at the corner dominated by the queen's elm, which on the great route from piccadilly circus to putney was a public-house and halt second only in importance to the redcliffe arms, night fell earlier than it ought to have done, owing to a vast rain-cloud over chelsea. a few drops descended, but so warm and so gently that they were not like real rain, and sentimentalists could not believe that they would wet. people, arriving mysteriously out of darkness, gathered sparsely on the pavements, lingered a few moments, and were swallowed by omnibuses that bore them obscurely away. at intervals an individual got out of an omnibus and adventured hurriedly forth and was lost in the gloom. the omnibuses, all white, trotted on an inward curve to the pavement, stopped while the conductor, with hand raised to the bell-string, murmured apathetically the names of streets and of public-houses, and then they jerked off again on an outward curve to the impatient double ting of the bell. to the east was a high defile of hospitals, and to the west the workhouse tower faintly imprinted itself on the sombre sky.
the drops of rain grew very large and heavy, and the travellers, instead of waiting on the kerb, withdrew to the shelter of the wall of the queen's elm. george was now among the group, precipitated like the rest, as it were, out of the solution of london. george was of the age which does not admit rain or which believes that it is immune from the usual consequences of exposure to rain. when advised, especially by women, to defend himself against the treacheries of the weather, he always protested confidently that he would 'be all right.' thus with a stick and a straw hat he would affront terrible dangers. it was a species of valour which the event often justified. indeed he generally was all right. but to-night, afoot on the way from south kensington station in a region quite unfamiliar to him, he was intimidated by the slapping menace of the big drops. reality faced him. his scared thought ran: "unless i do something at once i shall get wet through." impossible to appear drenched at old haim's! so he had abandoned all his pretensions to a magical invulnerability, and rushed under the eave of the queen's elm to join the omnibus group.
he did not harmonize with the omnibus group, being both too elegant and too high-spirited. his proper rôle in the circumstances would have been to 'jump into a hansom'; but there were no empty hansoms, and moreover, for certain reasons of finance, he had sworn off hansoms until a given date. he regarded the situation as 'rather a lark,' and he somehow knew that the group understood and appreciated and perhaps resented his superior and tolerant attitude. an omnibus rolled palely into the radiance of the queen's elm lamp, the horses' flanks and the lofty driver's apron gleaming with rain. he sprang towards the vehicle; the whole group sprang. "full inside!" snapped the conductor inexorably. ting, ting! it was gone, glimmering with its enigmatic load into the distance. george turned again to the wall, humiliated. it seemed wrong that the conductor should have included him with the knot of common omnibus-travellers and late workers. the conductor ought to have differentiated.... he put out a hand. the rain had capriciously ceased! he departed gaily and triumphantly. he was re-endowed with the magical invulnerability.
the background of his mind was variegated. the incidents of the tremendous motor-car race from paris to berlin, which had finished nearly a week earlier, still glowed on it. and the fact that king edward vii had driven in a car from pall mall to windsor castle in sixty minutes was beautifully present. then, he was slightly worried concerning the mediterranean fleet. he knew nothing about it, but as a good citizen he suspected in idle moments, like a number of other good citizens, that all was not quite well with the mediterranean fleet. as for the war, he had only begun to be interested in the war within the last six months, and already he was sick of it. he knew that the boers had just wrecked a british military train, and his attitude towards such methods of fighting was rather severe and scornful; he did not regard them as 'war.' however, the apparent permanence of the war was splendidly compensated by the victory of the brothers doherty over the american lawn-tennis champions in the gentlemen's doubles at wimbledon. who could have expected the brothers to win after the defeat of r.h. by mr. gore in the singles? george had most painfully feared that the americans would conquer, and their overthrowing by the twin brothers indicated to george, who took himself for a serious student of affairs, that britain was continuing to exist, and that the new national self-depreciative, yearning for efficiency might possibly be rather absurd after all.
