the play was set for tuesday. monday afternoon and evening were to be the final rehearsals, but gardley did not come to them. fiddling boss came late and said the men had been off all day and had not yet returned. he himself found it hard to come at all. they had important work on. but there was no word from gardley.

margaret was disappointed. she couldn't get away from it. of course they could go on with the rehearsal without him. he had done his work well, and there was no real reason why he had to be there. he knew every part by heart, and could take any boy's place if any one failed in any way. there was nothing further really for him to do until the performance, as far as that was concerned, except be there and encourage her. but she missed him, and an uneasiness grew in her mind. she had so looked forward to seeing him, and now to have no word! he might at least have sent her a note when he found he could not come.

still she knew this was unreasonable. his work, whatever it was—he had never explained it very thoroughly to her, perhaps because she had never asked—must, of course, have kept him. she must excuse him without question and go on with the business of the hour.

her hands were full enough, for forsythe came presently and was more trying than usual. she had to be very decided and put her foot down about one or two things, or some of her actors would have gone home in the sulks, and fiddling boss, whose part in the program meant much to him, would have given it up entirely.

she hurried everything through as soon as possible, knowing she was weary, and longing to get to her room and rest. gardley would come and explain to-morrow, likely in the morning on his way somewhere.

but the morning came and no word. afternoon came and he had not sent a sign yet. some of the little things that he had promised to do about the setting of the stage would have to remain undone, for it was too late now to do it herself, and there was no one else to call upon.

into the midst of her perplexity and anxiety came the news that jed on his way home had been thrown from his horse, which was a young and vicious one, and had broken his leg. jed was to act the part of nick bottom that evening, and he did it well! now what in the world was she to do? if only gardley would come!

just at this moment forsythe arrived.

"oh, it is you, mr. forsythe!" and her tone showed plainly her disappointment. "haven't you seen mr. gardley to-day? i don't know what i shall do without him."

"i certainly have seen gardley," said forsythe, a spice of vindictiveness and satisfaction in his tone. "i saw him not two hours ago, drunk as a fish, out at a place called old ouida's cabin, as i was passing. he's in for a regular spree. you'll not see him for several days, i fancy. he's utterly helpless for the present, and out of the question. what is there i can do for you? present your request. it's yours—to the half of my kingdom."

margaret's heart grew cold as ice and then like fire. her blood seemed to stop utterly and then to go pounding through her veins in leaps and torrents. her eyes grew dark, and things swam before her. she reached out to a desk and caught at it for support, and her white face looked at him a moment as if she had not heard. but when in a second she spoke, she said, quite steadily:

"i thank you, mr. forsythe; there is nothing just at present—or, yes, there is, if you wouldn't mind helping timothy put up those curtains. now, i think i'll go home and rest a few minutes; i am very tired."

it wasn't exactly the job forsythe coveted, to stay in the school-house and fuss over those curtains; but she made him do it, then disappeared, and he didn't like the memory of her white face. he hadn't thought she would take it that way. he had expected to have her exclaim with horror and disgust. he watched her out of the door, and then turned impatiently to the waiting timothy.

margaret went outside the school-house to call bud, who had been sent to gather sage-brush for filling in the background, but bud was already out of sight far on the trail toward the camp on forsythe's horse, riding for dear life. bud had come near to the school-house door with his armful of sage-brush just in time to hear forsythe's flippant speech about gardley and see margaret's white face. bud had gone for help!

but margaret did not go home to rest. she did not even get half-way home. when she had gone a very short distance outside the school-house she saw some one coming toward her, and in her distress of mind she could not tell who it was. her eyes were blinded with tears, her breath was constricted, and it seemed to her that a demon unseen was gripping her heart. she had not yet taken her bearings to know what she thought. she had only just come dazed from the shock of forsythe's words, and had not the power to think. over and over to herself, as she walked along, she kept repeating the words: "i do not believe it! it is not true!" but her inner consciousness had not had time to analyze her soul and be sure that she believed the words wherewith she was comforting herself.

