within three months of her marriage she knew that she had made a mistake; but it had been her mother's fault even more than hers.

there was a photograph of her mother in the room and kitty's harassed eyes fell on it. she did not know why she kept it there, for she was not very fond of her mother; there was one of her father too, but that was downstairs on the grand piano. it had been done when he took silk and it represented him in wig and gown. even they could not make him imposing; he was a little, wizened man, with tired eyes, a long upper lip, and a thin mouth: a facetious photographer had told him to look pleasant, but he had succeeded only in looking severe. it was on this account, for as a rule the downturned corners of his mouth and the dejection of his eyes gave him an air of mild depression, that mrs. garstin, thinking it made him look judicial, had chosen it from among the proofs. but her own photograph showed her in the dress in which she had gone to court when her husband was made a king's counsel. she was very grand in the velvet gown, the long train so disposed as to show to advantage, with feathers in her hair and flowers in her hand. she held herself erect. she was a woman of fifty, thin and flat-chested, with prominent cheek-bones and a large, well-shaped nose. she had a great quantity of very smooth black hair and kitty had always suspected that, if not dyed, it was at least touched up. her fine black eyes were never still and this was the most noticeable thing about her; for when she was talking to you it was disconcerting to see those restless eyes in that impassive, unlined and yellow face. they moved from one part of you to another, to other persons in the room, and then back to you; you felt that she was criticising you, summing you up, watchful meanwhile of all that went on around her, and that the words she spoke had no connection with her thoughts.