but poor cecile had greater anxieties than the fear of her journey before her.

mrs. d'albert—when she gave her that russia-leather purse—had said to her solemnly, and with considerable fear:

"keep it from lydia purcell. let lydia know nothing about it, for lydia loves money so well that no earthly consideration would make her spare you. lydia would take the money, and all my life-work, and all your hope of finding lovedy, would be at an end."

this, in substance, was mrs. d'albert's speech; and cecile had not been many hours in lydia purcell's company without finding out how true those words were.

lydia loved money beyond all other things. for money she would sell right, nobleness, virtue. all those moral qualities which are so precious in god's sight lydia would part with for that possession which satan prizes—money.

cecile, when she first came to warren's grove, had put her treasure into so secure and out-of-the-way a hiding place that she felt quite easy about it. lydia would never, never think of troubling her head about that attic sloping down to the roof, still less would she poke her fingers into the little secret cupboard where the precious purse lay.

cecile's mind therefore was quite light. but one morning, about a week after mrs. bell's funeral, as she and maurice were preparing to start out for their usual ramble, these words smote on her ears with a strange and terrible sense of dread.

"jane," said lydia, addressing the cook, "we must all do with a cold dinner to-day, and not too much of that, for, as you write a very neat hand, i want you to help me with the inventory, and it has got to be begun at once. i told mr. preston i would have no agent pottering about the place. 'tis a long job, but i will do it myself."

"what's an inkin-dory?" asked maurice, raising a curious little face to jane.

"bless yer heart, honey," said jane, stooping down and kissing him, "an inventory you means. why, 'tis just this—mrs. purcell and me—we has got to write down the names of every single thing in the house—every stick, and stone, and old box, and even, i believe, the names of the doors and cupboards. that's an inventory, and mighty sick we'll be of it."

"come, jane, stop chattering," said lydia. "maurice, run out at once. you'll find me in the attics, jane, when you've done. we'll get well through the attics to-day."

aunt lydia turned on her heel, and maurice and cecile went slowly out. very slow, indeed, were cecile's footsteps.

"how dull you are, cecile!" said the little boy.

"i'm not very well," said cecile. "maurice," she continued suddenly, "you go and play with toby, darling. go into the fields, and not too far away; and don't stay out too late. here's our lunch. no, i don't want any. i'm going to lie down. yes, maybe i'll come out again."

she ran away before maurice had even time to expostulate. she was conscious that a crisis had come, that a great dread was over her, that there might yet be time to take the purse from its hiding place.

an inventory meant that every box was looked into, every cupboard opened. what chance then had her purse in its tin box in a forgotten cupboard? that cupboard would be opened at last, and her treasure stolen away. aunt lydia was even now in the attics, or was she? was there any hope that cecile might be in time to rescue the precious purse?

she flew up the attic stairs, her heart beating, her head giddy. oh! if she might be in time!

alas! she was not. aunt lydia was already in full possession of cecile's and maurice's attic. she was standing on tiptoe, and taking down some musty books from a shelf.

"go away, cecile," she said to the little girl, "i'm very busy, and i can't have you here; run out at once."

"please, aunt lydia, i've such a bad headache," answered poor cecile. this was true, for her agitation was so great she felt almost sick. "may i lie down on my bed?" she pleaded.

"oh, yes, child! if your head is bad. but you won't get much quiet here, for jane and i have our work cut out for us, and there'll be plenty of noise."

"i don't mind a noise, if i may lie down," answered cecile thankfully.

she crept into her bed, and lay as if she was asleep. in reality, with every nerve strung to the highest tension, sleep was as impossible for her as though such a boon had never been granted to the world. whenever aunt lydia's back was turned, her eyes were opened wide. whenever aunt lydia looked in her direction, the poor little creature had to feign the sleep which was so far away. as long as it was only maurice's and cecile's attic, there was some rest. there was just a shadowy hope that aunt lydia might go downstairs for something, that five minutes might be given her to snatch her treasure away.

lydia purcell, however, a thoroughly clever woman, was going through her work with method and expedition. she had no idea of leaving the attics until she had taken a complete and exhaustive list of what they contained.

cecile began to count the articles of furniture in her little bedroom. alas! they were not many. by the time jane appeared, a complete list of them was nearly taken.

"jane, go into that little inner attic, and poke out the rubbish," said aunt lydia, "poke out every stick and stone, and box. don't overlook a thing. i'll be with you in a minute."

"nasty, dirty little hole," remarked jane. "i'll soon find what it contains; not sixpence worth, i'll warrant."

but here the rack of suspense on which poor cecile was lying became past endurance, the child's fortitude gave way.

sitting up in bed, she cried aloud in a high-pitched, almost strained voice, her eyes glowing, her cheeks like peonies:

"oh! not the little cupboard in the wall. oh! please—oh! please, not the little cupboard in the wall."

"what cupboard? i know of no cupboard," exclaimed aunt lydia.

jane held up her hands.

"preserve us, ma'am, the poor lamb must be wandering, and look at her eyes and hands."

"what is it, cecile? speak! what is it, you queer little creature?" said aunt lydia, in both perplexity and alarm, for the child was sobbing hard, dry, tearless sobs.

"oh, aunt lydia! be merciful," she gasped. "oh! oh! if you find it don't keep it. 'tisn't mine, 'tis lovedy's; 'tis to find lovedy. oh! don't, don't, don't keep the purse if you find it, aunt lydia purcell."

at the word "purse" aunt lydia's face changed. she had been feeling almost kind to poor cecile; now, at the mention of what might contain gold, came back, sweeping over her heart like a fell and evil wind, the love of gold.

"jane," she said, turning to her amazed handmaiden; "this wicked, silly child has been hiding something, and she's afraid of my finding it. believe me, i will look well into the inner attic. she spoke of a cupboard. search for a cupboard in the wall, jane."

jane, full of curiosity, searched now with a will. there was but a short moment of suspense, then the sliding panel fell back, the little tin box was pulled out, and cecile's russia-leather purse was held up in triumph between jane's finger and thumb.

there was a cry of pleasure from aunt lydia. cecile felt the attic growing suddenly dark, and herself as suddenly cold. she murmured something about "lovedy, lovedy, lost now," and then she sank down, a poor unconscious little heap, at aunt lydia's feet.