so now, when she saw some one coming, she felt the necessity of bringing her telltale face to order and getting ready to answer whoever she was to meet. as she drew nearer she became suddenly aware that it was rosa rogers coming with her arms full of bundles and more piled up in front of her on her pony. margaret knew at once that rosa must have seen forsythe go by her house, and had returned promptly to the school-house on some pretext or other. it would not do to let her go there alone with the young man; she must go back and stay with them. she could not be sure that if she sent rosa home with orders to rest she would be obeyed. doubtless the girl would take another way around and return to the school again. there was nothing for it but to go back and stay as long as rosa did.

margaret stooped and, hastily plucking a great armful of sage-brush, turned around and retraced her steps, her heart like lead, her feet suddenly grown heavy. how could she go back and hear them laugh and chatter, answer their many silly, unnecessary questions, and stand it all? how could she, with that great weight at her heart?

she went back with a wonderful self-control. forsythe's face lighted, and his reluctant hand grew suddenly eager as he worked. rosa came presently, and others, and the laughing chatter went on quite as margaret had known it would. and she—so great is the power of human will under pressure—went calmly about and directed here and there; planned and executed; put little, dainty, wholly unnecessary touches to the stage; and never let any one know that her heart was being crushed with the weight of a great, awful fear, and yet steadily upborne by the rising of a great, deep trust. as she worked and smiled and ordered, she was praying: "oh, god, don't let it be true! keep him! save him! bring him! make him true! i know he is true! oh, god, bring him safely soon!"

meantime there was nothing she could do. she could not send forsythe after him. she could not speak of the matter to one of those present, and bud—where was bud? it was the first time since she came to arizona that bud had failed her. she might not leave the school-house, with forsythe and rosa there, to go and find him, and she might not do anything else. there was nothing to do but work on feverishly and pray as she had never prayed before.

by and by one of the smaller boys came, and she sent him back to the tanners' to find bud, but he returned with the message that bud had not been home since morning; and so the last hours before the evening, that would otherwise have been so brief for all there was to be done, dragged their weary length away and margaret worked on.

she did not even go back for supper at the last, but sent one of the girls to her room for a few things she needed, and declined even the nice little chicken sandwich that thoughtful mrs. tanner sent back along with the things. and then, at last, the audience began to gather.

by this time her anxiety was so great for gardley that all thought of how she was to supply the place of the absent jed had gone from her mind, which was in a whirl. gardley! gardley! if only gardley would come! that was her one thought. what should she do if he didn't come at all? how should she explain things to herself afterward? what if it had been true? what if he were the kind of man forsythe had suggested? how terrible life would look to her! but it was not true. no, it was not true! she trusted him! with her soul she trusted him! he would come back some time and he would explain all. she could not remember his last look at her on sunday and not trust him. he was true! he would come!

somehow she managed to get through the terrible interval, to slip into the dressing-room and make herself sweet and comely in the little white gown she had sent for, with its delicate blue ribbons and soft lace ruffles. somehow she managed the expected smiles as one and another of the audience came around to the platform to speak to her. there were dark hollows under her eyes, and her mouth was drawn and weary, but they laid that to the excitement. two bright-red spots glowed on her cheeks; but she smiled and talked with her usual gaiety. people looked at her and said how beautiful she was, and how bright and untiring; and how wonderful it was that ashland school had drawn such a prize of a teacher. the seats filled, the noise and the clatter went on. still no sign of gardley or any one from the camp, and still bud had not returned! what could it mean?

but the minutes were rushing rapidly now. it was more than time to begin. the girls were in a flutter in one cloak-room at the right of the stage, asking more questions in a minute than one could answer in an hour; the boys in the other cloak-room wanted all sorts of help; and three or four of the actors were attacked with stage-fright as they peered through a hole in the curtain and saw some friend or relative arrive and sit down in the audience. it was all a mad whirl of seemingly useless noise and excitement, and she could not, no, she could not, go on and do the necessary things to start that awful play. why, oh, why had she ever been left to think of getting up a play?

