” returned the guide, divesting himself of his knapsack and shouldering his axe and a stake.
“meanwhile,” continued the professor, “i will watch the falling débris to warn you of danger in time, and the direction in which you must run to avoid it. my friend lawrence, with the aid of captain wopper, will fix the theodolite on yonder rocky knoll to our left.”
“nothin’ for you an’ me to do,” said gillie to the artist; “p’r’aps we’d better go and draw—eh?”
slingsby looked at the blue spider before him with an amused smile, and agreed that his suggestion was not a bad one, so they went off together.
while antoine was proceeding to the foot of the ice-cliffs on his dangerous mission, the professor observed that the first direction of a falling stone’s bound was no sure index of its subsequent motion, as it was sent hither and thither by the obstructions with which it met. he therefore recalled the guide.
“it won’t do, antoine, the danger is too great.”
“but, monsieur, if it is necessary—”
“but it is not necessary that you should risk your life in the pursuit of knowledge. besides, i must have a stake fixed half-way up the face of that precipice.”
“ah, monsieur,” said antoine, with an incredulous smile, “that is not possible!”
to this the professor made no reply, but ordered his guide to make a détour and ascend to the upper edge of the ice-precipice for the purpose of dislodging the larger and more dangerous blocks of stone there, and, after that, to plant a stake on the summit.
this operation was not quickly performed. antoine had to make a long détour to get on the glacier, and when he did reach the moraine on the top, he found that many of the most dangerous blocks lay beyond the reach of his axe. however, he sent the smaller débris in copious showers down the precipice, and by cleverly rolling some comparatively small boulders down upon those larger ones which lay out of reach, he succeeded in dislodging many of them. this accomplished, he proceeded to fix the stake on the upper surface of the glacier.
while he was thus occupied, the professor assisted lawrence in fixing the theodolite, and then, leaving him, went to a neighbouring heap of débris followed by the captain, whom he stationed there.
“i want you,” he said, “to keep a good look-out and warn me as to which way i must run to avoid falling rocks. antoine has dislodged many of them, but some he cannot reach. these enemies must be watched.”
so saying, the professor placed a stake and an auger against his breast, buttoned his coat over them, and shouldered his axe.
“you don’t mean to say that you’re agoing to go under that cliff?” exclaimed the captain, in great surprise, laying his hand on the professor’s arm and detaining him.
“my friend,” returned the man of science, “do not detain me. time is precious just now. you have placed yourself under my orders for the day, and, being a seaman, must understand the value of prompt obedience. do as i bid you.”
he turned and went off at a swinging pace towards the foot of the ice-cliff, while the captain, in a state of anxiety, amounting almost to consternation, sat down on a boulder, took off his hat, wiped his heated brow, pronounced the professor as mad as a march hare, and prepared to discharge his duties as “the look-out.”
although cool as a cucumber in all circumstances at sea, where he knew every danger and how to meet or avoid it, the worthy captain now almost lost self-control and became intensely agitated and anxious, insomuch that he gave frequent and hurried false alarms, which he no less hurriedly attempted to correct, sometimes in nautical terms, much to the confusion of the professor.
“hallo! hi! look out—starboard—sta–a–arboard!” he shouted wildly, on beholding a rock about the size of a chest of drawers spring from the heights above and rush downward, with a smoke of ice-dust and débris following, “quick! there! no! port! port! i say it’s—”
before he could finish the sentence, the mass had fallen a long way to the right of the professor, and lay quiet on the ice not far from where the captain stood.
in spite of the interruptions thus caused, the lower stake was fixed in a few minutes. the professor then swung his axe vigorously, and began to cut an oblique stair-case in the ice up the sheer face of the precipice.
in some respects the danger to the bold adventurer was now not so great because, being, as it were, flat against the ice-cliffs, falling rocks were more likely, by striking some projection, to bound beyond him. still there was the danger of deflected shots, and when, by cutting a succession of notches in which to place one foot at a time, he had ascended to the height of an average three-storey house, the danger of losing his balance or slipping a foot became very great indeed. but the man of science persevered in doing what he conceived to be his duty with as much coolness as if he were the leader of a forlorn hope. following the example of experienced ice-men on steep places, he took good care to make the notches or steps slope a little inwards, never lifted his foot from one step until the next was ready, and never swung his axe until his balance was perfectly secured. having gained a height of about thirty feet, he pierced a hole with his auger, fastened a stake in it, and descended amid a heavy cannonade of boulders and a smart fire of smaller débris.
during the whole proceeding lawrence directed his friend as to the placing of the stake, and watched with surprise as well as anxiety, while captain wopper kept on shouting unintelligible words of warning in a state of extreme agitation. the guide returned just in time to see this part of the work completed, and to remonstrate gravely with the professor on his reckless conduct.