in the midst of these and similar thoughts, and of innumerable minor thoughts about himself, in the very centre of his mind and occupying nearly the whole of it, was the vast thought, the obsession, of his own potential power and its fulfilment. george's egotism was terrific, and as right as any other natural phenomenon. he had to get on. much money was included in his scheme, but simply as a by-product. he had to be a great architect, and—equally important—he had to be publicly recognized as a great architect, and recognition could not come without money. for him, the entire created universe was the means to his end. he would not use it unlawfully, but he would use it. he was using it, as well as he yet knew how, and with an independence that was as complete as it was unconscious. in regard to matters upon which his instinct had not suggested a course of action, george was always ready enough to be taught; indeed his respect for an expert was truly deferential. but when his instinct had begun to operate he would consult nobody and consider nobody, being deeply sure that infallible wisdom had been granted to him. (nor did experience seem to teach him.) thus, in the affair of a london lodging, though he was still two years from his majority and had no resources save the purse of his stepfather, edwin clayhanger, he had decided to leave the orgreaves without asking or even informing his parents. in his next letter home he would no doubt inform them, casually, of what he meant to do or actually had done, and if objections followed he would honestly resent them.
a characteristic example of his independence had happened when at the unripe age of seventeen he left the five towns for london. upon his mother's marriage to edwin clayhanger his own name had been informally changed for him to clayhanger. but a few days before the day of departure he had announced that, as clayhanger was not his own name and that he preferred his own name, he should henceforth be known as 'cannon,' his father's name. he did not invite discussion. mr. clayhanger had thereupon said to him privately and as one man of the world to another: "but you aren't really entitled to the name cannon, sonny." "why?" "because your father was what's commonly known as a bigamist, and his marriage with your mother was not legal. i thought i'd take this opportunity of telling you. you needn't say anything to your mother—unless of course you feel you must." to which george had replied: "no, i won't. but if cannon was my father's name i think i'll have it all the same." and he did have it. the bigamy of his father did not apparently affect him. upon further inquiry he learnt that his father might be alive or might be dead, but that if alive he was in america.
the few words from mr. enwright about chelsea had sufficed to turn chelsea into elysium, paradise, almost into paris. no other quarter of london was inhabitable by a rising architect. as soon as haim had gone george had begun to look up chelsea in the office library, and as mr. enwright happened to be an active member of the society for the survey of the memorials of greater london, the library served him well. in an hour and a half he had absorbed something of the historical topography of chelsea. he knew that the fulham road upon which he was now walking was a boundary of chelsea. he knew that the queen's elm public-house had its name from the tradition that elizabeth had once sheltered from a shower beneath an elm tree which stood at that very corner. he knew that chelsea had been a 'village of palaces,' and what was the function of the thames in the magnificent life of that village. the secret residence of turner in chelsea, under the strange alias of admiral booth, excited george's admiration; he liked the idea of hidden retreats and splendid, fanciful pseudonyms. but the master-figure of chelsea for george was sir thomas more. he could see sir thomas more walking in his majestic garden by the river with the king's arm round his neck, and holbein close by, and respectful august prelates and a nagging wife in the background. and he could see sir thomas more taking his barge for the last journey to the tower, and sir thomas more's daughter coming back in the same barge with her father's head on board. curious! he envied sir thomas more.
"darned bad tower for a village of palaces!" he thought, not of the tower of london, but of the tower of the workhouse which he was now approaching. he thought he could design an incomparably better tower than that. and he saw himself in the future, the architect of vast monuments, strolling in a grand garden of his own at evening with other distinguished and witty persons.
but there were high-sounding names in the history of chelsea besides those of more and turner. not names of people! cremorne and ranelagh! cremorne to the west and ranelagh to the east. the legend of these vanished resorts of pleasure and vice stirred his longings and his sense of romantic beauty—especially ranelagh with its rotunda. (he wanted, when the time came, to be finely vicious, as he wanted to be everything. an architect could not be great without being everything.) he projected himself into the rotunda, with its sixty windows, its countless refreshment-boxes, its huge paintings, and the orchestra in the middle, and the expensive and naughty crowd walking round and round and round on the matting, and the muffled footsteps and the swish of trains on the matting, and the specious smiles and whispers, and the blare of the band and the smell of the lamps and candles.... earl's court was a poor, tawdry, unsightly thing after that.