forsythe, up behind the piano, whispered to her that it was time to begin. the house was full. there was not room for another soul. margaret explained that fiddling boss had not yet arrived, and caught a glimpse of the cunning designs of forsythe in the shifty turning away of his eyes as he answered that they could not wait all night for him; that if he wanted to get into it he ought to have come early. but even as she turned away she saw the little, bobbing, eager faces of pop and mom wallis away back by the door, and the grim, towering figure of the boss, his fiddle held high, making his way to the front amid the crowd.

she sat down and touched the keys, her eyes watching eagerly for a chance to speak to the boss and see if he knew anything of gardley; but forsythe was close beside her all the time, and there was no opportunity. she struck the opening chords of the overture they were to attempt to play, and somehow got through it. of course, the audience was not a critical one, and there were few real judges of music present; but it may be that the truly wonderful effect she produced upon the listeners was due to the fact that she was playing a prayer with her heart as her fingers touched the keys, and that instead of a preliminary to a fairy revel the music told the story of a great soul struggle, and reached hearts as it tinkled and rolled and swelled on to the end. it may be, too, that fiddling boss was more in sympathy that night with his accompanist than was the other violinist, and that was why his old fiddle brought forth such weird and tender tones.

almost to the end, with her heart sobbing its trouble to the keys, margaret looked up sadly, and there, straight before her through a hole in the curtain made by some rash youth to glimpse the audience, or perhaps even put there by the owner of the nose itself, she saw the little, freckled, turned-up member belonging to bud's face. a second more and a big, bright eye appeared and solemnly winked at her twice, as if to say, "don't you worry; it's all right!"

she almost started from the stool, but kept her head enough to finish the chords, and as they died away she heard a hoarse whisper in bud's familiar voice:

"whoop her up, miss earle. we're all ready. raise the curtain there, you guy. let her rip. everything's o. k."

with a leap of light into her eyes margaret turned the leaves of the music and went on playing as she should have done if nothing had been the matter. bud was there, anyway, and that somehow cheered her heart. perhaps gardley had come or bud had heard of him—and yet, bud didn't know he had been missing, for bud had been away himself.

nevertheless, she summoned courage to go on playing. nick bottom wasn't in this first scene, anyway, and this would have to be gone through with somehow. by this time she was in a state of daze that only thought from moment to moment. the end of the evening seemed now to her as far off as the end of a hale old age seems at the beginning of a lifetime. somehow she must walk through it; but she could only see a step at a time.

once she turned half sideways to the audience and gave a hurried glance about, catching sight of fudge's round, near-sighted face, and that gave her encouragement. perhaps the others were somewhere present. if only she could get a chance to whisper to some one from the camp and ask when they had seen gardley last! but there was no chance, of course!

the curtain was rapidly raised and the opening scene of the play began, the actors going through their parts with marvelous ease and dexterity, and the audience silent and charmed, watching those strangers in queer costumes that were their own children, marching around there at their ease and talking weird language that was not used in any class of society they had ever come across on sea or land before.

but margaret, watching her music as best she could, and playing mechanically rather than with her mind, could not tell if they were doing well or ill, so loudly did her heart pound out her fears—so stoutly did her heart proclaim her trust.

and thus, without a flaw or mistake in the execution of the work she had struggled so hard to teach them, the first scene of the first act drew to its close, and margaret struck the final chords of the music and felt that in another minute she must reel and fall from that piano-stool. and yet she sat and watched the curtain fall with a face as controlled as if nothing at all were the matter.

a second later she suddenly knew that to sit in that place calmly another second was a physical impossibility. she must get somewhere to the air at once or her senses would desert her.

with a movement so quick that no one could have anticipated it, she slipped from her piano-stool, under the curtain to the stage, and was gone before the rest of the orchestra had noticed her intention.