“‘all’s well that ends well,’ antoine, as a great poet says,” replied the professor, with one of his most genial smiles. “we must run some risk in the pursuit of scientific investigation. now then, lawrence, i hope you have got the three stakes in the same line—let me see.”
applying his eye to the theodolite, he found that the stakes were in an exactly perpendicular line, one above another. he then carefully marked the spot occupied by the instrument and thus completed his labours for that time.
we may add here in passing that next day he returned to the same place, and found that in twenty-four hours the bottom stake had moved downwards a little more than two inches, the middle stake had descended a little more than three, and the upper stake exactly six inches. thus he was enabled to corroborate the fact which had been ascertained by other men of science before him, that glacier-motion is more rapid at the top than at the bottom, where the friction against its bed tends to hinder its advance, and that the rate of flow increases gradually from the bottom upwards.
while these points of interest were being established, our artist was not less earnestly engaged in prosecuting his own peculiar work, to the intense interest of gillie, who, although he had seen and admired many a picture in the london shop-windows, had never before witnessed the actual process by which such things are created.
wandering away on the glacier among some fantastically formed and towering blocks or obelisks of ice, mr slingsby expressed to gillie his admiration of their picturesque shapes and delicate blue colour, in language which his small companion did not clearly understand, but which he highly approved of notwithstanding.
“i think this one is worth painting,” cried slingsby, pausing and throwing himself into an observant attitude before a natural arch, from the roof of which depended some large icicles; “it is extremely picturesque.”
“i think,” said gillie, with earnest gravity, “that yonder’s one as is more picturesker.”
he had carefully watched the artist’s various observant attitudes, and now threw himself into one of these as he pointed to a sloping obelisk, the size of an average church-steeple, which bore some resemblance to the leaning-tower of pisa.
“you are right, boy; that is a better mass. come, let us go paint it.”
while walking towards it, gillie asked how such wild masses came to be made.
“i am told by the professor,” said slingsby, “that when the ice cracks across, and afterwards lengthwise, the square blocks thus formed get detached as they descend the valley, and assume these fantastic forms.”
“ah! jis so. they descends the walley, does they?”
“so it is said.”
gillie made no reply, though he said in his heart, “you won’t git me to swaller that, by no manner of means.” his unbelief was, however, rebuked by the leaning-tower of pisa giving a terrible rend at that moment, and slowly bending forward. it was an alarming as well as grand sight, for they were pretty near to it. some smaller blocks of ice that lay below prevented the tower from being broken in its fall. these were crushed to powder by it, and then, as if they formed a convenient carriage for it, the mighty mass slid slowly down the slope for a few feet. it was checked for a moment by another block, which, however, gave way before the great pressure, fell aside and let it pass. the slope was slight at the spot so that the obelisk moved slowly, and once or twice seemed on the point of stopping, but as if it had become endowed with life, it made a sudden thrust, squeezed two or three obstacles flat, turned others aside, and thus wound its way among its fellows with a low groaning sound like some sluggish monster of the antediluvian world. reaching a steeper part of the glacier, on the ridge of which it hung for a moment, as if unwilling to exert itself, it seemed to awake to the reality of its position. making a lively rush, that seemed tremendously inconsistent with its weight, it shot over the edge of a yawning crevasse, burst with a thunderclap on the opposite ice-cliff, and went roaring into the dark bowels of the glacier, whence the echoes of its tumbling masses, subdued by distance, came up like the mutterings of evil spirits.
gillie viewed this wondrous spectacle with an awe-stricken heart, and then vented his feelings in a prolonged yell of ecstasy.
“ain’t it splendid, sir?” he cried, turning his glowing eyes on slingsby.
“majestic!” exclaimed the artist, whose enthusiasm was equal to that of his companion, though not quite so demonstrative.
“raither spoiled your drawin’, though, ain’t it, sir?”