when he had passed under the workhouse tower he came to a side street which, according to haim's description of the neighbourhood, ought to have been alexandra grove. the large lamp on the corner, however, gave no indication, nor in the darkness could any sign be seen on the blind wall of either of the corner houses in fulham road. doubtless in daytime the street had a visible label, but the borough authorities evidently believed that night endowed the stranger with powers of divination. george turned hesitant down the mysterious gorge, which had two dim lamps of its own, and which ended in a high wall, whereat could be descried unattainable trees—possibly the grove of alexandra. silence and a charmed stillness held the gorge, while in fulham road not a hundred yards away omnibuses and an occasional hansom rattled along in an ordinary world. george soon decided that he was not in alexandra grove, on account of the size of the houses. he could not conceive mr. haim owning one of them. they stood lofty in the gloom, in pairs, secluded from the pavement by a stucco garden-wall and low bushes. they were double-fronted, and their doors were at the summits of flights of blanched steps that showed through the bars of iron gates. they had three stories above a basement. still, he looked for no. 8. but just as the street had no name, so the houses had no numbers. no. 16 alone could be distinguished; it had figures on its faintly illuminated fanlight. he walked back, idly counting.
then, amid the curtained and shuttered facades, he saw, across the road, a bright beam from a basement. he crossed and peeped through a gate, and an interior was suddenly revealed to him. near the window of a room sat a young woman bending over a table. a gas-jet on a bracket in the wall, a few inches higher than her head and a foot distant from it, threw a strong radiance on her face and hair. the luminous living picture, framed by the window in blackness, instantly entranced him. all the splendid images of the past faded and were confuted and invalidated and destroyed by this intense reality so present and so near to him. (nevertheless, for a moment he thought of her as the daughter of sir thomas more.) she was drawing. she was drawing with her whole mind and heart. at intervals, scarcely moving her head, she would glance aside at a paper to her left on the table.... she seemed to search it, to drag some secret out of it, and then she would resume her drawing. she was neither dark nor fair; she was comely, perhaps beautiful; she had beautiful lips, and her nose, behind the nostrils, joined the cheek in a lovely contour, like a tiny bulb. yes, she was superb. but what mastered him was less her fresh physical charm than the rapt and extreme vitality of her existing.... he knew from her gestures and the tools on the table that she could be no amateur. she was a professional. he thought: chelsea!... marvellous place, chelsea! he ought to have found that out long ago. he imagined chelsea full of such pictures—the only true home of beauty and romance.
then the impact of a single idea startled his blood. he went hot. he flushed. he had tingling sensations all down his back, and in his legs and in his arms. it was as though he had been caught in a dubious situation. though he was utterly innocent, he felt as though he had something to be ashamed of. the idea was: she resembled old haim, facially! ridiculous idea! but she did resemble old haim, particularly in the lobal termination of the nose. and in the lips too. and there was a vague, general resemblance. absurd! it was a fancy.... he would not have cared for anybody to be watching him then, to surprise him watching her. he heard unmistakable footsteps on the pavement. a policeman darkly approached. policemen at times can be very apposite. george moved his gaze and looked with admirable casualness around.
"officer, is this alexandra grove?" (his stepfather had taught him to address all policemen as 'officer.')
"it is, sir."
"oh! well, which is no. 8? there're no numbers."
"you couldn't be much nearer to it, sir," said the policeman dryly, and pointed to a large number, fairly visible, on the wide gate-post. george had not inspected the gate-post.
"oh! thanks!"
he mounted the steps, and in the thick gloom of the portico fumbled for the bell and rang it. he was tremendously excited and expectant and apprehensive and puzzled. he heard rain flatly spitting in big drops on the steps. he had not noticed till then that it had begun again. the bell jangled below. the light in the basement went out. he flushed anew. he thought, trembling: "she's coming to the door herself!"