“yonder is something quite as good, if not better,” said slingsby.
he pointed, as he spoke, to a part of the crevasse higher up on the glacier, where a projecting cave of snow overhung the abyss. from the under-surface of this a number of gigantic icicles hung, the lower points of the longer ones almost lost in the blue depths. a good position from which to sketch it, however, was not easily reached, and it was only by getting close to the edge of the crevasse that the persevering artist at length attained his object. here he sat down on his top-coat, folded several times to guard him from the cold ice, spread out his colour-box and sketching-block, and otherwise made himself comfortable, while gillie sat down beside him on his own cap, for want of a better protector.
had these two enthusiasts known the nature of their position, they would have retired from it precipitately with horror, for, ignorant of almost everything connected with glaciers, they had walked right off the solid ice and seated themselves on a comparatively thin projecting ledge of snow which overhung the crevasse. thus they remained for some time enjoying themselves, with death, as it were, waiting for them underneath! what rendered their position more critical was the great heat of the day, which, whatever might be the strength of the sustaining ledge, was reducing its bulk continually.
after having sketched for some time, the artist thought it advisable to see as far down into the crevasse as possible, in order to put in the point of the longest icicle. the better to do this, he unwound his rope from his waist and flung it on the ice by his side, while he lay down on his breast and looked over the edge. still he did not perceive the danger of his position, and went on sketching diligently in this awkward attitude.
now it was a melancholy fact that master gillie’s interest in art or science was short-lived, though keen. he soon tired of watching his companion, and began to look about him with a view to mischief. not seeing anything specially suggestive, he thought of aiding the operations of nature by expediting the descent of some neighbouring boulders from their positions on ice-blocks. he intimated his intention to slingsby, but the artist was too much engrossed to give heed to him. just as he was rising, gillie’s eye fell on the rope, and a happy thought struck him. to carry striking thoughts into immediate execution was a marked feature of the boy’s character. he observed that one end of the rope was attached to mr slingsby’s belt. taking up the hook at the other end, he went with it towards a large boulder, drawing the rope after him with extreme care, for fear of arousing his companion by a tug. he found that, when fully stretched, it was just long enough to pass round the rock. quickly fastening it, therefore, by means of the hook, he walked quietly away.
he did not exhibit much excitement while doing this. it was, after all, but a trifling jest in his esteem, as the only result to be hoped for would be the giving of a surprise by the little tug which might perhaps be experienced by the artist on rising.
thereafter, gillie sent innumerable ice-blocks to premature destruction, and enjoyed the work immensely for a time, but, having exploratory tendencies, he soon wandered about among obelisks and caverns until he found himself underneath the ice-cliff on which his friend was seated. then, as he looked up at the overhanging ledge from which gigantic icicles were hanging, a shock of alarm thrilled his little breast. this was increased by the falling of one of the icicles, which went like a blue javelin into the crevasse beside him. gillie thought of shouting to warn mr slingsby of his danger, but before he could do so he was startled by an appalling yell. at the same moment part of the ice overhead gave way, and he beheld the artist descending. he was stopped with a sudden jerk, as the rope tightened, and remained suspended in the air, while his coat and colour-box accompanied icicles and snow-blocks into the abyss below. a second later and the struggling artist’s head appeared to fall off, but it was only his hat.
gillie had by this time recovered himself so far as to be able to add his piercing shrieks for help to the cries of the artist, and well was it that day for mr slingsby that gillie had, since the years of infancy, practised his lungs to some purpose in terrifying cats and defying “bobbies” in the streets of london.
“oh, sir! sir!—i say—hi!” he cried, panting and glaring up.
“eh? what? hah!” gasped slingsby, panting and glaring down.
“don’t kick like that sir; pray don’t,” cried gillie in agonised tones, “you’ll start the boulder wot yer fast to, if you don’t keep still.”
“oh!” groaned the artist and instantly hung limp and motionless, in which condition he remained while gillie ran towards the place where he had left the rest of the party, jumping and slipping and falling and yelling over the ice like a maniac in blue and buttons!
“d’ee hear that?” exclaimed captain wopper with a startled look, as he and his companions busied themselves packing up their instruments.
antoine grennon heard it but made no reply. he was familiar with cries of alarm. turning abruptly he dashed off at full speed in the direction whence the cries came. the captain and professor instantly followed; lawrence overtook and passed them. in a few minutes they met the terrified boy, who, instead of waiting for them and wasting time by telling what was wrong, turned sharp round, gave one wild wave of his hand, and ran straight back to the ledge from which poor slingsby hung. stout willing arms were soon pulling cautiously on the rope, and in a few minutes more the artist lay upon the safe ice, almost speechless from terror, and with a deadly pallor on his brow.
strange to say the indomitable artist had held on tight to his sketch-book, possibly because it was almost as dear to him as life, but more probably because of that feeling which induces a drowning man to clutch at a straw.
note 1. we ourselves had the satisfaction of witnessing this wonderful and beautiful phenomenon before having read or heard of it, while on a trip from chamouni to martigny over the tête noire.
